Tunes Du Jour Presents 2002


The year 2002 was a turbulent one for the world, marked by wars, terrorism, scandals, and natural disasters. But it was also a year of creativity, innovation, and diversity in music. From hip-hop to rock, from pop to indie, from dance to folk, the music of 2002 reflected the mood and spirit of the times, offering both escapism and commentary, both nostalgia and novelty, both challenge and comfort.

One of the most dominant genres of the year was hip-hop, which reached new heights of popularity and influence. Eminem’s Lose Yourself became an anthem of determination and resilience, while Missy Elliott’s Work It showcased her inventive and playful style. Nelly’s Hot in Herre was a summer smash, while Clipse’s Grindin’ introduced a minimalist and gritty sound. Tweet and Missy Elliott’s Oops (Oh My) was a sensual and empowering ode to self-love, while Truth Hurts and Rakim’s Addictive sampled a Bollywood song and sparked a controversy. Cam’ron’s Oh Boy featured a catchy sample of Rose Royce’s I’m Going Down, while Khia’s My Neck, My Back (Lick It) was a raunchy and explicit hit.

Rock music also had a strong presence in 2002, with a variety of styles and sounds. Elvis Presley’s A Little Less Conversation (JXL Edit) was a remix of a 1968 song that became a worldwide hit, thanks to its inclusion in a Nike commercial. Avril Lavigne’s Complicated was a pop-rock anthem for the rebellious and misunderstood youth, while Coldplay’s In My Place was a melancholic and soaring ballad. The Strokes’ Hard to Explain was a garage rock revival, while Wilco’s Jesus, Etc. was a country-rock masterpiece. Interpol’s Obstacle 1 was a post-punk gem, while Spoon’s The Way We Get By was a catchy and quirky indie rock tune. The Libertines’ What a Waster was a punk rock blast, while Bruce Springsteen’s The Rising was a tribute to the victims and heroes of 9/11.

Pop music also had its share of hits and surprises in 2002, with some old and new faces. Christina Aguilera’s Dirrty was a provocative and edgy reinvention, while Beyonce’s Work It Out was a funky and soulful solo debut. Brandy’s What About Us was a futuristic and sleek R&B track, while No Doubt’s Hella Good was a disco and rock fusion. Bjork’s Pagan Poetry was a haunting and experimental song, while Las Ketchup’s Asereje was a catchy and silly novelty. Alanis Morissette’s Hands Clean was a confessional and catchy pop-rock song, while Rufus Wainwright’s Across the Universe was a beautiful and faithful cover of the Beatles classic.

Some of the most memorable songs of 2002 were not easily categorized, but rather blended genres and styles. Sugababes’ Freak Like Me was a mash-up of Adina Howard’s Freak Like Me and Gary Numan’s Are ‘Friends’ Electric?, creating a pop and electro masterpiece. The Flaming Lips’ Do You Realize?? was a psychedelic and uplifting song, while X-Press 2’s Lazy was a house and spoken word collaboration with David Byrne. The Streets’ Weak Become Heroes was a rap and piano tribute to rave culture, while Doves’ There Goes The Fear was a rock and electronic epic.

The music of 2002 was a reflection of the year itself: diverse, unpredictable, exciting, and sometimes challenging. It was a year of contrasts and surprises, of highs and lows, of old and new. It was a year that gave us some of the most memorable songs of the 21st century, and a year that we can revisit through this playlist. Enjoy!

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Your (Almost) Daily Playlist: 10-7-23

One night in December 1994 my friend Kathy and I attended the WDRE Acoustic Xmas show at New York City’s Beacon Theater. There were multiple artists on the bill, each getting a short slot to perform three or four songs. The acts were The Go-Go’s, Big Audio Dynamite, Jesus and Mary Chain, frente!, Love Spit Love, Black 47, G. Love & Special Sauce, and Radiohead’s Thom Yorke and Jonny Greenwood. I looked up online who performed, as the only act I recall seeing there were the Radiohead guys. The band had one album out at that time, 1993’s Pablo Honey. Kathy and I just wanted them to do their hit – “Creep” – and then skedaddle. They didn’t play “Creep.” They played some song about plastic trees and one about an iron long and some other mess. Kathy and I knew this band would never be heard from again.

Oops.

Radiohead’s Thom Yorke was born on this date in 1968. Lots of Thom’s work on today’s playlist.

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Your (Almost) Daily Playlist: 8-25-23

The album Yankee Hotel Foxtrot was rejected by Reprise Records, Wilco’s label at the time, for being too experimental and uncommercial. Wilco bought back the rights to the album for $50,000. The band subsequently signed with Nonesuch Records, which, like Reprise, is distributed by Warner Music. Nonesuch put out the album in 2002. It became Wilco’s best-selling album, despite the band making it available to stream for free on their website following their departure from Reprise.

Wilco’s Jeff Tweedy was born on this date in 1967. Lots of Wilco on today’s playlist.

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Your (Almost) Daily Playlist: 6-13-23

My favorite Weezer song is “Buddy Holly,” from their 1994 album titled Weezer, not to be confused with their 2001 album titled Weezer, their 2008 album titled Weezer, their 2016 album titled Weezer, or either of their 2019 albums titled Weezer. My second favorite Weezer song is “Hash Pipe,” from their 2001 album titled Weezer, not to be confused with their 1994  album titled Weezer, their 2008 album titled Weezer, their 2016 album titled Weezer, or either of their 2019 albums titled Weezer. In third place I’d probably put “Island in the Sun,” also from their 2001 album titled Weezer, not to be confused with their 1994  album titled Weezer, their 2008 album titled Weezer, their 2016 album titled Weezer, or either of their 2019 albums titled Weezer. Next for me would be “Beverly Hills,” from an album not titled Weezer, which I find confusing.

Weezer’s Rivers Cuomo was born on this date in 1950 and has never been the governor of New York. To celebrate a handful of Weezer songs are on today’s playlist. Oddly, I didn’t include any of the favorites I mentioned, which is the most confusing part of this post.

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