Tunes Du Jour Presents 1989

Although 1989 may not have been a groundbreaking year for popular music, it bestowed upon us an array of iconic hits spanning diverse genres. Take, for instance, The B-52’s infectious “Love Shack,” with its quirky lyrics and irresistible beat that whisked revelers away to a neon-lit haven of love and laughter. Meanwhile, Neneh Cherry’s “Buffalo Stance” effortlessly blended hip-hop beats and funk, showcasing Cherry’s distinct rap-singing style and exuding an aura of boldness and unapologetic confidence.

On a more introspective note, The Cure’s “Lovesong” captured the poignant ache of love’s longing through haunting melodies and Robert Smith’s plaintive vocals. In contrast, Paula Abdul’s “Straight Up” emerged as a pop gem, infusing catchy hooks with Abdul’s signature sassy charm. Public Enemy’s “Fight the Power” thundered onto the scene as a resounding anthem against social injustice, urging listeners to question authority and demand change.

Meanwhile, De La Soul’s “Me, Myself And I” provided a playful yet insightful commentary on self-identity and individuality, solidifying their status as pioneers of alternative rap. Pixies’ “Debaser” shattered musical conventions with its raw energy, while N.W.A’s “Express Yourself” defiantly resonated with those embracing authenticity. Enya’s “Orinoco Flow” whisked us away on Celtic winds, and Young M.C.’s “Bust A Move” had us grooving to its playful rap verses.

Then there were the soulful strains of Guns N’ Roses’ “Patience,” revealing a softer side to the rock rebels, and Madonna’s “Like a Prayer,” a fusion of pop sensibility with gospel-infused vocals that pushed boundaries. Fine Young Cannibals’ “She Drives Me Crazy” pulsated with infectious energy, blending pop, new wave, and soul, while Prince’s “Batdance” defied genres with its blend of funk, rock, and pop flamboyance. Meanwhile, Nirvana’s “About a Girl” hinted at the seismic shift the band would bring to the music industry.

Reflecting on the music of 1989, we’re reminded of its enduring legacy and profound impact on contemporary music. Each song in this playlist serves as a time capsule, transporting us to a moment when music had the power to unite, inspire, and ignite imaginations. So let’s press play and embark on a journey through the sonic landscape of 1989, where every note resonates with the magic of music.

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Your (Almost) Daily Playlist: 2-17-24

A used unwashed black t-shirt worn by Green Day’s Billie Joe Armstrong during the promotion of the band’s American Idiot album sold for $2500 at a charity auction, with the proceeds going to the Oakland School of the Arts. I would love to dispose of my laundry pile the same way, but I doubt anybody would pay more than $400 for my sweat-stained socks.

Billie Joe Armstrong was born on this date in 1972. Tracks from his band are included on today’s playlist.

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Throwback Thursday: 1988

Nineteen eighty eight was, on the US pop music chart, one of those in-between years. The “New Wave” British invasion had greatly subsided and England wasn’t as much of a presence on the charts as it was a few years earlier. Rap was increasing in popularity and hitting the top 40 more frequently, though it was still a far cry from the dominant position it holds today. Of the hip hop song’s on today’s playlist, only two made it onto the Billboard Hot 100 – LL Cool J’s “Goin’ Back to Cali,” which peaked at #31, despite selling a million copies, and Rob Base & D.J. E-Z Rock’s “It Takes Two,” which peaked at #36, despite selling two million copies. Alternative music lived up to its genre name as an alternative to the music on the pop chart, so if you wanted to hear Sonic Youth or The Dead Milkmen or The Primitives, you had to tune into college radio or the stations on the left side of your FM dial. Those artists, alongside U2, R.E.M. and INXS, could be found on Billboard’s Modern Rock chart, which premiered in September of 1988. New Jack Swing tracks from artists such as Keith Sweat remained popular on Black radio and crossed over, while Black artists such as Tracy Chapman and Living Colour failed to make much of an impression on Black radio. So-called Hair Metal was a presence on the pop chart; grunge would help fix that in a few years. Configuration-wise, CDs outsold vinyl LPs for the first time in 1988, though cassettes outsold both.

Here are thirty of 1988’s finest:

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