Inspired by the October 9 birthdays of The Beatles’ John Lennon, PJ Harvey, Jackson Browne, The Who’s John Entwistle, Heatwave’s Rod Temperton, and Ini Kamoze.
Tag Archives: Bob Marley & The Wailers
Inspired by the passing of Johnny Nash and the October 7 birthdays of Radiohead‘s Thom Yorke, John Cougar Mellencamp, Kevin Godley, Toni Braxton, Alfred Drake, Climax Blues Band’s Colin Cooper and The Raveonettes’ Sune Rose Wagner; and the October 6 birthdays of Los Lobos’ David Hidalgo, Matthew Sweet, REO Speedwagon’s Kevin Cronin, Will Butler and Millie Small.
Inspired by the September 19 birthdays of Chic’s Nile Rodgers, Pulp’s Jarvis Cocker, Tegan and Sara, Mama Cass Elliot, The Righteous Brothers’ Bill Medley, Teddybears’ Patrik Arve, Skepta, Rex Smith, The Springfields’ Mike Hurst, Brook Benton, Lol Crème, Austin Roberts, Eamon, Marshall Jefferson, Adam West and Frances Farmer.
Inspired by the August 19 birthdays of Deep Purple’s Ian Gillan, Billy J. Kramer, Johnny Nash, Fat Joe, Nate Dogg, Queen’s John Deacon, Edwin Hawkins, Looking Glass’ Elliot Lurie, Blue Mink’s Roger Cook and Blue Magic’s Ted Mills.
Inspired by the April 1 birthdays of Jimmy Cliff, Rudy Isley, Henry Gross, Gil Scott-Heron, Tom Shipley and Rachmaninoff, and April Fools Day.
Inspired by the March 20 birthdays of Franz Ferdinand’s Alex Kapranos, Fabulous Thunderbirds’ Jimmy Vaughan, Carl Palmer, and Carl Reiner, and International Day of Happiness; and the March 19 birthdays of Ruth Pointer, The Specials’ Terry Hall, and Clarence “Frogman” Henry.
A 20-song Spotify playlist, inspired by the February 6 birthdays of Bob Marley, Guns ‘n Roses’ Axl Rose, Natalie Cole, Jens Lekman, Rick Astley and Dave Berry; and the February 5 birthdays of Bobby Brown, Three Dog Night’s Cory Wells, Barrett Strong and Christopher Guest.
In 1979, President Jimmy Carter declared June Black Music Month. In 2016, President Barack Obama, who recognized the month as African-American Music Appreciation Month, said the music of African-American artists helped the country “to dance, to express our faith through song, to march against injustice, and to defend our country’s enduring promise of freedom and opportunity for all.” Today’s Tunes du Jour playlist embodies that sentiment.
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In 1979, Giorgio Moroder, famous mostly for his production work on Donna Summer records, composed the score for the film American Gigolo. He asked Stevie Nicks to sing the movie’s theme song, for which Moroder wrote the music, but she had to decline for contractual reasons. He next turned to Deborah Harry of Blondie.
Harry write the lyrics to the song that became “Call Me,” the second #1 single for her band. Of her experience with Moroder, she told Billboard “He’s very nice to work with, very easy, (but) I don’t think he has a lot of patience with people who fool around or don’t take what they do seriously. I think he’s very serious about what he does and he’s intense and he’s a perfectionist and he’s very talented, so I think that people who are less talented or less concentrated bore him quickly…you really have to pay attention.”
Said Moroder of working with Blondie, “There were always fights. I was supposed to do an album with them after that. We went to the studio, and the guitarist was fighting with the keyboard player. I called their manager and quit.”
Moroder did end up working with Deborah Harry again years later on another soundtrack song, producing “Rush Rush” from Scarface, and in 2004 remixed Blondie’s single “Good Boys.”
Tunes du Jour’s Throwback Thursday playlist this week spotlights the best of 1980, kicking off with Blondie’s “Call Me.”