Tunes Du Jour Celebrates International Drum Month

Welcome to a journey through rhythm. November is International Drum Month, and this collection honors the masters of the drum kit, the players whose feel, power, and ingenuity define the songs we love. From the tightest pockets to the most explosive solos, these are the heartbeats of modern music. Let’s give the drummers some.

Good Vibrations – The Beach Boys
The legendary session musician Hal Blaine provides the sharp, inventive percussion, using everything from sleigh bells to a detached kick drum to build the song’s complex and sunny atmosphere.

Cissy Strut – The Meters
Joseph “Zigaboo” Modeliste, the architect of New Orleans funk, creates a syncopated, greasy, and endlessly influential groove that has been the blueprint for funk drummers ever since.

Smells Like Teen Spirit – Nirvana
Dave Grohl’s performance is a masterclass in quiet-loud dynamics, with his simple, powerful groove in the verse exploding into a torrent of raw energy for the iconic chorus.

One – Metallica
Lars Ulrich’s machine-gun double bass drumming on the intro is one of metal’s most defining moments, perfectly mimicking the sound of battlefield artillery.

Superstition – Stevie Wonder
The irresistible funk pattern that drives this track was played by none other than Stevie Wonder himself, who laid down the clavinet, bass, and drum parts to create a perfect storm of groove.

The Glamorous Life – Sheila E.
A tour de force from the legendary percussionist and drummer Sheila E., this track is a showcase of her technical virtuosity and incredible funk sensibilities.

In The Air Tonight – Phil Collins
For three minutes, Phil Collins builds unbearable tension before unleashing the most famous drum fill in history, a thunderous burst of gated reverb toms that everyone has air-drummed to.

Rosanna – Toto
The late, great Jeff Porcaro gives a masterclass in the half-time shuffle, creating a feel so iconic and difficult to replicate that it’s now simply known as the “Rosanna shuffle.”

Come Together – The Beatles
Ringo Starr’s signature swampy, tea-towel-dampened tom groove is the unmistakable foundation of this track, proving that feel and creativity are more important than flash.

Brick House – The Commodores
Walter “Clyde” Orange not only provides the lead vocals but also lays down a funk groove so solid and deep you could build a house on it, proving that sometimes the simplest beat is the most effective.

Rock With You – Michael Jackson
Session giant John “JR” Robinson creates a beat that is smooth, sophisticated, and impossibly deep in the pocket, providing the perfect shimmering pulse for dancing.

Sing, Sing, Sing (With A Swing) – Benny Goodman & His Orchestra
Gene Krupa became music’s first superstar drummer with this performance, his primal, floor-tom-driven solo setting the standard for all drum features to come.

Voodoo Child (Slight Return) – The Jimi Hendrix Experience
Mitch Mitchell’s jazz-influenced, wildly improvisational drumming is the perfect foil for Hendrix’s guitar, a chaotic and conversational force of nature.

When The Levee Breaks – Led Zeppelin
Recorded in a stairwell with two microphones, John Bonham’s colossal, booming groove is arguably the most recognizable and revered drum sound ever committed to tape.

Message in a Bottle – The Police
Showcasing his unique, reggae-infused style, Stewart Copeland’s intricate hi-hat work and signature use of the splash cymbal give this song its nervous, driving energy.

Funky Drummer – James Brown
Here, Clyde Stubblefield plays what is perhaps the most-sampled drum break in history, a 20-second piece of rhythmic perfection that became a cornerstone of hip-hop.

Gimme Shelter – The Rolling Stones
The picture of restraint and taste, Charlie Watts enters the song with a deceptively simple beat that carries all the dread and swing the track demands.

I’ve Seen All Good People – Yes
Bill Bruford’s crisp, creative, and complex drumming is on full display, navigating the song’s shifting sections with technical precision and musical grace.

50 Ways to Leave Your Lover – Paul Simon
Steve Gadd lays down one of the most recognizable and clever marching-band-inspired beats in popular music, a sophisticated and instantly memorable pattern.

Think (About It) – Lyn Collins
Another gift to hip-hop from the James Brown band, this track features John “Jabo” Starks’s impossibly tight groove and a legendary drum break that keeps on giving.

White Room – Cream
The inimitable Ginger Baker announces this psychedelic classic with a powerful 5/4 tom-tom intro, setting the stage with his heavy, melodic, and groundbreaking style.

Hot For Teacher – Van Halen
Alex Van Halen’s frantic, shuffling intro sounds like a barely-contained engine, kicking off one of the most exhilarating double-bass-fueled drum tracks in rock history.

Sunday Bloody Sunday – U2
Larry Mullen Jr.’s militaristic, unrelenting snare drum pattern, recorded in a reverberant stairwell, serves as the song’s defiant and unwavering backbone.

Schism – Tool
A master of complexity, Danny Carey navigates the song’s dizzying array of shifting time signatures with a tribal power and mathematical precision that is simply breathtaking.

Baba O’Riley – The Who
The untamable Keith Moon crashes and tumbles through this rock anthem, playing with a frenetic energy that threatens to send the song flying off the rails at any moment.

Dig Me Out – Sleater-Kinney
Janet Weiss is the roaring engine of this track, playing with a ferocious power, impeccable timing, and creative fills that drive the song forward relentlessly.

I Heard It Through the Grapevine – Gladys Knight & the Pips
Funk Brothers drummers Uriel Jones and the great Benny Benjamin create a powerhouse rhythm section, delivering a performance full of simmering tension and explosive release that punctuates the song’s raw emotion.

Dancin’ Fool – Frank Zappa
Terry Bozzio is the manic force behind this track, navigating Zappa’s absurd rhythmic twists and turns with an explosive combination of power, precision, and theatrical flair.

One Love/People Get Ready – Bob Marley & The Wailers
Carlton “Carly” Barrett, the originator of the “One Drop” rhythm, gives this song its iconic reggae heartbeat, where the accent is on the third beat of the measure.

Footprints – The Miles Davis Quintet
At just 20 years old, Tony Williams redefined jazz drumming with his explosive and interactive playing, shattering old conventions and pushing the entire band to new heights.

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Your (Almost) Daily Playlist: 4-19-24

Elenore
Gee, I think you’re swell
And you really do me well 
You’re my pride and joy, et cetera…

After the huge success of their “Happy Together,” The Turtles’ record label asked them for another love song in a similar vein. Jokingly, they turned in “Elenore.” It became their eighth US top 40 hit, reaching number 6 on the Billboard Hot 100.

The Turtles’ Mark Volman was born on this date in 1947. A few songs from his band are included on today’s playlist.

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Tunes Du Jour Presents Eric Clapton

Eric Clapton stands as a towering figure in the realm of music, his guitar prowess and soulful vocals leaving an indelible mark on the landscape of rock and blues. From his early days with The Yardbirds and Cream to his solo career, Clapton has continually redefined the boundaries of guitar playing, weaving intricate melodies and emotive solos that resonate with audiences across generations.

At the heart of Clapton’s music lies a raw authenticity, a testament to his deep-rooted love for the blues. Songs like “Layla,” “Tears In Heaven,” and “Sunshine of Your Love” not only showcase his technical brilliance but also his ability to infuse each note with profound emotion. His music transcends mere entertainment, offering listeners a cathartic experience that speaks to the complexities of the human condition.

Beyond his musical contributions, Clapton has also been involved in various philanthropic endeavors. His most notable effort is perhaps the creation of the Crossroads Centre in Antigua, a rehabilitation facility dedicated to helping individuals overcome addiction. Having battled addiction himself, Clapton’s commitment to supporting others on their journey to recovery underscores his compassion and empathy.

However, Clapton’s legacy is not without controversy. Accusations of xenophobia, racism, and anti-science sentiments have cast a shadow over his career. His inflammatory remarks in the past have sparked widespread criticism and prompted many to reevaluate their support for him. While his musical achievements are undeniable, it’s essential to acknowledge and address the problematic aspects of his persona.

As listeners engage with Clapton’s music, they are encouraged to appreciate the artistry while also confronting the complexities of the artist behind it. While his contributions to music are undeniable, it’s crucial to approach his legacy with nuance and critical reflection. Ultimately, Eric Clapton’s journey serves as a reminder that even the most revered figures are not immune to scrutiny, and that true appreciation requires an acknowledgment of both the brilliance and the flaws.

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Tunes Du Jour Presents 1968

In the tumultuous year of 1968, the world was ablaze with social and political upheaval, and the music of the time resonated deeply with the spirit of change. As we reflect on the sounds that defined this pivotal era, it’s impossible not to be swept away by the eclectic mix of genres and emotions that filled the airwaves. From soulful ballads to psychedelic rock anthems, the music of 1968 was a reflection of the turbulent times in which it was created.

One cannot delve into the musical landscape of 1968 without acknowledging the timeless classics that continue to capture hearts and minds today. Marvin Gaye’s “I Heard It Through the Grapevine” remains a soulful testament to the power of love and betrayal, while The Beatles’ “Hey Jude” stands as an enduring anthem of hope and resilience. Meanwhile, Otis Redding’s “(Sittin’ On) The Dock of the Bay” evokes a sense of quiet contemplation amidst the chaos, its melancholic melody lingering long after the last note fades away.

The year also saw the rise of revolutionary artists who pushed the boundaries of conventional sound and style. Jimi Hendrix’s electrifying rendition of Bob Dylan’s “All Along The Watchtower” redefined the possibilities of guitar-driven rock, while Sly & the Family Stone’s “Dance To The Music” infused funk with a vibrant energy that transcended racial and cultural divides. Steppenwolf’s “Born To Be Wild” became the anthem of a generation, capturing the restless spirit of rebellion that coursed through the veins of youth around the world.

Each track on this playlist is a testament to the power of music to unite, inspire, and console, even in the darkest of times. Let us remember the year that was 1968 and the enduring legacy of the artists who helped shape it.

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Your (Almost) Daily Playlist: 7-17-23

The Spencer Davis Group were under pressure from their manager, Chris Blackwell, to come up with a hit single. He put them in a studio. By around 11:30 AM they had a riff. By noon the song was written and the band headed to a café down the road for lunch. Blackwell was livid when he found them eating rather than working on their new record. His anger subsided when the song, “Gimme Some Lovin,” recorded in just one or two takes, became a worldwide smash. It is now considered a rock n roll classic.

The late Spencer Davis was born on this date in 1939. A couple of the Group’s tracks are included on today’s playlist.

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Your (Almost) Daily Playlist: 5-28-23

I tend to think there are three age groups – children, the elderly, and folks around my age. Children bang on about things I’ve never heard of. The elderly tell stories of how when they were kids nobody in the neighborhood owned a television set so the family would take the trolley downtown to Sears and watch The Lawrence Welk Show through the store window. Folks in my age group all share the same cultural references.

This morning when walking my dogs, Ringo and Winston, I was made aware that there are those who are older than children yet younger than I. We saw Jeffrey, who lives across the street, walking his dog Molly and another dog. We said hello (well, I said hello. Ringo and Winston didn’t say anything. They’re not morning dogs.) and I asked “And who is this?,” referring to the other dog. Jeffrey replied “This is Luka,” to which I said “Does he live on the second floor?” I know the three or four of you reading this were thinking the same thing. Jeffrey had a puzzled look on his face. “What?” “His name is Luka. Does he live on the second floor?” Jeffrey, still confused, said “No. He lives next door to me.”

I hadn’t thought about it, but now I know Jeffrey is a lot younger than I. Unlike me, I’m sure when filling out a form that asks in which age group he falls, he never has to color in the circle by the group that ends with “and over.”

Everyone should know Suzanne Vega’s song “Luka.” And everyone should absolutely know Creedence Clearwater Revival’s “Fortunate Son.” If you aren’t familiar with it, put down your phone, then pick it back up because I just remembered that’s how young people listen to music nowadays, play the song (which kicks off the playlist below), and do this every day. Memorize the words. Scream along with it. It’s a great way to release your pent-up rage at The Man. Take my word for it. I’ve been doing so for <and over> years.

Creedence Clearwater Revival’s John Fogerty turns 78 today. I’ve never heard him mention The Lawrence Welk Show, though a show called Fortunate Son – A Tribute to Creedence Clearwater Revival is now playing at the Welk Resort Theater on Lawrence Welk Drive in Escondido, California.

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