Tunes Du Jour Presents Thom Bell Productions

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Thom Bell, one of the primary architects of the Philadelphia soul sound of the 1970s, transformed popular music through his sophisticated approach to arrangement, production, and songwriting. As a producer, Bell crafted numerous classics with The Stylistics (“You Make Me Feel Brand New,” “Betcha by Golly, Wow”), Spinners (“I’ll Be Around,” “Could It Be I’m Falling In Love”), and The Delfonics (“La-La (Means I Love You),” “Didn’t I (Blow Your Mind This Time)”). His signature style combined lush orchestration with tight rhythm sections, creating a smooth yet emotionally resonant backdrop for the distinctive vocal harmonies of these groups.

Beyond his production work, Bell’s talents as an arranger and songwriter were equally significant to his legacy. His intricate string and horn arrangements elevated songs like “People Make the World Go Round” by The Stylistics and “The Rubberband Man” by The Spinners into something far more sophisticated than typical pop fare. As a songwriter, often collaborating with Linda Creed, he penned enduring hits including “You Are Everything” and “Break Up to Make Up.” While this playlist highlights his work as a producer, Bell’s arranging skills also enhanced recordings by artists he didn’t produce, including Archie Bell & The Drells, Dusty Springfield, Jerry Butler, and many others, extending his musical influence far beyond his core production credits.

What distinguished Bell’s work was his classical training combined with deep soul sensibilities—creating arrangements that balanced complexity with accessibility. Unlike many producers of his era who relied on formula, Bell approached each artist uniquely, tailoring his sound to complement specific vocal qualities. This musical versatility allowed him to help shape not just the Philadelphia soul sound but to influence broader pop music trends throughout the 1970s and beyond. His productions maintain their artistic integrity and emotional impact decades later, testament to a visionary who understood that the most profound musical innovations often happen in the mainstream, where artistry and accessibility converge.

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Tunes Du Jour Presents 1974

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The music of 1974 proved that the pop charts could be both wildly fun and profoundly moving. It was a year where novelty songs like Carl Douglas’s “Kung Fu Fighting” and Ray Stevens’ “The Streak” shared space with deeply resonant tracks like Stevie Wonder’s “Living for the City” and Aretha Franklin’s “Until You Come Back to Me (That’s What I’m Gonna Do).” While it’s easy to dismiss the year as a playground for lighthearted hits, a closer listen reveals a wealth of outstanding singles that still resonate today.

Take “Rock Your Baby” by George McCrae, for example. Often credited as one of the earliest disco hits, its smooth groove helped usher in a new musical era. Meanwhile, Paul McCartney & Wings offered rock escapism with “Band on the Run,” a mini-suite that felt cinematic in scope. Dolly Parton’s “Jolene,” with its pleading urgency and timeless melody, has become a cultural touchstone, while David Bowie’s “Rebel Rebel” gave glam rock an anthem for the ages.

It was also a year of musical storytelling. Terry Jacks’ “Seasons in the Sun” might be remembered as saccharine by some, but its tale of farewell struck a chord with listeners. In a completely different vein, Stevie Wonder’s “Living for the City” painted a vivid picture of systemic inequality, blending sharp social commentary with impeccable musicianship. These songs showcased the versatility of 1974’s music, capable of being both personal and political.

Of course, 1974 also gave us unabashedly joyful hits that simply aimed to make us feel good. The Hues Corporation’s “Rock the Boat” was an irresistible call to the dance floor, while ABBA’s “Waterloo” introduced the Swedish group’s knack for crafting pop perfection. On the romantic front, Barry White’s “Can’t Get Enough of Your Love, Babe” and The Stylistics’ “You Make Me Feel Brand New” showcased lush, heartfelt soul.

For every “The Streak,” there was a “Help Me” by Joni Mitchell—a song of intricate vulnerability. For every “Kung Fu Fighting,” there was a “Rikki Don’t Lose That Number” by Steely Dan—an effortlessly cool fusion of jazz and rock. The pop charts of 1974 reflected a fascinating duality, where silly and sublime coexisted, creating a year of music that remains as memorable as it was diverse.

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Tunes Du Jour Presents 1972

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1972. The Vietnam War raged on, Watergate loomed, and the social landscape shifted beneath our feet. Amidst this backdrop of upheaval, our ears tuned in to a soundtrack that transcended mere melodies—it pulsed with the countercultural spirit and the burgeoning individuality of an era.  Let us step back in time, dust off the record player, and explore the timeless tunes that wove themselves into the fabric of our lives—a kaleidoscope of genres and voices that defined a generation.

  • Al Green crooned “Let’s Stay Together,” his velvet voice weaving an unwavering plea for commitment.
  • Roberta Flack tenderly sang “The First Time Ever I Saw Your Face,” etching raw vulnerability into our hearts.
  • Don McLean painted a poignant picture of a generation in transition with his epic “American Pie.”
  • Alice Cooper’s rebellious anthem “School’s Out” became the rallying cry for youth liberation, its raucous energy echoing through high school corridors.
  • Across the pond, T. Rex electrified listeners with glam rock swagger in “Bang a Gong (Get It On).”
  • Johnny Nash offered optimism with “I Can See Clearly Now,” a beacon of hope cutting through the haze.
  • Meanwhile, Elton John’s cosmic odyssey “Rocket Man” and David Bowie’s otherworldly anthem “Starman” transported us to distant galaxies, reflecting the era’s fascination with space exploration and introspection.
  • Jimmy Cliff addressed racial injustice and social struggles in “The Harder They Come.”
  • Big Star captured the bittersweet angst of adolescence in “Thirteen.”
  • The bluesy, swaggering classic “Tumbling Dice” by The Rolling Stones left an indelible marks on musical history.
  • And let’s not forget Elvis Presley, who still had magic to spare with “Burning Love.”

From the introspective musings of Lou Reed’s “Perfect Day” to the raw energy of Led Zeppelin, each track on this playlist embodies the spirit of its time while transcending it—a symphony that continues to resonate across generations.

The music of 1972 continues to evoke nostalgia and stir emotions across generations. These iconic tunes remind us of the enduring legacy of artists who dared to push boundaries and challenge the status quo. So turn up the volume and let these timeless tunes whisk you back to celebrate the enduring beauty of music that transcends generations.

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Your (Almost) Daily Playlist: 12-19-23

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One of the very things I ordered from the Columbia House Record and tape Club when I signed up back in 1975 was the Earth, Wind & Fire album That’s The Way Of The World, which includes their breakthrough hit “Shining Star.” Loved it then, love it now. 

The late Maurice White of Earth, Wind & Fire was born on this date in 1941. Lots of EWF on today’s playlist.

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Your (Almost) Daily Playlist: 12-10-23

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“Nightshift” was Commodores’ biggest hit following the departure of usual lead singer Lionel Richie. The group’s Walter Orange, a co-writer of the song, sings lead on verse one. Orange also sang lead on Commodores’ hits “Brick House” and “Too Hot Ta Trot.” So there. 

Commodores’ Walter Orange was born on this date (or maybe yesterday’s date) in 1946. Two of the group’s songs on which he sang lead are included on today’s playlist.

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Your (Almost) Daily Playlist: 9-2-23

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“Will It Go Round In Circles,” Billy Preston’s second US number one single, was borne from a comment Preston made to his songwriting partner, Bruce Fisher, about having a song but no melody. From there the pair came up with lyrics about having a dance with no steps and added to those words a very catchy melody. A session that included pre-stardom guitar and bass players The Brothers Johnson brought the groove and the funk.

Billy Preston’s first time having his name appear at the top spot of the Hot 100 was in 1969 with “Get Back,” credited to The Beatles With Billy Preston. Following The Beatles’ breakup, Preston continued working with its members, including playing with George Harrison at the Concert for Bangladesh. Preston was the first artist to record Harrison’s My Sweet Lord,” which Harrison co-produced and later recorded himself.

“Will It Go Round In Circles” entered the Hot 100 at number 99. It reached the top ten eleven weeks later, at which time the number one song was Paul McCartney and Wings’ “My Love.” “My Love” was knocked from the top spot by George Harrison’s “Give Me Love (Give Me Peace On Earth),” which was knocked from the top spot by “Will it Go Round In Circles.” The b-side of the Preston single was his cover of The Beatles’ song “Blackbird.”

The late Billy Preston was born on this date in 1946. A handful of his songs feature on today’s playlist.

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