The late Robbie Robertson of The Band was born on this date in 1943. Hear some of his best on today’s playlist.
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In the tumultuous year of 1968, the world was ablaze with social and political upheaval, and the music of the time resonated deeply with the spirit of change. As we reflect on the sounds that defined this pivotal era, it’s impossible not to be swept away by the eclectic mix of genres and emotions that filled the airwaves. From soulful ballads to psychedelic rock anthems, the music of 1968 was a reflection of the turbulent times in which it was created.
One cannot delve into the musical landscape of 1968 without acknowledging the timeless classics that continue to capture hearts and minds today. Marvin Gaye’s “I Heard It Through the Grapevine” remains a soulful testament to the power of love and betrayal, while The Beatles’ “Hey Jude” stands as an enduring anthem of hope and resilience. Meanwhile, Otis Redding’s “(Sittin’ On) The Dock of the Bay” evokes a sense of quiet contemplation amidst the chaos, its melancholic melody lingering long after the last note fades away.
The year also saw the rise of revolutionary artists who pushed the boundaries of conventional sound and style. Jimi Hendrix’s electrifying rendition of Bob Dylan’s “All Along The Watchtower” redefined the possibilities of guitar-driven rock, while Sly & the Family Stone’s “Dance To The Music” infused funk with a vibrant energy that transcended racial and cultural divides. Steppenwolf’s “Born To Be Wild” became the anthem of a generation, capturing the restless spirit of rebellion that coursed through the veins of youth around the world.
Each track on this playlist is a testament to the power of music to unite, inspire, and console, even in the darkest of times. Let us remember the year that was 1968 and the enduring legacy of the artists who helped shape it.
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I just learned that Robbie Robertson, who was the lead guitarist and songwriter for The Band, is of Cayuga and Mohawk descent and has supported causes such as the American Indian Movement and the Native American Rights Fund. He has also spoken out against the misrepresentation and appropriation of Indigenous cultures by non-Native people.
Robbie Robertson turns 80 today. Some of his work is included on today’s playlist.
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I tend to think there are three age groups – children, the elderly, and folks around my age. Children bang on about things I’ve never heard of. The elderly tell stories of how when they were kids nobody in the neighborhood owned a television set so the family would take the trolley downtown to Sears and watch The Lawrence Welk Show through the store window. Folks in my age group all share the same cultural references.
This morning when walking my dogs, Ringo and Winston, I was made aware that there are those who are older than children yet younger than I. We saw Jeffrey, who lives across the street, walking his dog Molly and another dog. We said hello (well, I said hello. Ringo and Winston didn’t say anything. They’re not morning dogs.) and I asked “And who is this?,” referring to the other dog. Jeffrey replied “This is Luka,” to which I said “Does he live on the second floor?” I know the three or four of you reading this were thinking the same thing. Jeffrey had a puzzled look on his face. “What?” “His name is Luka. Does he live on the second floor?” Jeffrey, still confused, said “No. He lives next door to me.”
I hadn’t thought about it, but now I know Jeffrey is a lot younger than I. Unlike me, I’m sure when filling out a form that asks in which age group he falls, he never has to color in the circle by the group that ends with “and over.”
Everyone should know Suzanne Vega’s song “Luka.” And everyone should absolutely know Creedence Clearwater Revival’s “Fortunate Son.” If you aren’t familiar with it, put down your phone, then pick it back up because I just remembered that’s how young people listen to music nowadays, play the song (which kicks off the playlist below), and do this every day. Memorize the words. Scream along with it. It’s a great way to release your pent-up rage at The Man. Take my word for it. I’ve been doing so for <and over> years.
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