Your (Almost) Daily Playlist: 2-17-24

A used unwashed black t-shirt worn by Green Day’s Billie Joe Armstrong during the promotion of the band’s American Idiot album sold for $2500 at a charity auction, with the proceeds going to the Oakland School of the Arts. I would love to dispose of my laundry pile the same way, but I doubt anybody would pay more than $400 for my sweat-stained socks.

Billie Joe Armstrong was born on this date in 1972. Tracks from his band are included on today’s playlist.

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Tunes Du Jour Presents Joy Division and New Order

Joy Division and New Order are two of the most influential bands in the history of rock music. They emerged from the punk scene of the late 1970s and evolved into different styles and genres, leaving behind a legacy of timeless songs and albums.

Joy Division was formed in 1976 by four young men from Manchester, England: Ian Curtis (vocals), Bernard Sumner (guitar), Peter Hook (bass), and Stephen Morris (drums). They were inspired by the energy and attitude of the Sex Pistols, but they soon developed their own distinctive sound and vision. Their music was dark, atmospheric, and haunting, reflecting the bleakness and alienation of their industrial surroundings. Their lyrics were poetic, complex, and literary, dealing with themes such as love, death, isolation, and mental illness. Curtis, who suffered from epilepsy and depression, delivered his vocals with a deep, expressive, and sometimes erratic voice.

Joy Division released two albums in their short career: Unknown Pleasures (1979) and Closer (1980). Both are considered masterpieces of post-punk, a genre that emerged after the initial wave of punk and experimented with new sounds and influences. Joy Division’s songs, such as “Love Will Tear Us Apart,” “Atmosphere,” “Transmission,” and “She’s Lost Control,” are among the most iconic and influential of the era. They also created a distinctive visual identity, with minimalist and abstract album covers designed by Peter Saville.

Joy Division’s career was tragically cut short by the suicide of Curtis on May 18, 1980, the eve of their first American tour. His death shocked and saddened the music world, and also mythologized the band as a symbol of intensity and authenticity. Joy Division’s music has inspired countless artists across genres and generations, from U2 and Radiohead to Nine Inch Nails and The Killers.

After the death of Curtis, the remaining members of Joy Division decided to continue making music under a new name: New Order. They were joined by Gillian Gilbert, a keyboardist and guitarist who added a new dimension to their sound. New Order’s music was a radical departure from Joy Division’s. They embraced synthesizers, drum machines, and dance music influences, creating a fusion of rock and electronic music that was groundbreaking and influential. Their music was also more upbeat, colorful, and optimistic, reflecting their personal and artistic growth.

New Order released several albums throughout the 1980s and 1990s, each one exploring new musical directions and possibilities. Their most famous and successful song is “Blue Monday,” a 1983 single that is the best-selling 12-inch record of all time. The song is a synth-pop masterpiece, with a catchy melody and a pulsating rhythm. Other notable songs by New Order include “True Faith,” “Regret,” “World In Motion,” and “Bizarre Love Triangle.” New Order’s music has influenced many artists in the fields of synth-pop, techno, house, and alternative rock, such as Depeche Mode, Pet Shop Boys, The Chemical Brothers, and LCD Soundsystem.

Besides their musical achievements, Joy Division and New Order have also been involved in various philanthropic efforts. One of their most notable contributions was their participation in the Artists Against Apartheid project, a campaign that aimed to raise awareness and funds for the anti-apartheid movement in South Africa. In 1986, New Order recorded a song called “State of the Nation,” which denounced the racist regime and expressed solidarity with the oppressed people. The song was released as part of an album called Conspiracy of Hope, which also featured songs by U2, Sting, Peter Gabriel, and others. The album was a benefit for Amnesty International, a human rights organization that works to end injustice and abuse around the world.

Joy Division and New Order also supported the Hacienda, a legendary nightclub in Manchester that was owned by their record label, Factory Records. The Hacienda was a cultural hub that hosted many famous bands and DJs, such as The Smiths, The Stone Roses, Madonna, and Happy Mondays. It was also a place where people of different backgrounds, races, and sexual orientations could mingle and enjoy music and dancing. The Hacienda was a pioneer of the rave culture, which promoted peace, love, and unity through electronic music. However, the club also faced financial and legal troubles, and eventually closed in 1997. Joy Division and New Order donated much of their royalties and profits to keep the club running, and also performed there several times.

Joy Division and New Order are two bands that have made a lasting impact on music and culture. If you want to listen to some of their best songs, check out this playlist.

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Your (Almost) Daily Playlist: 1-13-24

“One minute you’re just cooking up someone’s order of French fries and the next minute you’re laying on the floor and they blow your brains out.”-   The Flaming Lips’ Wayne Coyne reflecting on being held up at gunpoint when he was a fry cook at Long John Silver’s 

The Flaming Lips’ Wayne Coyne on this date in 1961. A few of his band’s cuts are included on today’s playlist.

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Tunes Du Jour Presents R.E.M.

R.E.M. was one of the most influential and innovative bands of the 1980s and 1990s, creating a distinctive sound that blended alternative rock, folk, and pop. The band, which consisted of Michael Stipe, Peter Buck, Mike Mills, and Bill Berry, formed in 1980 in Athens, Georgia, and soon became the quintessential college rock band, attracting a loyal fan base with their poetic lyrics, jangly guitars, and charismatic stage presence.

R.E.M. was not only a musical force, but also a social and political one. The band used their platform to raise awareness and support for various causes, such as environmentalism, human rights, animal rights, and AIDS research., and they also celebrated their own identities, with Stipe coming out as queer in 1994 and Buck embracing his Buddhist faith.

Some of R.E.M.’s songs reflected their activism and values, such as “Fall on Me”, which addressed acid rain and “Orange Crush”, which criticized the Vietnam War. Other songs captured the emotions and experiences of their listeners, such as “Losing My Religion”, which explored doubt and obsession, “Everybody Hurts”, which offered comfort and hope, and “Nightswimming”, which evoked nostalgia and innocence.

R.E.M. also experimented with different musical styles and formats, such as incorporating rap, electronica, and country elements. They also challenged the music industry norms, refusing to print lyrics with their albums until 1994, avoiding lip-syncing on television, and maintaining creative control over their work.

R.E.M. disbanded in 2011, after 31 years and 15 studio albums, leaving behind a legacy of music and social impact that inspired countless artists and fans. Their songs are still widely played and enjoyed today, and their influence can be heard in bands such as Nirvana, Radiohead, Pearl Jam, and Coldplay. R.E.M. was inducted into the Rock and Roll Hall of Fame in 2007, and received numerous awards and accolades for their artistic and humanitarian achievements.

If you want to revisit some of R.E.M.’s best songs, or discover them for the first time, check out this playlist that features some of their hits and deep cuts.

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Your (Almost) Daily Playlist: 10-7-23

One night in December 1994 my friend Kathy and I attended the WDRE Acoustic Xmas show at New York City’s Beacon Theater. There were multiple artists on the bill, each getting a short slot to perform three or four songs. The acts were The Go-Go’s, Big Audio Dynamite, Jesus and Mary Chain, frente!, Love Spit Love, Black 47, G. Love & Special Sauce, and Radiohead’s Thom Yorke and Jonny Greenwood. I looked up online who performed, as the only act I recall seeing there were the Radiohead guys. The band had one album out at that time, 1993’s Pablo Honey. Kathy and I just wanted them to do their hit – “Creep” – and then skedaddle. They didn’t play “Creep.” They played some song about plastic trees and one about an iron long and some other mess. Kathy and I knew this band would never be heard from again.

Oops.

Radiohead’s Thom Yorke was born on this date in 1968. Lots of Thom’s work on today’s playlist.

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Your (Almost) Daily Playlist: 10-2-23

In the same room where Ian Fleming wrote James Bond novels Sting of The Police wrote what he called a “nasty little song” about his feelings of jealousy and obsession over his first wife following their divorce. I’m not sure if hearing the song everywhere helped him get over those feelings, but the money the song generated may have lifted his spirits.

Sting was born on this date in 1951. Lotsa Police songs on today’s playlist.

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Throwback Thursday: 1996

When first presented with his brother Noel’s composition “Wonderwall,” Oasis’ usual lead singer Liam Gallagher didn’t care for it. Of course, the song became a worldwide smash. Did Liam come around? In 2008 he told MTV News “I can’t fucking stand that fucking song! Every time I have to sing it I want to gag.” Guess not. What about Noel, the song’s writer? He must like it, right? Here is what he said: “Outside of England, it’s the one song we’re famous for all over the world, and it annoys the fuck out of me. It’s not a fucking rock’n’roll tune. There’s quite a vulnerable statement to it. When people come up to me and say it’s one of the greatest tunes ever written, I think, ‘fucking hell, have you heard “Live Forever”?’”

Oasis’ “Wonderwall” is one of the 1996 songs on today’s Throwback Thursday playlist.

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