Tag Archives: CeCe Peniston

Your (Almost) Daily Playlist (9-6-20)

Inspired by the September 6 birthdays of Pink Floyd’s Roger Waters, Macy Gray, Sylvester, the Cardigans’ Nina Persson, the Cranberries’ Dolores O’Riordan, Jimmy Reed, CeCe Peniston, N.O.R.E., Foxy Brown and Dum Dum Girls’ Dee Dee.

Leave a Comment

Filed under Uncategorized

It’s Alicia Bridges’ Birthday And I Need To Dance!

Ringo + Alicia
“I will never do a disco album. I’d prefer to do deodorant commercials. I didn’t sing since I was ten years old so I could stand up like a moron and go ‘Getfunkynow, getfunkynow, getboogie-woogie, getfunkynow’.”
– Alicia Bridges, Sounds magazine

Alicia Bridges. You know, the lady who sang “I love the nightlife, I gotta boogie on the disco round.” She co-wrote that song as well. That record is a disco classic, peaking at #2 on the Billboard Disco chart. It crossed over to the pop chart, hitting #5, and the r&b chart, where it reached #31. It was Bridges’ only top 40 hit on any chart. Nowadays she shills for Arrid Extra Dry. Not really.

Today, Alicia Bridges turns 63 years old. Friday is dance day at Tunes du Jour, and we’ll celebrate Ms. Bridges’ birthday with a playlist she’s bound to hate, full of disco hits, kicking off with “I Love the Nightlife (Disco ‘Round).” Getboogiewoogie!

Oh, and what is a disco round?


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour
Follow me on Instagram: @GlennSchwartz

Leave a Comment

Filed under playlists

It’s Cher’s Birthday And I Need To Dance!

In the early 1990s a demo of a song written by four men circulated through Warner Bros. Records. Though people at the label appreciated the song’s chorus, nobody wanted to record it.

Thinking that with some work the song may be good for Cher, whose last top ten pop hit was 1989’s “Just Like Jesse James,” Warner sent the demo to London’s Metro Studio, where two additional songwriters took a stab at improving the composition. Producers Mark Taylor and Brian Rawling created a dance track for the revised song, which they presented to Cher. She liked it.

She recorded the song. She and her producers played with a new technology called Auto-Tune, which added a robotic sound effect to her voice. When Warner heard that, they asked that it be removed, but Cher was adamant it stay.

In October of 1998, more than a half-decade after the composition’s original incarnation, Warner released Cher’s recording of “Believe.” On March 13, 1999, the song, the first pop tune to feature Auto-Tune, became Cher’s fifth #1 single in the United States, making her, then age 52, the oldest woman to top the US charts. It was her first #1 single since “Dark Lady” in 1974, the longest span ever between #1 records. It was the biggest-selling single stateside of 1999.

The record hit #1 in the UK, where it became the best-selling single of all-time by a female artist. It also topped the charts in Germany, Canada, The Netherlands, Australia, France, Sweden, Italy, Spain, Belgium, Norway, Denmark, Switzerland, New Zealand and Ireland.

Today the woman born Cherilyn Sarkisian turns 70 years old. Our weekly dance party kicks off with “Believe.” Have a superb weekend!


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

1 Comment

Filed under playlists

Throwback Thursday – 1992

Prior to Nirvana, alternative music was consigned to specialty sections of record stores, and major labels considered it to be, at the very most, a tax write-off. After the band’s second album, 1991’s Nevermind, nothing was ever quite the same, for better and for worse. Nirvana popularized punk, post-punk, and indie rock, unintentionally bringing them into the American mainstream like no other band to date.
AllMusic

It’s the Song that Broke Punk, the incantation about self-despising entertainment that turned a dead-end Aberdeen kid into a supernova, the very last rock song everyone could rally around.
Pitchfork

Winston + Nirvana
The song that changed everything, “Nirvana’s “Smells Like Teen Spirit,” was released as a single in September 1991. It reached #6 on Billboard’s Hot 100 in January of the following year, and kicks off this week’s Throwback Thursday playlist focusing on 1992.


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

Leave a Comment

Filed under playlists

It’s Jesus’ Birthday And I Need To Dance!

Actually, today is not Jesus’ birthday. At least not Jesus Christ’s birthday. Maybe Jesus de la Guarda of East L.A. was born on this date in 1983 (happy birthday, Jesus!), but Jesus Christ was not.

Most likely, Jesus (Christ, not de la Guarda) was born in autumn, perhaps on November 18. Not only is December 25 not His birthday, but 0 was not His birth year, according to some scholars. The assumed year of His birth is 6 to 4 B.C. That means Christ was born six to four years before Christ! He was truly ahead of his time! Ba-dum-bump.

Regardless of when His actual birth date was, folks in many parts of the world celebrate it today, because nothing is open anyway so why not?

As for me, I need to dance! The Tunes du Jour weekly dance party kicks off with Snap!’s “Mary Had a Little Boy.” Happy birthday, Jesus de la Guarda!


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

Leave a Comment

Filed under playlists

It’s Friday And I Need To Dance!

“You’re gettin’ busy like a bee and that’s the troof
I got a feeling there’s a fire on the roof.”

– “Wiggle It” by 2 in a Room

The phrase “busy like a bee,” or at least a variation thereof, dates back to the 14th century, when Geoffrey Chaucer used it in his The Canterbury Tales:
Ey! Goddes mercy!” sayd our Hoste tho,
Now such a wyf I pray God keep me fro.
Lo, suche sleightes and subtilitees
In wommen be; for ay as busy as bees
Be thay us seely men for to desceyve,
And from a soth ever a lie thay weyve.
And by this Marchaundes tale it proveth wel.

What on earth is he banging on about? Next time, Chaucer, use Spellcheck.

Per Wiktionary, the phrase “busy as a bee” means very active, working constantly.

The phrase is a bit of a misnomer, though. Not all bees work constantly. Take the drone. Unlike other bees, the drone does not collect nectar or pollen. The drone does not participate in the construction of the hive. Drones don’t have stingers so they are unable to cause pain to the frightened blogger who runs shrieking at the site of a bee. Per Slate.com, drones “don’t leave the hive until early afternoon, at which time they carouse around in packs, and when they get home just a few hours later, they rely on the worker bees to feed them.” Drones are assholes.

The drone exists to fertilize a queen bee. The mating takes place while the bees are in flight. Literally, they give a flying fuck. From penetration to ejaculation takes about two seconds, which to me is forty seconds shorter than sex should last. The drone dies soon after, as his penis and other much-loved body parts are ripped off during sexual intercourse. Any drones reading this, take it from me – no woman is worth that aggravation, and that’s the troof.

Friday is dance day at Tunes du Jour. This week’s party kicks off with 2 in a Room’s “Wiggle It.”


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

Leave a Comment

Filed under playlists

It’s Ana Matronic’s Birthday And I Need To Dance!

“A kiki is a party, for calming all your nerves
We’re spilling tea, and dishing just deserts when they deserve
And though the sun is rising, few may choose to leave”

It’s Friday and I need to dance, but you already know that.

I’ve always enjoyed going out clubbing, especially in the early nineties. Some Fridays and many Saturdays I’d go with whoever I was then dating or a good friend to The Roxy or The Limelight or Twilo (though Twilo may have come into being a few years into the nineties) or that club on Sixth Avenue around 15th Street whose name escapes me at the moment or that bar/club/fire hazard in the East Village or The Saint. In New York, the clubs didn’t close at 2 AM or 4 AM. They stayed open. There were times we wouldn’t leave until 8 or 9 the next morning. As that was breakfast time, we’d head for a diner (a “coffee shop” in the local parlance, before coffee shop meant a place like Starbucks) to eat before heading home to sleep. Watching people start their Sunday before we even finished our Saturday made me feel so alive. I’m here on this earth and taking advantage of it.

It’s been a long time since I stayed out all night. Though I cherish the memories, I can’t say I miss doing so. That may be because I haven’t hit upon a club that plays music I’d like to dance to for hours on end. The exception is Oil Can Harry’s, a dive in Studio City that hosts classic disco night on Saturdays. I love me some classic disco, and can stay there until closing if classic disco and post-disco 80s house was all that was played. For some reason, the DJ throws on Rihanna or other contemporary acts between midnight and 1. That’s my cue to leave. Nothing against Rihanna – she has many fun club songs – but it throws me off after I’ve been grooving to Donna Summer and KC & the Sunshine Band and Chic to suddenly be brought back to the 2010s.

If they didn’t call it Classic Disco Night, if they mixed up the eras and genres throughout the evening, that would be welcome. Seventies disco, eighties house, nineties alternative, aughts pop – take the best of each and mix ‘em up. I’ll leave when the sun comes up.

I’d love to DJ there. This way I can play the music that would keep me going all night.

Every Friday Tunes du Jour posts a slice of such playlists. Today’s slice kicks off with “Let’s Have a Kiki,” performed by Scissor Sisters, whose Ana Matronic turns 41 today.


Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

Leave a Comment

Filed under playlists

It’s Barbra Streisand’s Birthday And I Need To Dance!

Around ten years ago I took up boxing. Not as a career, but as a form of exercise. I’d never watched a match on TV – too violent for my tastes. The idea to give it a try came from my trainer at Crunch Gym. Not my first trainer – he seldom showed up for our appointments. Not my second trainer, an asshole who ignored Crunch’s slogan “No judgments” and mocked my appearance throughout our sessions, while bragging about how he once made a female client of his cry. It was the idea of my third trainer at Crunch, the actor who often called me as I was five minutes from the gym to tell me he won’t make our session as he was still at an audition. Yes, that trainer. He showed up for our appointments around 60% of the time, which was better than my first Crunch trainer. He introduced me to boxing. I learned the upper cut, the cross, the jab, the duck, some other thing that involved me not getting punched in the face, and kicks. It was great exercise, especially on those days when I came to Crunch after a frustrating day at work. I’d punch that bag like I was seeing the face of one of the assholes with whom I worked. It got out the tension and got me into great physical shape.

I dumped that trainer once I decided a 60% show-up-for-your-job rate was inadequate for my aggression-releasing needs. I continued sparring with the fourth trainer Crunch assigned me, that is when he wasn’t flirting with the female clientele or taking weights from the floor and stuffing them in his duffle bag so as to build up his home gym.

When it came renewal time I left Crunch and their lot of unprofessional trainers and signed up at 24-Hour Fitness. Though it is literally a few steps from my home, I didn’t go to the location in West Hollywood, whose equipment, like its clientele, was old and decrepit. I went to the Hollywood location, where I was assigned a trainer who was so good, we worked out together for a few years. He introduced me to that hot actor who I later saw as a defendant on Judge Judy. He won his case. A few years later the West Hollywood location of 24-Hour Fitness closed for three and a half months. It reopened with fresh new equipment and fresh new customers, though oddly, it still was not open 24 hours, at least not in a single day.

Unfortunately, there was no boxing at 24-Hour Fitness. While at a local smoothie ship I saw a business card for a boxing coach who did private training at his home. He converted his unattached garage (is that the right word – unattached? I mean detached, right? Either way, you get my drift – his garage was not attached to his house.) into a boxing ring. He used to be a professional boxer and was a model as well. Our sessions were great, and not just because he’d say goodbye to me each week with a kiss on the lips, his heterosexuality be damned. Once he kissed me on the neck. Why did I stop seeing him? No recuerdo. Maybe it had something to do with a mental ward.

I’ve had one or two trainers and taken some boxing classes since then, but they weren’t as much fun. Something was missing, besides the kisses. Still, if one were to put me in a boxing ring today with Barbra Streisand, I think I could take her down. It’s not that I have a desire to punch Barbra Streisand, nor do we have a bout on the books. I’m saying this as a poor segue into mentioning her 1979 film The Main Event, in which she portrayed a boxer manager/perfume magnate.

The film re-teamed Barbra Streisand with Ryan O’Neal, seven years after their film What’s Up, Doc? What’s Up, Doc? is a great movie. If you haven’t seen it, I strongly suggest you do, even if you’re not a fan of Barbra Streisand. Especially if you’re not a fan of Barbra Streisand. You’ll see a whole other side of her in this movie. Ryan O’Neal is great. Madeline Kahn made her feature film debut in this movie. How can you go wrong with Madeline Kahn? Austin Pendleton is in it. Kenneth Mars is in it. A lot of people are in it. I think I’ll host a viewing of it at my condo. Let me know if you’re around and interested. You should be interested.

I never saw The Main Event. Critics panned it, but the public enjoyed it. I have the soundtrack album, which includes the hit single “The Main Event/Fight.” Three times – the 45 mix, the 12-inch mix, and as a ballad. The latter is solely the song “The Main Event.” “The Main Event/Fight” is a medley. “The Main Event” was written by Paul Jabara, whose writing credits also include Donna Summer’s “Last Dance” and The Weather Girls’ “It’s Raining Men” (on a side note, does anybody know if Chaka Khan is okay?) and Bruce Roberts, whose writing credits also include Laura Branigan’s “The Lucky One” and that Jeffrey Osborne song that goes “Can you woo woo woo?”. “Fight” was written by Jabara and Bob Esty. Esty’s writing credits also include Cher’s “Take Me Home.”

Babs + Winston

“The Main Event/Fight” is, with the Donna Summer duet “No More Tears (Enough is Enough),” my favorite Barbra Streisand single. I like my boxing coaches kissy and my Barbra Streisand songs peppy.

Today Barbra Streisand turns 73 years old. “The Main Event/Fight” kicks off Tunes du Jour’s weekly dance party.

Click here to like Tunes du Jour on Facebook.
Follow me on Twitter: @TunesDuJour

Leave a Comment

Filed under playlists

It’s Friday And I Need To Dance!

In the early 1990s a demo of a song written by four men circulated through Warner Bros. Records. Though people at the label appreciated the song’s chorus, nobody wanted to record it.

Thinking that with some work the song may be good for Cher, whose last top ten pop hit was 1989’s “Just Like Jesse James,” Warner sent the demo to London’s Metro Studio, where two additional songwriters took a stab at improving the composition. Producers Mark Taylor and Brian Rawling created a dance track for the revised song, which they presented to Cher. She liked it.

She recorded the song. She and her producers played with a new technology called Auto-Tune, which added a robotic sound effect to her voice. When Warner heard that, they asked that it be removed, but Cher was adamant it stay.

In October of 1998, more than a half-decade after the composition’s original incarnation, Warner released Cher’s recording of “Believe.” On March 13, 1999, the song, the first pop tune to feature Auto-Tune, became Cher’s fifth #1 single in the United States, making her, then age 52, the oldest woman to top the US charts. It was her first #1 single since “Dark Lady” in 1974, the longest span ever between #1 records. It was the biggest-selling single stateside of 1999.

The record hit #1 in the UK, where it became the best-selling single of all-time by a female artist. It also topped the charts in Germany, Canada, The Netherlands, Australia, France, Sweden, Italy, Spain, Belgium, Norway, Denmark, Switzerland, New Zealand and Ireland.

Friday is dance day at Tunes du Jour. We kick off this week’s party with Cher’s “Believe.” Have a superb weekend!

Click here to like Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour.

Leave a Comment

Filed under playlists

It’s Friday And I Need To Dance!

Hey, reader(s), Tunes du Jour is now on Twitter! Engage me in a way that only a tweeter can! You can find me at @TunesDuJour.

Ringo + Pointers
Friday is dance day ‘round these parts. Today’s party playlist kicks off with birthday woman Anita Pointer, who leads her sisters in telling us how excited she is to turn 67 today.

Have a terrific weekend!

Click here to like Tunes du Jour on Facebook!

Leave a Comment

Filed under playlists