Cory Daye of Dr. Buzzard’s Original “Savannah” Band has a birthday today, so a couple of songs from that band make our very danceable playlist.
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Today’s playlist celebrates the September 3 birthdays of The Beach Boys’ Al Jardine, Grand Funk Railroad’s Don Brewer, Freddie King, The Melodians’ Tony Brevett, Taana Gardner, The Creation’s Kenny Pickett, Jessy Lanza, Mantronix’s MC Tee, BG, Majical Cloudz’s Devon Welsh, and Jennifer Paige; and the September 4 birthdays of Destiny’s Child’s Beyoncé, The Byrds’ Gene Parsons, Soundgarden’s Kim Thayil, Mark Ronson, Mantronix’s Kurtis Mantronix, W.A.S.P.’s Blackie Lawless, and Sonny Charles.
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Inspired by the September 4 birthdays of Beyoncé, Mark Ronson and Sonny Charles; and the September 3 birthdays of The Beach Boys‘ Al Jardine, The Creation’s Kenny Pickett, Taana Gardner, and B.G.
Inspired by the April 25 birthdays of ABBA’s Björn Ulvaeus, Erasure’s Andy Bell, Ella Fitzgerald, Dr. Buzzard’s Original Savannah Band’s Cory Daye, Albert King, Hank Azaria, Los Bravos’ Mike Kogel, and Renee Zellweger; and the passing of Bohannon.
On May 31, President Obama issued a proclamation declaring June 2016 as African American Music Appreciation Month. The designation has actually been around since 1979, when President Carter commemorated the cultural and financial contributions of music made by African Americans at a reception at the White House. Back then it was Black Music Month, an idea conceived by music industry executive and radio personality Dyana Williams and her husband, Kenny Gamble.
You may not know Gamble’s name, but you know his music. The co-founder of Philadelphia International Records with Leon Huff, Gamble and his music partner have written and produced hits for Diana Ross & the Supremes and the Temptations, Dusty Springfield, the Jacksons, the O’Jays, Harold Melvin & the Blue Notes, Jerry Butler, Archie Bell and the Drells, the Three Degrees, Joe Simon, MFSB, Billy Paul, the Soul Survivors, Teddy Pendergrass, the Intruders, Lou Rawls, People’s Choice and the Jones Girls.
Tunes du Jour’s weekly dance party celebrates African American Music Appreciation Month with twenty dance floor packers, kicking off with a few of Gamble and Huff’s gems.
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The Gong Show debuted on NBC in June of 1976. The program was a competition between amateur performers, whose acts were rated by three celebrity judges, rotating between Rip Taylor, Rex Reed, (Juicy) Jaye P. Morgan, Jamie Farr, Arte Johnson, Phyllis Diller, Steve Garvey, and Potsie Weber. The judges gave each act a rating between 1 and 9, unless any of them found the act particularly odious, in which case he or she would bang the gong and end the performance. The act who scored the highest cumulative rating of any given episode won a trophy and a cash prize of $516.32.
Performers on The Gong Show included Paul Reubens and John Paragon, prior to the creation of their alter-egos Pee Wee Herman and Jambi the genie; Andrea McArdle, just before she won the role of Annie in the Broadway musical based on the Little Orphan Annie comic strip; and Cheryl Lynn, who would go on to sign a record deal with Columbia Records.
On The Gong Show, Cheryl Lynn scored a 30 with her performance of “You Are So Beautiful.” However, she didn’t win the $516.32, as a juggler on the same episode also scored a 30, and audience applause settled the tie score in his favor. Still, the exposure netted Lynn the recording agreement, and odds are she made more than $516.32 from her pop/disco/r&b hit “Got to Be Real.”
“Got to Be Real” was Lynn’s only top 40 single on the pop chart. On the r&b chart, she scored twelve top 40 singles.
Today, Cheryl Lynn turns 59 years old. Tunes du Jour’s weekly dance party kicks off with the disco classic “Got to Be Real.”
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I’m reading NLP: The Essential Guide to Neuro-Linguistic Programming, subtitled Creating the Person You Want to Be, by Tom Hoobyar and Tom Dotz with Susan Sanders. The book teaches one how to think, as opposed to what to think.
Of the many exercises in the book is one the authors call “Creating a Well-Formed Outcome.” You list things you want and answer six questions related to each want. Within those six questions is an exploration of “meta-outcomes.” To explore the meta-outcomes, one must keep asking what will happen if I achieve this goal.
For example, one of my goals is to have a leaner physique. Using this exercise, I say “When I am leaner, I’m more confident. When I am more confident, more guys will be attracted to me. If more guys are attracted to me, I’ll date more often. If I date more often, I’ll end up with a boyfriend. If I have a boyfriend, I’ll have someone with whom to watch movies, dance, and share other activities I enjoy. If I do more activities I enjoy, I’ll be “in the flow” more often. If I am in the flow more often, my happiness will increase.
Another goal I have is to work with more clients. If I work with more clients, I’ll make more money. If I have more money, I can partake more often in the activities I enjoy. If I partake more often in the activities I enjoy, I’ll be in the flow more often. If I am in the flow more often, my happiness will increase.
Now you try it. What is a goal you have? Keep asking yourself what will happen if you achieve each part. If you don’t end with me being happier, you’re doing it wrong. Start over!
Something that makes me happy is dancing. Friday is dance day at Tunes du Jour. Today happens to be the birthday of John Lennon. As he never hit the Billboard dance charts, we’ll kick off this week’s party with someone else whose birthday is today, Ini Kamoze. More accurately, today is the 58th birthday of Cecil Campbell, who later changed his name to Ini Kamoze. Here are twenty songs you can hotstep to.
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The number one song on Billboard’s dance chart on this day in 1982 was “Glad to Know You,” performed by Chas Jankel, a member of Ian Dury’s Blockheads. The Jankel record, which was listed alongside two other cuts from Jankel’s Questionnaire album – “3,000,000 Synths” and “Ai No Corrida” – remained at #1 on this chart for seven weeks, becoming the biggest club hit of the year, though it didn’t cross over onto the pop charts. (Quincy Jones had a big hit with his version of “Ai No Corrida,” a Jankel composition, the previous year.)
With Ian Dury, Jankel co-wrote the post-punk classics “Sex & Drugs & Rock & Roll,” “Hit Me with Your Rhythm Stick” and “Reasons to be Cheerful, Part 3,” all originally recorded by Ian Dury & the Blockheads.
Jankel’s sister Annabel is the co-creator of the character Max Headroom.
Today’s dance playlist kicks off with “Glad to Know You.” Why not comment? I would be glad to know you enjoyed this.