The Stylistics’ Russell Thompkins Jr. was born on this date in 1951. Lotsa songs from that classic group are on today’s playlist.
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Your (Almost) Daily Playlist: 6-16-23
Back in 2016, when Donald Trump was a candidate for president of the United States of America without impeachments and indictments on his resume, the classic song “Love Train” was played at the Republican National Convention. The O’Jays were not supportive of this use of their hit. Group member Walter Williams said “Our music, and most especially ‘Love Train,’ is about bringing people together, not building walls. I don’t appreciate being associated with Mr. Trump and his usage of our music without permission.” Added group member Eddie Levert, “I don’t agree, whatsoever, with Trump’s politics to the point where I think he just may be the anti-Christ.”
The O’Jays’ Eddie Levert turns 81 today. A few of his group’s hits are included on today’s playlist.
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Throwback Thursday: 1984
Madonna! Prince! Bruce! Michael! Chaka! Cyndi! Rockwell! Boy! The best of 1984’s pop stars/hits made a mark that remain part of our consciousness nearly forty years later. The influence of upstarts who didn’t crack the Hot 100 – The Smiths, The Replacements, Run-D.M.C. – has been acknowledged in the years since. For those who wish to relive those days, for those who wish they were living then, and for those who wish to associate 1984 with something other than a misunderstood piece of classic literature or the most recent Wonder Woman movie, this playlist is for you. Happy Throwback Thursday!
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Your (Almost) Daily Playlist (9-2-20)
Inspired by the September 2 birthdays of Billy Preston, Joe Simon, Bobby Purify, Victor Lundberg and K-Ci Hailey.
Your (Almost) Daily Playlist (5-1-20)
Inspired by the May 1 birthdays of Ray Parker Jr., Rita Coolidge, Judy Collins, Little Walter and Jay Reatard.
Your (Almost) Daily Playlist (4-8-20)
Inspired by the April 8 birthdays of Vampire Weekend’s Ezra Koenig, The 1975’s Matty Healy, Biz Markie, L7’s Donita Sparks, Hinds’ Carlotta Cosials, and composer Fred Ebb (Cabaret, New York New York), and the passing of John Prine.
Throwback Thursday – The Hits of 1984
Madonna debuted “Like a Virgin” with a performance on the MTV Video Music Awards in September 1984, weeks before the record was released. Watching her on television rolling around the floor in a wedding dress with a Boy Toy belt buckle, the song’s writers, Tom Kelly and Billy Steinberg, thought “We’re doomed now. This is an embarrassment. This is never going to succeed.”
“Like a Virgin” spent six weeks at #1 on the Billboard Hot 100, her first single to top that chart.
Kelly and Steinberg didn’t meet Madonna until around five years later. At a party they saw her, and asked Steve Bray, who wrote Madonna’s hit “Into the Groove,” to introduce them.
Bray did so. “Madonna, I want you to meet Billy Steinberg and Tom Kelly. They wrote ‘Like a Virgin.’”
Steinberg said “Oh Madonna, I’ve wanted to meet you for so long.”
Madonna replied “Well, now you did,” and walked away.
“Like a Virgin” kicks off this week’s Throwback Thursday playlist, spotlighting the hits of 1984.
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It’s Ray Parker, Jr.’s Birthday And I Need To Dance!
“Which song is better – ‘Ghostbusters’ or ‘Total Eclipse of the Heart?’”
That question was posed by a co-worker. Are you fudgetown kidding me? It’s like asking “Which movie is better – The Godfather or Paul Blart-Mall Cop 2?”
Okay. That comparison is unfair. “Total Eclipse of the Heart” is far more enjoyable than Paul Blart-Mall Cop 2. I haven’t seen Paul Blart-Mall Cop 2, but I’m confident that “Total Eclipse…” is funnier. “I don’t know what to do, I’m always in the dark / We’re living in a powder keg and giving off sparks.” Ha! And how ‘bout dem sleigh bells?!? How many other summer hits employed sleigh bells?
So yes, I love “Total Eclipse of the Heart,” because it’s so delightfully awful. “Ghostbusters,” on the other hand, is genius. If you were called to write the theme song for a Bill Murray/Ernie Hudson feature film entitled Ghostbusters, would you turn in “Ghostbusters” or “Total Eclipse of the Heart?” Exactly!
“Ghostbusters” is so danged catchy. A lot of people thought so. Huey Lewis thought so. Lewis accused Parker, Jr. of ripping off the Huey Lewis and the News hit “I Want a New Drug” for the melody of “Ghostbusters.” I hear a similarity, but to me it’s like “Hey, Ray – there’s a shitty song called ‘I Want a New Drug.’ Can you make it better, please?” And he did.
“I Want a New Drug” isn’t even fun bad. “I want a new drug – one that won’t make me sick / One that won’t make me crash my car, or make me feel three feet thick.” Really? Did someone misplace their rhyming dictionary?
“Ghostbusters” has no clumsy lyrics. It’s all very efficient. “Who you gonna call? Ghostbusters! Who you gonna call? Ghostbusters! I think you better call. Ghostbusters! Ha ha. Who you gonna call? Ghostbusters! I can’t hear you. Who you gonna call? Ghostbusters! Louder! Ghostbusters! Who you gonna call? Ghostbusters! Who can you call? Ghostbusters! Who you gonna call? Ghostbusters! Ha ha ha. Uh, it likes the girls, too. Ghostbusters!” Then fade, way too soon if you ask me.
“Ghostbusters” was nominated for an Oscar for Best Original Song, but it lost to Stevie Wonder’s “I Just Called to Say I Love You,” a far shittier song than “Total Eclipse of the Heart” and “I Want a New Drug.” I’m not going to quote any lyrics from “I Just Called…,” as I’m pissed off that someone wrote and recorded that atrocity and then Motown stuck Stevie Wonder’s name on it. There’s no way the man who wrote “Maybe Your Baby” also wrote “I Just Called….” By the way, who plays guitar on Stevie Wonder’s “Maybe Your Baby?” Ray Parker, Jr.
Today is Ray Parker, Jr.’s 61st birthday. His hits, solo and with his band Raydio, include “A Woman Needs Love (Just Like You Do),” “Jack and Jill,” “You Can’t Change That” and “The Other Woman.” He also wrote or co-wrote hits for Rufus featuring Chaka Khan and New Edition and has appeared on records by Aretha Franklin, The Carpenters, Barry White, Bill Withers, Deniece Williams, yes I said The Carpenters, The Temptations, Spinners, Boz Scaggs, Gladys Knight and the Pips, Tina Turner, Herbie Hancock, Diana Ross, Cheryl Lynn, LaToya Jackson and Jack Wagner. Jack Wagner. Hey, Jack Wagner – who you gonna call? Ray Parker, Jr.
Our weekly dance party kicks off with Parker, Jr.’s most beloved song, “Ghostbusters.” Try dancing to Bonnie Tyler’s “Total Eclipse of the Heart.” You can’t! Another point for “Ghostbusters.” (Let’s not discuss Nicki French’s hi-NRG remake of “Eclipse” at this time.)
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It’s Halloween And I Need To Dance!
On the night of December 31, 1977, Grace Jones rang in the new year with a performance at New York City’s Studio 54. She invited Nile Rodgers and Bernard Edwards of the band Chic, whose hits such as “Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)” were often played at the club, to catch her show. The guys went to the stage door, where the doorman told them to “Fuck off!” They went to the front entrance and told the doorman there they were personal guests of Jones. The doorman told them they weren’t on the list and refused them admission. Though all dressed up, they went back to the apartment where Nile was then staying. Several bottles of champagne and a little cocaine later, the two musicians started jamming on a song they improvised, inspired by the first doorman. “Awww, fuck off – fuck Studio 54 – fuck off.”
Bernard was impressed with the riff they created, though both knew they wouldn’t get radio airplay for a song that went “fuck off.” (How times have changed!) They changed “fuck” to “freak,” though “freak off” sounded lame. Then Bernard suggested changing “off” to “out.” Nile responded “Like…when you’re out on the dance floor losing it, you know you’re freaking out,” to which Bernard replied “Yeah, plus they have that new dance called ‘the Freak.’”
“Le Freak” debuted on the Billboard Hot 100 in the fall of 1978. In December it hit #1, though it got knocked from the top a week later by Barbra Streisand and Neil Diamond’s “You Don’t Bring Me Flowers.” One week later “Le Freak” went back to #1, but one week after that it got knocked out by Bee Gees’ “Too Much Heaven.” Two weeks later “Le Freak” returned to #1, staying on top for four more weeks. It went on to sell approximately twelve million units worldwide, becoming the best-selling record ever for Atlantic Records.
In 1979 “Le Freak” was included on a compilation album entitled A Night at Studio 54.
All sorts of freaks and monsters will be out today/tonight for Halloween. This week’s dance party is inspired by the holiday.