Tunes Du Jour Presents 1978

The year 1978 was a pivotal moment in music history, showcasing a striking contrast between the mainstream hits dominating the airwaves and the underground sounds bubbling beneath the surface. This year offered a rich assortment of genres, from disco and pop ruling the charts to punk and new wave carving out their own rebellious niches.

Disco was undoubtedly the dominant force in popular music. The Bee Gees’ “Stayin’ Alive” became an anthem of the era, while Chic’s “Le Freak,” A Taste of Honey’s “Boogie Oogie Oogie,” Donna Summer’s “Last Dance,” and Alicia Bridges’ “I Love the Nightlife (Disco ‘Round)” kept the dance floors packed. Even rock legends like the Rolling Stones couldn’t resist disco’s pull oor, as evidenced by their hit “Miss You.”

But 1978 wasn’t all about disco. Pop music thrived with ABBA’s timeless “Take a Chance on Me” and Electric Light Orchestra’s upbeat “Mr. Blue Sky.” Queen’s anthemic “We Are the Champions” became a staple at sporting events worldwide. In R&B, the Commodores’ soulful ballad “Three Times a Lady,” Funkadelic’s anthemic “One Nation Under a Groove,” and Chaka Khan’s empowering “I’m Every Woman” showcased the genre’s range. The soundtrack to Grease, featuring John Travolta and Olivia Newton-John’s “You’re the One That I Want,” dominated both radio and cinema.

While mainstream pop and disco ruled the charts, a counter-cultural revolution was taking place in underground venues. The Clash’s “(White Man) In Hammersmith Palais” blended social commentary with irresistible hooks, while the Buzzcocks’ “Ever Fallen in Love (With Someone You Shouldn’t’ve)” captured the essence of punk’s raw emotional energy. The Undertones’ “Teenage Kicks” embodied the unbridled spirit of youth, and Siouxsie & the Banshees’ “Hong Kong Garden” showcased the emerging goth-punk sound. Public Image Ltd.’s self-titled track “Public Image” signaled the evolution of post-punk.

1978 also saw the emergence of artists who defied easy categorization. Kate Bush’s haunting “Wuthering Heights” introduced a unique voice to the pop landscape, blending literary references with art-rock sensibilities. Kraftwerk’s “The Model” pushed the boundaries of electronic music, influencing countless genres in the decades to come. Patti Smith’s “Because the Night” (co-written with Bruce Springsteen) bridged the gap between punk poetry and mainstream rock. The year also saw reggae making inroads with Althea & Donna’s “Uptown Top Ranking,” while Randy Newman’s misunderstood “Short People” showcased his brilliance in crafting satirical, thought-provoking pop.

Looking back, it’s clear that 1978 was more than just a year of disco balls and safety pins. It was a time of musical diversity and innovation, where chart-toppers and underground icons coexisted, each pushing the boundaries of their respective genres. From the dancefloor anthems to punk’s raw energy, from synth-pop’s early days to reggae’s growing influence, 1978 offered a rich and varied soundtrack that continues to resonate today. This dynamic interplay between mainstream and alternative sounds would continue to shape the musical landscape for years to come, making 1978 a truly unforgettable year in music history.

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Tunes Du Jour Presents Power Pop

If you’re looking for a genre of music that combines catchy melodies, energetic guitars, and irresistible hooks, look no further than power pop. Power pop is a style of rock music that emerged in the late 1960s and early 1970s, influenced by the British Invasion, the Beatles, and the Beach Boys. Power pop songs are typically short, upbeat, and radio-friendly, with lyrics that often deal with love, romance, and youth.

In this playlist, I’ve compiled some of the best examples of power pop from different decades and countries, featuring both classic and modern bands. Whether you’re a fan of the genre or just curious, I hope you’ll enjoy these tunes as much as I do.

## The Pioneers

The oldest track on the playlist is “Paperback Writer” by the Beatles, one of the earliest and most influential power pop songs. The Beatles were a huge inspiration for many power pop bands, especially with their use of harmonies, guitar riffs, and catchy choruses. Other tracks from this era include “Go All the Way” by Raspberries, “Day After Day” by Badfinger, and “September Gurls” by Big Star, all of which showcase the power pop sound of the 1970s.

## The Revival

Also on the playlist are some of the bands that revived the power pop genre in the late 1970s and early 1980s, adding elements of new wave, punk, and glam rock. Some of the highlights are “My Sharona” by the Knack, “I Want You to Want Me” by Cheap Trick, “Turning Japanese” by the Vapors, and “American Girl” by Tom Petty and the Heartbreakers. These songs are full of energy, attitude, and fun, and they still sound fresh today.

## The Moderns

The last part of the playlist brings us closer to the present day, with some of the contemporary bands that have kept the power pop spirit alive. These include “Buddy Holly” by Weezer, “Bohemian Like You” by the Dandy Warhols, “Stacy’s Mom” by Fountains of Wayne, and “California” by Phantom Planet. These bands have added their own twists to the power pop formula, incorporating influences from alternative rock, indie pop, and grunge.

## The Conclusion

Power pop is a genre that has endured for over 50 years, and it shows no signs of slowing down. It’s a genre that celebrates the joy of music, the thrill of love, and the excitement of life. It’s a genre that makes you want to sing along, dance, and smile. It’s a genre that I love, and I hope you do too.

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Your (Almost) Daily Playlist: 10-2-23

In the same room where Ian Fleming wrote James Bond novels Sting of The Police wrote what he called a “nasty little song” about his feelings of jealousy and obsession over his first wife following their divorce. I’m not sure if hearing the song everywhere helped him get over those feelings, but the money the song generated may have lifted his spirits.

Sting was born on this date in 1951. Lotsa Police songs on today’s playlist.

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