Winston + Chuck 2014-06-30 11.25

A Change Is Gonna Come If You Make It So

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A company I worked for – I won’t say which one – has an amazing catalogue of rhythm & blues music, arguably the best r&b catalogue of any record label. Despite possessing this goldmine, most of our catalogue releases were from white rock bands. I asked a member of senior management why we didn’t do more with our black artists, and the answer I got was “We don’t know how to sell that music.”

Is that not a stupid response? If you don’t know how to do that, hire someone who has that expertise, or learn how to do it. Why ignore a large swath of your potential market, especially when you already own the assets?

Years ago I was put in charge of licensing at a record label. I knew the music and I knew the components of licensing deals; however, I wasn’t a very good negotiator. I found the process intimidating. I could have left it at that – “I don’t know how to negotiate.” My company would have made money nonetheless, though not at its full potential. For that matter, I wouldn’t be working at full potential.

I took a course in negotiations. Six weeks, $300. Money well spent. I put what I learned in the class into action. Practice makes perfect, and I became an excellent negotiator. In my four years at that company our licensing revenue increased 400%. My skills also led to my next job as the Vice President of Licensing at another company.

Is a lack of some skill or knowledge holding you back? Fix that. Read a book, attend a seminar, take an on-line course or find a mentor. Saying “I don’t know how” won’t lead to success; learning how will.

Winston + Chuck 2014-06-30 11.25
Today is the last day of Black Music Month. It would be ludicrous to think a 40-song playlist would cover black music in any comprehensive way. Enjoy it for what it is – nearly three hours of fantastic music. Listen to it while you research how to learn a new skill.

Winston + NIrvana 002

Kurt

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Winston + NIrvana 002

“I’d rather be hated for who I am than loved for who I am not.”
– Kurt Cobain

“That kid has heart.”
– Bob Dylan

“He had a touch most guitarists would kill for.”
– Chuck Berry

“His music is powerful, very intense. That sort of power is rare. You hate to lose somebody like that, someone who keeps the music alive and moving ahead. Not many guys like him come along.”
– Bruce Springsteen

“Nobody dies a virgin. Life fucks us all.”
– Kurt Cobain

“I went to see Nirvana at a small club called the Pyramid on Avenue A in New York City. It was hard to hear the guitar, but the guy playing and singing had a vibe; he hopped around like a muppet or an elf or something, hunched over his guitar, hop hop hop, hippety hippety hop. I loved that. When he sang, he put his voice in this really grating place, and it was kind of devilish sounding. At the end of the set he attacked the drum kit and threw the cymbals, other bits and finally himself into the audience. Later I saw the same guy passing the bar. He was little, with stringy blond hair and a Stooges T-shirt. I felt proud.”
– Iggy Pop

“Nirvana was the first band in years that I really loved… They were the band I felt a lot of hope for, for the whole music scene.”
– Patti Smith

“If any of you in any way hate homosexuals, people of a different color, or women, please do this one favor for us… Don’t come to our shows and don’t buy our records.”
– Kurt Cobain

“He really, really inspired me. He was so great. Wonderful. One of the best, but more than that. Kurt was one of the absolute best of all time for me.”
– Neil Young

“Such a beautiful flame never burns very long. The really brilliant flames seem to consume themselves, and then they’re gone. Maybe Kurt was meant to be here long enough to put us on the right path.”
– Tom Petty

“If you’re really a mean person you’re going to come back as a fly and eat poop.”
– Kurt Cobain

“Nirvana made everything else look silly.”
– Bono

“Cobain was very shy, very polite, and obviously enjoyed the fact that I wasn’t awestruck at meeting him. There was something about him, fragile and engagingly lost.”
– William S. Burroughs

“Birds scream at the top of their lungs in horrified hellish rage every morning at daybreak to warn us all of the truth, but sadly we don’t speak bird.”
– Kurt Cobain

“He was an incredible writer and an incredible singer. And when I met him I found him to be a very special person. He was one of those special people. There was a light inside him that you could see. He had a charisma that went beyond his physical presence.”
– PJ Harvey

“I am not gay, though I wish I were, just to piss off homophobes.”
– Kurt Cobain

“The only person I have any respect for as a songwriter over the last 10 years is Kurt Cobain. He was the perfect cross between Lennon and McCartney. He belted it out like Lennon, but his melodies were so Paul McCartney.”
– Noel Gallagher

“Remember Kurt for what he was: caring, generous and sweet.”
– Krist Novoselic

“I still dream about Kurt. Every time I see him in a dream, I’ll be amazed and I get this feeling that everyone else thinks he’s dead. It always feels totally real, probably because I’m a very vivid dreamer. But, in my dreams, Kurt’s usually been hiding – we’ll get together and I’ll end up asking him, “God, where have you been”
– Dave Grohl

“If you die you’re completely happy and your soul somewhere lives on. I’m not afraid of dying. Total peace after death, becoming someone else is the best hope I’ve got.”
– Kurt Cobain

kurtFebruary 20, 1967 – April 5, 1994

Ten Facts About Little Richard

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1) Mojo magazine’s list of “The 100 Records that Changed the World” placed Little Richard’s “Tutti-Frutti” at #1.
2) Pat Boone, who made a career of recording new tracks by African-American acts and sanitizing them for white audiences, covered Little Richard’s “Tutti-Frutti” in 1956 and had a bigger hit with it than Richard did. To avoid a repeat of this, Richard and his producer, Bumps Blackwell, rehearsed the follow-up single, “Long Tall Sally,” until Richard could sing it as fast as possible, with the thinking that Boone wouldn’t be able to sing it as fast. Little Richard’s version became his first top ten pop hit and the biggest-selling single in the history of Specialty Records. Unfortunately, Pat Boone also enjoyed a top ten hit with his version.
3) Richard wrote a song about a female impersonator from his hometown who was called Queen Sonya. He changed Sonya to Lucille, which became the song’s title. It became Richard’s longest-charting hit in 1957.
4) While on tour in 1957 Richard decided to give up rock & roll and enter the ministry. He left the tour ten days early. The original flight on which he had been scheduled to return home crashed into the Pacific Ocean.
5) In 1962 Richard returned to performing secular music while touring Europe. Sam Cooke was his opening act.
6) Later in 1962 Little Richard’s opening act was The Beatles. Richard taught Paul McCartney how to sing like he does.
7) In 1963 The Rolling Stones opened for Richard. Said Mick Jagger: “I couldn’t believe the power of Little Richard onstage. He was amazing.”
8) Members of Little Richard’s band at times include Jimi Hendrix and Billy Preston. This line-up can be heard on the track “I Don’t Know What You’ve Got (But It’s Got Me),” the last single released by Vee-Jay Records.
9) Rolling Stone magazine’s list of The Greatest Artists of All Time has Little Richard at #8.
10) Today is his 81st birthday.

Enjoy this playlist inspired by one of rock and roll’s originators, Little Richard.

An Atheist Jew’s Guide To Christmas Music, Part 1

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Raised Jewish, I celebrated Hanukkah. For several years, my family also celebrated Christmas. We didn’t go to midnight mass, we didn’t drink egg nog, we didn’t throw a special type of log in the fireplace. (By the way, I have no idea what makes a Yule log yuley). We put tinsel and candy canes on a large potted plant my mother had in the den and bought each other small but practical gifts. For example, when I was 11 for Christmas my parents got me a salt shaker. The Christmas celebrations stopped after I innocently told Grandpa Mordechai about them. My parents were so angry with me they took away my salt shaker.

Though I no longer celebrate Christmas, I still have a major jones for Christmas music. I own many more Christmas records than any atheist Jew probably should. We’re talking in the hundreds.

I eschew Christmas classics performed by well-known middle-of-the-road acts such as Celine Dion, Michael Bublé, Kenny G (sell-out Jew), Neil Diamond (sell-out Jew) or Barbra Streisand (sell-out Jew). Frank Sinatra shows up only in a duet with Cyndi Lauper and Bing Crosby shows up only in his duet with David Bowie.

Including the Crosby/Bowie version, I have 15 renditions of “The Little Drummer Boy” in my iPod, by a diverse list of artists including Johnny Cash, The Temptations, Joan Jett, Bob Dylan, Iggy Pop and RuPaul.

I have ten versions of “Winter Wonderland,” and that’s not counting the cross-dressing parody “Walkin’ Round in Women’s Underwear,” not performed by RuPaul.

I have “Christmas in Hollis,” “Christmas in Harlem,” “Christmas in Washington,” “Christmastime in the LBC,” “Christmas in the City,” “Christmas in Heaven,” “Christmastime in Hell” and “Christmas at the Zoo.”

I have Christmas songs by most of my favorite artists of all-time, including The Beatles, Prince, Michael Jackson, Madonna, Stevie Wonder, R.E.M., Elvis Presley, The White Stripes, Kanye West, Ike and Tina Turner, Chuck Berry, and Radiohead.

Some Christmas songs aren’t Christmas songs at all. “Frosty the Snowman,” “Let It Snow Let it Snow Let It Snow” and “Winter Wonderland” don’t mention the baby Jesus or Santa Claus or presents or a bullied reindeer with a skin ailment.

Some of the Christmas songs I have are a bit odd. “I Found the Brains of Santa Claus,” a smooth jazz version of “Grandma Got Run Over By a Reindeer,” C3PO and R2D2 singing “Sleigh Ride.” I have Liberace reciting “Twas the Night Before Christmas,” though his version doesn’t hold a candle to Aretha Franklin’s version, in which the Queen of Soul took a few liberties with the words: “A bundle of gifts he had and what did I get? / As I squealed, opening the package, the same old shit!” Her lyrics are downright Disneyesque compared to Snoop Dogg’s reading of the famous poem. If you’re interested, Google the lyrics because I’m not going to print them here.

I have John Denver singing “Please Daddy (Don’t Get Drunk This Christmas).” Verse one opens with a couplet for the arithmetically-challenged: “Just last year when I was only seven / Now I’m almost eight you can see.” Santa needs to bring John some flashcards. The next two lines create a holiday image that is less Norman Rockwell and more John Waters: “You came home at quarter past eleven / And fell down underneath the Christmas tree.” Someone needs to get him to a 12-step group. He can attend a meeting with the title character of Fishbone’s “Slick Nick, You Devil You,” who came down the chimney with a keg of brew and spilled Jack Daniels all over the drapes.

I have Sarah Silverman singing “Give the Jew Girl Toys,” in which she taunts Santa by singing “You have a list / Well, Schindler did to / Liam Neeson played him / Tim Allen played you.”

Then there’s the classic “Fairtytale of New York” by the Pogues and Kirsty MacColl, which evokes the holiday spirit with the line “You scumbag, you maggot / You cheap lousy faggot,” something yelled at me every year by those Salvation Army Santas.

Better still is “Macarena Christmas.” I LOVE “Macarena” and I’m betting you do to though you probably won’t admit it. “Macarena Christmas” celebrates the birth of our lord and savior Baby Macarena by taking the chorus from the hit single and uncleverly inserting it repeatedly into a medley of Christmas songs, so it goes “Joy to the world, the Lord has come / Da le a tu cuerpo alegria Macarena, Que tu cuerpo es pa darle alegria y cosa Buena / Da le a tu cuerpo alegria Macarena / Eeeeeh, Macarena – ay / Jingle bells jingle bells jingle all the way.” Sound effects of what sounds like an infant with the hiccups are thrown in. It makes no sense, y me gusta mucho.

My favorite holiday album and one of the greatest all-time albums period is Phil Spector’s A Christmas Gift for You, featuring tracks he produced for The Ronettes, The Crystals, Darlene Love and Bob B. Soxx and The Blue Jeans. Every cut on it is classic and can be enjoyed by the whole family, except Grandpa Mordechai.

International Men’s Day

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Today is the 14th annual International Men’s Day. Per the holiday’s website, “It is an occasion for men to celebrate their achievements and contributions, in particular their contributions to community, family, marriage, and child care while highlighting the discrimination against them.”

We at TunesDuJour are taking this day to pay tribute to the many types of men out there. Whether you’re a soul man, a trouble man, a rocket man, a monkey, tambourine, candy, love, carpet, watermelon, egg, sixty minute or hurdy gurdy man, we have a song for you.

To kick off this blog in a silly fashion, we present to you a playlist of songs with the word “men” or “man” in the title, performed by men. This list is by no means comprehensive. Dare I say there are MANy more. Sorry, I shouldn’t have dared.

Give it a listen and let us know in the comments section how you are celebrating International Men’s Day and if you discovered or rediscovered any worthwhile tunes from our list.