“I’ll give you a million dollars to go and record another album. This is not happening, this is shit.”- The initial reaction of Doug Morris, then-president of Atlantic Records, after listening to what became INXS’s Kick album
The late Michael Hutchence of INXS was born on this date in 1960. A handful of the group’s songs are included on today’s playlist.
The year 2002 was a turbulent one for the world, marked by wars, terrorism, scandals, and natural disasters. But it was also a year of creativity, innovation, and diversity in music. From hip-hop to rock, from pop to indie, from dance to folk, the music of 2002 reflected the mood and spirit of the times, offering both escapism and commentary, both nostalgia and novelty, both challenge and comfort.
One of the most dominant genres of the year was hip-hop, which reached new heights of popularity and influence. Eminem’s Lose Yourself became an anthem of determination and resilience, while Missy Elliott’s Work It showcased her inventive and playful style. Nelly’s Hot in Herre was a summer smash, while Clipse’s Grindin’ introduced a minimalist and gritty sound. Tweet and Missy Elliott’s Oops (Oh My) was a sensual and empowering ode to self-love, while Truth Hurts and Rakim’s Addictive sampled a Bollywood song and sparked a controversy. Cam’ron’s Oh Boy featured a catchy sample of Rose Royce’s I’m Going Down, while Khia’s My Neck, My Back (Lick It) was a raunchy and explicit hit.
Rock music also had a strong presence in 2002, with a variety of styles and sounds. Elvis Presley’s A Little Less Conversation (JXL Edit) was a remix of a 1968 song that became a worldwide hit, thanks to its inclusion in a Nike commercial. Avril Lavigne’s Complicated was a pop-rock anthem for the rebellious and misunderstood youth, while Coldplay’s In My Place was a melancholic and soaring ballad. The Strokes’ Hard to Explain was a garage rock revival, while Wilco’s Jesus, Etc. was a country-rock masterpiece. Interpol’s Obstacle 1 was a post-punk gem, while Spoon’s The Way We Get By was a catchy and quirky indie rock tune. The Libertines’ What a Waster was a punk rock blast, while Bruce Springsteen’s The Rising was a tribute to the victims and heroes of 9/11.
Pop music also had its share of hits and surprises in 2002, with some old and new faces. Christina Aguilera’s Dirrty was a provocative and edgy reinvention, while Beyonce’s Work It Out was a funky and soulful solo debut. Brandy’s What About Us was a futuristic and sleek R&B track, while No Doubt’s Hella Good was a disco and rock fusion. Bjork’s Pagan Poetry was a haunting and experimental song, while Las Ketchup’s Asereje was a catchy and silly novelty. Alanis Morissette’s Hands Clean was a confessional and catchy pop-rock song, while Rufus Wainwright’s Across the Universe was a beautiful and faithful cover of the Beatles classic.
Some of the most memorable songs of 2002 were not easily categorized, but rather blended genres and styles. Sugababes’ Freak Like Me was a mash-up of Adina Howard’s Freak Like Me and Gary Numan’s Are ‘Friends’ Electric?, creating a pop and electro masterpiece. The Flaming Lips’ Do You Realize?? was a psychedelic and uplifting song, while X-Press 2’s Lazy was a house and spoken word collaboration with David Byrne. The Streets’ Weak Become Heroes was a rap and piano tribute to rave culture, while Doves’ There Goes The Fear was a rock and electronic epic.
The music of 2002 was a reflection of the year itself: diverse, unpredictable, exciting, and sometimes challenging. It was a year of contrasts and surprises, of highs and lows, of old and new. It was a year that gave us some of the most memorable songs of the 21st century, and a year that we can revisit through this playlist. Enjoy!
Don and Phil Everly were rock and roll pioneers, combining elements of different musical traditions and creating a distinctive sound that inspired generations of artists. Their songs are timeless classics, full of emotion and harmony.
The Everly Brothers started their musical career singing with their parents on the radio in the 1940s. They learned the art of close harmony singing from their father, Ike, who was a master of the thumbpicking guitar style of western Kentucky. They also absorbed influences from the folk, country, and blues music of their region, as well as from the pop and R&B hits of the day. They began writing and recording their own songs in 1956, and soon caught the attention of Chet Atkins, who helped them get a deal with Cadence Records. Their first hit, “Bye Bye Love”, written by Felice and Boudleaux Bryant, was released in 1957 and reached No. 1 on the country and pop charts. It was followed by a string of hits, many of them also written by the Bryants, such as “Wake Up Little Susie”, “All I Have to Do Is Dream”, and “Bird Dog”. The Everly Brothers’ songs captured the joys and sorrows of teenage life, with catchy hooks, witty lyrics, and expressive vocals.
In 1960, the Everly Brothers moved to Warner Bros. Records, where they had more creative freedom and control. They wrote some of their own songs, such as “Cathy’s Clown” and “When Will I Be Loved?”, and also recorded songs by other writers, such as “Let It Be Me” and “Crying in the Rain,” the latter being the third top ten pop songwriting credit for Carole King. They experimented with different sounds and styles, incorporating elements of rockabilly, country, and pop. The Everly Brothers’ music was influential to many artists, especially in the 1960s, when the Beatles, the Beach Boys, the Byrds, Simon and Garfunkel, and many others cited them as an inspiration.
The Everly Brothers’ legacy is undeniable and enduring. They have been inducted into the Rock and Roll Hall of Fame, the Country Music Hall of Fame, and the Musicians Hall of Fame. They have received numerous awards and honors, such as the Grammy Lifetime Achievement Award, the National Academy of Recording Arts and Sciences Trustees Award, and the BMI Icon Award. They have sold over 80 million records worldwide, and have had over 30 top 40 hits.
If you are a fan of the Everly Brothers, or if you want to discover their music for the first time, I invite you to listen to this playlist that I have curated. It includes some of their most popular and memorable songs, as well as some of their lesser-known gems. I hope you enjoy the Everly Brothers’ harmony and history, and appreciate their contribution to music.
The Ting Tings’ Stacey? Jane? Mary? Jo? Lisa? Hell? Her? Katie White! was born on this date in 1983. A couple of the duo’s songs are included on today’s playlist.
The year 1991 was a remarkable one for music, as it saw the emergence of genres, styles, and stars that would shape the musical landscape for years to come. Today’s playlist consists of thirty of the songs that defined 1991.
We’ve got slick pop hooks and hip-hop beats, soulful ballads and dancefloor anthems, synth pop and alt rock, industrial angst and Prince.
In late September of 1991, a trio from Seattle released an album that soon became a phenomenon that transcended music and defined a generation. Its first hit single inaugurated a new wave of alternative rock that would dominate the 90s. That song peaked on the pop charts the following year, so look for it when Tunes Du Jour Presents 1992.
For now, take a trip down memory lane and enjoy the musical smorgasbord that was 1991. Thank you for reading, and stay tuned for more posts about music.
“One minute you’re just cooking up someone’s order of French fries and the next minute you’re laying on the floor and they blow your brains out.”- The Flaming Lips’ Wayne Coyne reflecting on being held up at gunpoint when he was a fry cook at Long John Silver’s
The Flaming Lips’ Wayne Coyne on this date in 1961. A few of his band’s cuts are included on today’s playlist.
They thought they were done with the making of the album Every Picture Tells A Story, but it seemed to be a song short, so they added a song Rod Stewart wrote about losing his virginity. The song was a bit long and had no actual chorus, but it did pad out the album. Stewart’s record label also put the song on the b-side of the album’s first single. The song’s title? “Maggie May.” Perhaps you’ve heard it.
The theme of today’s playlist is cover versions of songs that originated in stage musicals. Here are the songs listed with the shows that introduced them:
Mack the Knife by Bobby Darin – From The Threepenny Opera (1928)
Till There Was You by The Beatles – From The Music Man (1957)
Smoke Gets In Your Eyes by The Platters – From Roberta (1933)
Little Girl Blue by Nina Simone – From Jumbo (1935)
You’ll Never Walk Alone by Gerry & The Pacemakers – From Carousel (1945)
I Am What I Am by Gloria Gaynor – From La Cage aux Folles (1983)
On The Street Where You Live by Vic Damone – From My Fair Lady (1956)
Everything’s Coming Up Roses by The Replacements – From Gypsy (1959)
Send In The Clowns by Judy Collins – From A Little Night Music (1973)
I Don’t Know How to Love Him by Helen Reddy – From Jesus Christ Superstar (1970)
Hair by The Cowsills – From Hair (1967)
Put On A Happy Face by Diana Ross & The Supremes – From Bye Bye Birdie (1960)
Losing My Mind by Liza Minnelli – From Follies (1971)
Tomorrow by Grace Jones – From Annie (1977)
My Favorite Things by John Coltrane – From The Sound of Music (1959)
Well Did You Evah? by Debbie Harry & Iggy Pop – From DuBarry Was a Lady (1939)
The Man I Love by Kate Bush – From Lady, Be Good! (1924)
If My Friends Could See Me Now by Linda Clifford – From Sweet Charity (1966)
Summertime by Big Brother & The Holding Company – From Porgy and Bess (1935)
Cabaret by Harold Melvin & The Blue Notes – From Cabaret (1966)
I Get A Kick Out Of You by Frank Sinatra – From Anything Goes (1934)
Don’t Cry For Me Argentina by Festival – From Evita (1978)
Somewhere by Pet Shop Boys – From West Side Story (1957)
The Lady is a Tramp by Tony Bennett & Lady Gaga – From Babes in Arms (1937)
I’ll Never Fall In Love Again by Dionne Warwick – From Promises, Promises (1968)
I Love Paris by Screamin’ Jay Hawkins – From Can-Can (1953)
Night + Day by U2 – From Gay Divorce (1932)
There Are Worse Things I Could Do by Alison Moyet – From Grease (1971)
Corner of the Sky by The Jackson 5 – From Pippin (1972)
I Enjoy Being a Girl by Phranc – From Flower Drum Song (1958)