Inspired by National Coming Out Day and the October 11 birthdays of Daryl Hall, Cardi B, MC Lyte, Jane Krakowski, Art Blakey, Todd Snider, Dottie West, and Wheatus’ Brendan Brown.
Tag Archives: The Spinners
Inspired by the July 23 birthdays of Guns N’ Roses’ Slash, Depeche Mode’s Martin Gore, Tony Joe White, The Penguins’ Cleveland Duncan, Manhattan Transfer’s Janis Siegel, Travis’ Fran Healy, Orleans’ John Hall, David Essex, Alison Krauss, Starpoint’s Renée Diggs, and Blue Mink’s Madeline Bell.
Inspired by the May 12 birthdays of Burt Bacharach, Steve Winwood, George Carlin, Ian Dury, James Purify, Jimmy Spicer, Billy Squier, Billy Swan and songwriter/producer Norman Whitfield.
Inspired by Mother’s Day, the passing of Betty Wright, and the May 10 birthdays of U2‘s Bono, Sex Pistols’ Sid Vicious, Spinners’ Henry Fambrough, Donovan, Traffic’s Dave Mason, Larry Williams, Fred Astaire, Underworld’s Karl Hyde, Young MC, Filter’s Richard Patrick, Jay Ferguson, Craig Mack, Sunscreem’s Lucia Holm and Young Disciples’ Carleen Anderson.
Inspired by the April 20 birthdays of A Tribe Called Quest’s Q-Tip, The Spinners’ Bobby Smith, Eels’ E, Stray Cats’ Brian Setzer, Maren Morris, The Flamingos’ Nate Nelson, Katrina Leskanich, Sheb Wooley, and Poor Righteous Teachers’ Wise Intelligent.
Inspired by the March 7 birthdays of Ernie Isley, J. Geils Band’s Peter Wolf, Love’s Arthur Lee, Townes Van Zandt, and Taylor Dayne.
In 1979, Giorgio Moroder, famous mostly for his production work on Donna Summer records, composed the score for the film American Gigolo. He asked Stevie Nicks to sing the movie’s theme song, for which Moroder wrote the music, but she had to decline for contractual reasons. He next turned to Deborah Harry of Blondie.
Harry write the lyrics to the song that became “Call Me,” the second #1 single for her band. Of her experience with Moroder, she told Billboard “He’s very nice to work with, very easy, (but) I don’t think he has a lot of patience with people who fool around or don’t take what they do seriously. I think he’s very serious about what he does and he’s intense and he’s a perfectionist and he’s very talented, so I think that people who are less talented or less concentrated bore him quickly…you really have to pay attention.”
Said Moroder of working with Blondie, “There were always fights. I was supposed to do an album with them after that. We went to the studio, and the guitarist was fighting with the keyboard player. I called their manager and quit.”
Moroder did end up working with Deborah Harry again years later on another soundtrack song, producing “Rush Rush” from Scarface, and in 2004 remixed Blondie’s single “Good Boys.”
Tunes du Jour’s Throwback Thursday playlist this week spotlights the best of 1980, kicking off with Blondie’s “Call Me.”