Tunes Du Jour Presents 1968

In the tumultuous year of 1968, the world was ablaze with social and political upheaval, and the music of the time resonated deeply with the spirit of change. As we reflect on the sounds that defined this pivotal era, it’s impossible not to be swept away by the eclectic mix of genres and emotions that filled the airwaves. From soulful ballads to psychedelic rock anthems, the music of 1968 was a reflection of the turbulent times in which it was created.

One cannot delve into the musical landscape of 1968 without acknowledging the timeless classics that continue to capture hearts and minds today. Marvin Gaye’s “I Heard It Through the Grapevine” remains a soulful testament to the power of love and betrayal, while The Beatles’ “Hey Jude” stands as an enduring anthem of hope and resilience. Meanwhile, Otis Redding’s “(Sittin’ On) The Dock of the Bay” evokes a sense of quiet contemplation amidst the chaos, its melancholic melody lingering long after the last note fades away.

The year also saw the rise of revolutionary artists who pushed the boundaries of conventional sound and style. Jimi Hendrix’s electrifying rendition of Bob Dylan’s “All Along The Watchtower” redefined the possibilities of guitar-driven rock, while Sly & the Family Stone’s “Dance To The Music” infused funk with a vibrant energy that transcended racial and cultural divides. Steppenwolf’s “Born To Be Wild” became the anthem of a generation, capturing the restless spirit of rebellion that coursed through the veins of youth around the world.

Each track on this playlist is a testament to the power of music to unite, inspire, and console, even in the darkest of times. Let us remember the year that was 1968 and the enduring legacy of the artists who helped shape it.

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Your (Almost) Daily Playlist: 11-25-23

Born out of lyrics Percy Sledge improvised during a performance after his girlfriend left him, “When A Man Loves A Woman” went on to become a true classic. Sledge let his keyboard and bass players have the full writing credit. On Sledge’s first recording of the song, the horns were out of tune, so Sledge did another take. His record company accidentally released the first version as a single. I don’t think they regret that error.  

The late Percy Sledge was born on this date in 1940. His best-known song kicks off today’s playlist.

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Your (Almost) Daily Playlist: 9-9-23

The first session of the recording of “(Sittin’ On) The Dock of the Bay” took place on November 22, 1967. A second session took place on December 7 of that year. The distinctive whistling at the end of the record was improvised by Otis Redding during recording, serving as a placeholder for a planned third verse that he never got to write before his passing in a plane crash on December 10.

The late great Otis Redding was born on this date in 1941. Lotsa Otis on today’s playlist.

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