Tag Archives: Nelly Furtado

It’s Sia’s Birthday And I Need To Dance!

The Guardian described Sia’s “Chandelier” as “a warning about the pitfalls of a party lifestyle.” About the song, MTV News wrote “Sia serves party-girl darkness, toeing the line between celebration and self-destruction as it becomes increasingly more blurred.” Now sober, the singer/songwriter struggled with alcoholism in the past. She told NPR “I wrote [“Chandelier”] because there’s so many party-girl anthems in pop, and I thought it’d be interesting to do a different take on that.”

Friday is dance day at Tunes du Jour. Our weekly party kicks off with “Chandelier,” co-written and performed by Sia, who turns 40 years old today.


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How Empire Changed Timbaland

After Empire creator Lee Daniels hired music producer Timbaland to be the television program’s Executive Music Producer, the Grammy Award winner sent the Academy Award nominee music to be used in the pilot episode.

As he recounted to Out.com, Daniels brought a copy of that first episode to Timbaland to show him how his music was used. Daniels was out of the room during the scene where Jamal and his boyfriend kiss. Said Daniels “I knew he was fascinated by seeing his music in the work, but he said, ‘Those guys kissing, man. Wow.’” When the music producer showed his family the pilot, he made his children leave the room during that kissing scene.

That shouldn’t surprise anyone. This was the man who said “Some people listen to a song like ‘SexyBack’ and think, am I queer? Am I funny? If you are that way, you’re just that way. But if you’re a masculine man, embrace it. Have a glass of wine, put the record on and invite your girl over to get sexy.”

He has a point. When I listen to “SexyBack,” I ask “Am I queer?” That’s because Justin Timberlake doesn’t do anything for me. If I were a masculine man who drank, I’d have a girl over and get sexy for the song’s four minutes and three seconds. But I’m funny.

Per Daniels, who is openly-gay, Timbaland is singing a new tune. “[Working on this show has] changed his opinion on how he feels about gays. He said it. And I remember hanging up the phone and being very emotional after talking to him, and after him telling me that. And how he really had this epiphany. It was beautiful, and it deepened our friendship.”

That must have been some conversation. “Hi, Lee? It’s Timbaland. I’ve worked with many gay people in my twenty-five years producing music, and every one of them disgusted me with their talent and work ethic. But after seeing a fictional gay character recite scripted lines and give his, uh, male friend a quick kiss, I’ve had a change of heart. I can handle a gay person for a few scenes one hour a week, provided my kids aren’t in the room. Let’s have dinner soon. Feel free to not bring your boyfriend. Love ya (in a platonic way)!”

Today the man born Timothy Mosley turns 43 years old. There’s still time for him to continue evolving. Here are twenty tracks he produced or co-produced. WARNING: This playlist includes “SexyBack.” Be sure you’re masculine enough to listen! (Before anyone asks, his stellar work with Aaliyah is not available on Spotify.)

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It’s Halloween And I Need To Dance!

On the night of December 31, 1977, Grace Jones rang in the new year with a performance at New York City’s Studio 54. She invited Nile Rodgers and Bernard Edwards of the band Chic, whose hits such as “Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)” were often played at the club, to catch her show. The guys went to the stage door, where the doorman told them to “Fuck off!” They went to the front entrance and told the doorman there they were personal guests of Jones. The doorman told them they weren’t on the list and refused them admission. Though all dressed up, they went back to the apartment where Nile was then staying. Several bottles of champagne and a little cocaine later, the two musicians started jamming on a song they improvised, inspired by the first doorman. “Awww, fuck off – fuck Studio 54 – fuck off.”

Bernard was impressed with the riff they created, though both knew they wouldn’t get radio airplay for a song that went “fuck off.” (How times have changed!) They changed “fuck” to “freak,” though “freak off” sounded lame. Then Bernard suggested changing “off” to “out.” Nile responded “Like…when you’re out on the dance floor losing it, you know you’re freaking out,” to which Bernard replied “Yeah, plus they have that new dance called ‘the Freak.’”

“Le Freak” debuted on the Billboard Hot 100 in the fall of 1978. In December it hit #1, though it got knocked from the top a week later by Barbra Streisand and Neil Diamond’s “You Don’t Bring Me Flowers.” One week later “Le Freak” went back to #1, but one week after that it got knocked out by Bee Gees’ “Too Much Heaven.” Two weeks later “Le Freak” returned to #1, staying on top for four more weeks. It went on to sell approximately twelve million units worldwide, becoming the best-selling record ever for Atlantic Records.

In 1979 “Le Freak” was included on a compilation album entitled A Night at Studio 54.

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All sorts of freaks and monsters will be out today/tonight for Halloween. This week’s dance party is inspired by the holiday.

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It’s Friday And I Need To Dance!

Last Friday I received word that a friend of mine died. Brain cancer. He was 37 years old.

The following day I got the call that my uncle passed away. My mother and her sister flew in for their brother’s funeral. He was married to the same woman for more than 50 years, since she was 19.

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I’m glad this week is over. It’s Friday, and I really need to dance. We’ll start our weekly dance playlist with The Clash. The late Joe Strummer’s birthday was yesterday. We’ll play a track by the late Isaac Hayes, whose birthday was Wednesday. Belinda Carlisle of The Go-Go’s and Mika had birthdays this past week, while Tori Amos turns 51 today. Here’s to life and dancing while one still can.

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Glenn’s Ten – 7/16/14

There are two new entries in Glenn’s Ten this week – Spoon’s “Do You” and Beck’s “Heart is a Drum.” They replace Conor Oberst’s “Hundreds of Ways” and Paramore’s “Ain’t It Fun.” The Oberst track had a ten-week run. The Paramore track entered Glenn’s Ten the first week in April and spent two weeks at #1.

Glenn’s Ten for this week is:
1. “Every Time the Sun Comes Up” – Sharon Van Etten
2. “Somethin’ Bad” – Miranda Lambert and Carrie Underwood
3. “Control” – Broken Bells
4. “Do You” – Spoon
5. “West Coast” – Lana Del Rey
6. “Heart is a Drum” – Beck
7. “Just One Drink” – Jack White
8. “Do It Again” – Röyksopp and Robyn
9. “Come Get It Bae” – Pharrell Williams
10. “Love Never Felt So Good” – Michael Jackson

Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order.

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It’s Friday And I Need To Dance!

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“I love to have that conflict of something sounding so sweet but actually being really quite dark.”

That quote from Lily Allen summarizes one of my favorite attributes of her music – sunny melodies coupled with not-quite-sunny lyrics, a juxtaposition that makes for some wonderfully subversive pop tunes.

The song that put her on the map, “Smile,” exemplifies this. It’s a catchy song – upbeat, major chords. Lily wrote it about an ex-boyfriend who was cheating on her. Then the ex got dumped by his new girlfriend and he called Lily to console him, which brings us to the awesome chorus: “At first when I see you cry, it makes me smile. Yeah, it makes me smile / At worse I feel bad for a while, but then I just smile. I go ahead and smile.”

“Smile” appeared on Allen’s debut album Alright, Still, released in 2006. Her follow-up album, 2009’s It’s Not Me, It’s You, contains another brilliant example of this style, this time aimed at a well-known public figure.

The song was initially released by Allen on her MySpace page in 2008 as “Guess Who, Batman.” The song is not about anyone connected with Batman, but rather, someone whose initials match the first letter of each word in this title. If you’re still not sure, I’ll let Lily give you a clue: “It was originally written about this fucking arsehole who used to be the President of the United States of America. His name is George W. Bush.”

She made that comment after Bush left office and after the song was released with an additional verse and a new title, “Fuck You.”

Among the things for which she takes Bush to task is his perceived homophobia: “So you say it’s not okay to be gay / Well, I think you’re just evil.”

Shortly after the second album’s release an Australia guy with the YouTube moniker steviebeebishop created a video for the song that featured members of the L, G, B and T populations and their supporters around the world lip-synching the tune. It became a phenomenon that spread to other countries, with lip-synched versions emanating from countries such as France, Croatia, New Zealand, Hungary, Mexico and Brazil.

The song was no longer specifically about Bush, but directed towards anyone who expresses anti-gay sentiments. As steviebeebishop explained when he posted his video:

theres a disgusting amount of hate on the internet (especially on youtube!) directed at minority groups (especially the LGBT community) so i was inspired to organize this collab video. i never set out to change the world. i did not make this for the gay haters to see. i wanted to make something light hearted and funny for the victims of gay hate, to teach them to brush off the hate and stand strong and confident as who they are. you’re not alone! stevie loves you 🙂

Today is Lily Allen’s 29th birthday. As Friday is dance day at Tunes du Jour, we’ll kick off our playlist with a remix of “Fuck You.” By the way, Lily’s third album, Sheezus, is out today.

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