Meet Oscar Nominee Anohni

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In a moment I’ll introduce you to Anohni, who was nominated for an Oscar this year in the category of Best Original Song, but first I want to talk a little about Kesha, Grimes and Sam Smith.

You may have heard about Kesha’s much-publicized battle to get out of her recording agreement. She claims that Dr. Luke, the producer to whose company, Kemosabe Records, she is signed, drugged and sexually assaulted her on several occasions. As a courtroom proceeding about those allegations had not yet been tried, a New York Supreme Court justice denied Kesha’s motion for a preliminary inunction extraditing her from recording for Kemosabe.

This led to the proliferation of the hashtag #FreeKesha. A group of fans protested outside Sony Music’s headquarters, demanding that the music corporation free Kesha. Kesha isn’t signed to Sony Music, but no matter. Sony should cease distribution of Kemosabe Records, which would leave Kesha still signed to Kemosabe, but hey – it was a nice day for a good protest, and what else is there in the world to complain about? Ongoing wars? Poisoned public water supplies? Human rights violations? More important to get a pop star out of her recording agreement. #Priorities

Many public figures offered support to Kesha, among them Lady Gaga, Lily Allen, Adele, Janelle Monáe, Fiona Apple, Kelly Clarkson, Demi Lovato, Tegan and Sara, HAIM, Alessia Cara, Lorde, Wale, Best Coast, George Takei, Anne Hathaway, Reese Witherspoon, Lena Dunham, Mariska Hargitay, Troye Sivan, Halsey, Iggy Azalea, Sara Bareilles, JoJo, Adam Lambert, Ariana Grande, Miley Cyrus, Margaret Cho, Zedd, and Jack Antonoff. Taylor Swift donated $250,000 to Kesha to help with her financial needs.

Also supporting Kesha is Claire Elise Boucher, the Canadian singer-songwriter who records under the name Grimes. In response to a question from a Time Out reporter about Kesha’s legal situation, Grimes, whose “Kill v. Maim” is #3 this week in Glenn’s Ten, said the following about recording agreements: “You shouldn’t be allowed to sign a human being, regardless of what the allegations are or what anyone said or did. It’s basically like slavery.” Yes, making millions of dollars doing your dream job is basically the same as being forcibly taken from your home and forced to do a job you don’t want to do for no pay, much like Spaghetti Carbonara is basically the same thing as a nuclear missile, which is to say, both exist. (Grimes’ two most recent albums were released by the 4AD label, with whom, I assume, she is signed to a recording agreement.)

If Kesha’s allegations against Dr. Luke are true, then I hope at the very least she is let out of her agreement with Kemosabe, as being forced to aid your rapist make money is unconscionable, and that is where the slavery comparison applies.

British singer-songwriter Sam Smith may or may not know what slavery is, but he exhibited a lack of grasp on history last weekend at the Academy Awards. As he couldn’t pronounce Anohni or The Weeknd, Common announced as the winner of the Best Original Song award the easiest name to remember and pronounce, Sam Smith.

In his acceptance speech, Smith claimed to be the first openly gay person to win an Oscar, which is true, if you don’t count Dustin Lance Black, Elton John, Melissa Etheridge, John Schlesinger, Stephen Sondheim, Bill Condon, Alan Ball, Scott Rudin, Pedro Almodovar and the other openly gay people who have won. Maybe Smith meant to say he’s the first openly gay person to win an Oscar for Best Original Song in 2016. He says he got his information from actor Sir Ian McKellen via an interview Smith read, which is true, if you leave out the part where McKellen refers to no openly gay winners in the Acting categories.

It was pointed out to Smith that he is not the first openly gay person to win an Oscar, to which he responded “I think I’m the second openly gay person to win it,” which is true, if you don’t count Dustin Lance Black, Elton John, Melissa Etheridge, John Schlesinger, Stephen Sondheim, Bill Condon, Alan Ball, Scott Rudin and the other openly gay people who have won less one. In the real world, Smith is not even the first openly gay person in the category of Best Original Song. When told that openly gay Howard Ashman won that category twice, Smith replied “I should know him. We should date.” Ashman died of AIDS-related complications in 1991, the year for which his title song from Beauty and the Beast won, but sure, Sam, date him. You’ll be the first openly necrophiliac to win an Oscar. #Trailblazer. I do agree with one thing Smith said. He should know of Ashman.

Which brings us to Anohni. Along with her collaborator, J. Ralph, Anohni was nominated for Best Original Song for “Manta Ray” from the film Racing Extinction. Unlike Sam Smith, The Weeknd and Lady Gaga, Anohni, a transsexual woman, was not invited to perform her nominated song at the Oscar ceremony. In a year in which The Academy was taken to task for a lack of diversity among the nominees, the producers felt it was more important for the president of the Academy of Motion Pictures Arts and Sciences to give a speech on the show about the importance of diversity in Hollywood than it was to allow only the second transgender person to be nominated for an Oscar to perform (not a Sam Smith second person, but truly the second). Besides, The Danish Girl received nominations, including one for Best Actor for Eddie Redmayne as the titular character Lili Elbe, one of the first known recipients of gender correction surgery, and who better to represent trans women at the Oscars than a heterosexual cisgender man? Also, the award show needed time for clueless Clueless actress Stacey Dash insult the .04% of viewers who know who she is. #Priorities

Here’s your chance to get to know Anohni, who previously recorded under the name Antony. Her distinctive voice will grab you and her songs will move you. Check out twenty of her best, including guest appearances on other artists’ tracks:


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Ringo + Umberto

It’s Umberto Tozzi’s Birthday And I Need To Dance!

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Who is Umberto Tozzi? Is that what you just asked?

Born in Italy in 1952, Umberto Tozzi is a singer-songwriter who has sold over 70 million records throughout the world. In 1979 he released a single of his composition “Gloria,” which became a big hit in his home country, remaining in the top ten for 16 weeks, six of those at #2. The song also went top ten in Germany, France, Switzerland, Austria, Belgium, South Africa and Spain.

Ringo + Umberto
In 1982, singer Laura Branigan collaborated with Trevor Veitch on English-language lyrics set to the original’s melody. Her recording of “Gloria,” co-produced by Greg Mathieson, arranger and keyboardist on the Tozzi version, reached #2 on the Billboard Hot 100.

Friday is dance day at Tunes du Jour. Our weekly party kicks off with the track for which Umberto Tozzi is best-known in the United States.


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Throwback Thursday – 1991

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“It was a 5-minute song with no chorus and a mandolin as the lead instrument. So for us to hold that as the bar we have to jump over every time we write a song would be ridiculous.”

In the summer of 1990, R.E.M. demoed a song in the studio with the working title of “Sugar Cane.” The band’s guitarist, Peter Buck, had recently purchased a mandolin and while learning how to play it, came up with the song’s main riff and chorus.

Lyrics about obsession and unrequited love were added, including an expression from the southern part of the United States that means “being at the end of one’s rope.” That expression became the song’s new title. The band’s singer, Michael Stipe, recorded his vocals in one take.

Though in the liner notes the R.E.M.’s career retrospective, Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011, Stipe wrote “I don’t think any of us had any idea it would ever be … anything,” the group wanted it to be the first single released from their album Out of Time. Their record label, Warner Bros., didn’t think that was a good idea, as it was, in the words of one of the company’s executives, an “unconventional track.” After much discussion, Warner relented.

That record, with the title “Losing My Religion,” went to #4 on Billboard’s Hot 100 and became a smash worldwide. The album from which it was taken, Out of Time, sold over 18 million copies, far more than any of their previous releases.

Out of Time won the Grammy Award for Best Alternative Music Album and was nominated for Album of the Year. “Losing My Religion” won Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video and was nominated for Record of the Year and Song of the Year, which it lost to “Unforgettable,” which was written in 1951.

When asked at the time if he was worried that the song’s success might alienate older fans, Peter Buck told Rolling Stone, “The people that changed their minds because of ‘Losing My Religion’ can just kiss my ass.”

“Losing My Religion” made Rolling Stone’s list of the 500 Greatest Songs of All Time, VH1’s list of the 100 Greatest Songs of the 90s, Blender’s list of The 500 Greatest Songs Since You Were Born, and The Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll. On their annual music critics poll, the Village Voice had “Losing My Religion” as the #2 single of 1991, just behind Nirvana’s “Smells Like Teen Spirit.”

For this Throwback Thursday, Tunes du Jour presents twenty of the best tracks from 1991. (I didn’t include “Smells Like Teen Spirit” because I base this not on year of release, but on the year a song peaked in popularity. “Smells Like Teen Spirit” hit the top ten on the Hot 100 in 1992.)


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Carpenters002

My First 45 By The Carpenters

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When I was young I’d listen to the radio waitin’ for my favorite songs
When they played, I’d sing along; it made me smile

One of my favorite songs when I was young(er) was “Please Mr. Postman,” to which I was introduced via the version performed by The Carpenters, as the original hit version by The Marvelettes pre-dated my existence.

The Carpenters’ single entered the Billboard Hot 100 in 1974, the year my Grandpa Abe gave me a radio, entering me on a path of music fandom from which I have yet to stray. It ultimately went to #1, the same position at which The Marvelettes’ version peaked fourteen years earlier (and in doing so, became Motown Records first #1 pop hit). Incidentally, The Carpenters final Hot 100 entry was also a cover of a Marvelettes hit, “Beechwood 4-5789.” It peaked at #82, sixty-five notches below the peak position of the original.

I bought the Carpenters 45, which came with a picture sleeve cleverly replicating an envelope.

Carpenters002Zip codes? We don’t need no stinkin’ zip codes!

I wrote to the address on the sleeve. A few weeks later I received this in the mail:

Carpenters001
By the way, the lyrics that open this blog post are taken from “Yesterday Once More,” a #2 hit for The Carpenters. The song was written by Richard Carpenter and John Bettis.

Karen Carpenter, the sibling duo’s singer and drummer, was born on March 2, 1950. She died in 1983 at age 32 from “emetine cardiotoxicity due to or as a consequence of anorexia nervosa.”

Between 1970 and 1981 The Carpenters scored twenty top 40 hits on the Hot 100. Here they are:


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A Hint Of Mint – Volume 43: That’s Cinnamon, That’s Hollywood

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The 88th Academy Awards will be presented this afternoon. Will Meryl Streep win Oscar #4? Oddsmakers say no. My predictions? The four acting awards will go to Caucasians, Best Director will go to a man, and all music performers will be cisgender. #diversity

This week’s A Hint of Mint playlist is inspired by the movies. Artists include R.E.M., Elton John and Frank Ocean.

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It’s Max Martin’s Birthday And I Need To Dance!

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As a songwriter, Max Martin has a credit on 21 number one singles on Billboard‘s Hot 100 chart. Only Paul McCartney and John Lennon have more. He has had 60 top tens as a writer. On top of that, he has had a hand in producing a slew of hits. Some of them are good.

Today, Max Martin turns 45 years old. Friday is dance day at Tunes du Jour. Our playlist consists of twenty songs Max Martin had a hand in writing and/or producing. Some of them are good.


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Blondie + Ringo

Throwback Thursday – 1979

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Blondie + Ringo
Blondie’s hit single “Heart of Glass” was written by band members Debbie Harry and Chris Stein and had the working title of “The Disco Song.” Drummer Clem Burke said his part was inspired by the Bee Gees’ “Stayin’ Alive.”

Said Harry “When we did ‘Heart of Glass’ it wasn’t too cool in our social set to play disco. But we did it because we wanted to be uncool,” with the band’s keyboardist Jimmy Destri adding “We used to do ‘Heart of Glass’ to upset people.”

The song was included on Blondie’s Parallel Lines LP “as a novelty item to put more diversity into the album,” per Stein. The novelty song became the group’s first charted single and first #1, in 1979. Its success prompted John Lennon to send Ringo Starr a postcard advising to write songs like “Heart of Glass.”

Today’s Throwback Thursday playlist spotlights twenty of the best tracks from 1979, kicking off with Blondie’s upsetting disco novelty.


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Ringo + Elvis

Throwback Thursday – 1969

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In 1968, songwriter Mark James, whose hit compositions include “Hooked on a Feeling” and “Always on My Mind,” was married to his first wife, but he still had feelings for his childhood sweetheart, who also was married. Said James, “My wife suspected I had those feelings, so it was a confusing time for me. I felt as though all three of us were all caught in this trap that we couldn’t walk out of.”

He recorded and released a song he wrote based on his situation, but it flopped.

A year later, producer Chips Moman brought the song to Elvis Presley. Elvis loved it and was confident he could make it a hit.

Elvis was acknowledged as the King of Rock and Roll. During the ten years from 1956 through 1965 he scored 33 top ten singles, including 17 #1s. Then he hit a relative dry spell, with no top tens in 1966, 1967 or 1968.

The King recorded Mark James’ song. It became Elvis’ first #1 single since “Good Luck Charm” in 1962. The song, “Suspicious Minds,” was Presley’s final #1 in the US. Between 1956 and 1969, Elvis spent 79 weeks at #1, more than any other act.

In 2004, Rolling Stone magazine ranked “Suspicious Minds” at no. 91 on their list of the 500 Greatest Songs of All Time.

Ringo + Elvis
This week, Tunes du Jour’s Throwback Thursday playlist spotlights twenty of the best singles of 1969, kicking off with Elvis Presley’s “Suspicious Minds.”


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