Lotsa New Order and Joy Division songs on today’s playlist, as it is the birthday of those bands’ Peter Hook.
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Today’s playlist celebrates the August 21 birthdays of Kelis, The Clash’s Joe Strummer, The Prodigy’s Liam Howlett, Kacey Musgraves, System of a Down’s Serj Tankian, Jackie De Shannon, Kenny Rogers, Ernie Maresca, and David Morales; and the August 22 birthdays of Wu-Tang Clan’s GZA, Tori Amos, John Lee Hooker, Tears for Fears’ Roland Orzabal, Craig Finn, Alice in Chains’ Layne Staley, Bangles’ Debbi Peterson, Living Colour’s Vernon Reid, Dale Hawkins, Dua Lipa, The Archies’ Ron Dante, Chuck Brown, and Evelyn Thomas.
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Inspired by the October 10 birthdays of David Lee Roth, John Prine, Crystal Waters, Kirsty MacColl, Tanya Tucker, Mya, Ultravox’s Midge Ure, Ivory Joe Hunter, Oscar Brown Jr. and The Honeycombs’ Dennis D’Ell.
Inspired by Black Music Month, LGBTQ Pride Month, and the June 24 birthdays of Mick Fleetwood, Solange, Tears For Fears’ Curt Smith, The Zombies’ Colin Blunstone, Orchestral Manouevres in the Dark’s Andy McClusky, Ariel Pink, Michele Lee, Mazzy Star’s Hope Sandoval, Siedah Garrett, Arthur Brown, Phil Harris, and The Notwist’s Markus Acher.
Tears for Fears, the duo consisting of Roland Orzabel and Curt Smith, released their debut album, The Hurting, in 1983. In their native England the album spawned three top five singles, “Mad World,” “Change” and “Pale Shelter.” In the US, their most successful single, “Change,” peaked at #73 on the Billboard Hot 100.
When it came time to do their second album, they wanted to break the US market. Needing one more song to round out the record, the duo’s producer, Chris Hughes, suggested Orzabel flesh out a song sketch he brought into the studio. Orzabel did so, and while he didn’t think much of the finished piece, Smith and Hughes thought this is the song that would change their fortunes stateside.
This song, “Everybody Wants to Rule the World,” was the first single released in the US from Songs from the Big Chair. It went to #1. The song that was the album’s first single in much of the world, “Shout,” was the second US single from the album, and the duo’s second #1.
Today, Curt Smith of Tears for Fears turns 55 years old. Tunes du Jour’s weekly dance party kicks off with a song on which Smith sings lead, Tears for Fears’ #1 breakthrough hit “Everybody Wants to Rule the World.”
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In 1984, Madonna peaked at #18 on the Billboard Hot 100 with her first charting single, “Holiday.” By the following year, she had established herself as the Queen of the Pop Charts. She followed “Holiday” with three singles that hit the top ten in 1984: “Borderline,” “Lucky Star” and “Like a Virgin,” the latter hitting #1 and remaining there for six weeks. She opened 1985 with the #2 hit “Material Girl,” followed closely by the #1 “Crazy for You.” “Crazy” is from the film Vision Quest, in which Madonna had a small part as a nightclub singer.
Madonna had a much larger role in the film Desperately Seeking Susan. Released in April 1985, the smash film featured a new track from Madonna, “Into the Groove.” As one might expect when a new superstar has a new song, and a great song at that, the track received lots of radio airplay. “Groove” hit #1 on the Dance Club chart, and the only record on which it appeared, a 12-inch single where it was the b-side of “Angel,” went gold, selling over a million units in the US.
Though it was a big seller with a ton of airplay and club play, “Into the Groove” never hit Billboard’s Hot 100. Though that chart is supposed to accurately reflect a song’s popularity in the US, Billboard imposes rules that hang around longer than they should, throwing off historians looking into a song’s popularity. One of the arcane rules in 1985 was that a song had to be available on a commercial 7-inch vinyl single to be eligible to chart. Commercial availability solely on a 12-inch vinyl single, even one that sold over a million copies, is not enough. Widespread radio play on a variety of formats (the song hit the top twenty on the r&b chart, which for reasons that made sense to Billboard’s chart editors, allowed 12-inch singles to chart) is not enough.
Eventually, Billboard got around to revising these rules. The advent of cassingles (cassette tape singles) and CD singles expanded the formats eligible. The music industry’s decision to hold back the release of singles in any format to force consumers to shell out big bucks for a full-length album to get the one song they liked forced Billboard to make radio airplay without a commercial single good enough for a Hot 100 chart placement, but that change didn’t come into being until December of 1998, thirteen years too late for Madonna and historians.
This week’s Throwback Thursday kicks off with one of the best-known songs to have never charted on Billboard’s Hot 100, Madonna’s “Into the Groove.” It is followed by other music highlights of 1985.
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On the Facebook page for my thirty-year college reunion, which is coming up this June, someone brought up the music that reminds them of our college days. Many posts followed, naming songs that remind us of shared experiences at Brandeis University in the first half of the 1980s.
That post inspired today’s playlist. Friday is dance day at Tunes du Jour, and today I present 50 songs we danced to in the Usdan Ballroom at Brandeis University between the fall of 1981 and the spring of 1985. It was a great time for popular music. These songs have stood the test of time.
Have a great weekend!
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