Tunes Du Jour Presents 1989

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Although 1989 may not have been a groundbreaking year for popular music, it bestowed upon us an array of iconic hits spanning diverse genres. Take, for instance, The B-52’s infectious “Love Shack,” with its quirky lyrics and irresistible beat that whisked revelers away to a neon-lit haven of love and laughter. Meanwhile, Neneh Cherry’s “Buffalo Stance” effortlessly blended hip-hop beats and funk, showcasing Cherry’s distinct rap-singing style and exuding an aura of boldness and unapologetic confidence.

On a more introspective note, The Cure’s “Lovesong” captured the poignant ache of love’s longing through haunting melodies and Robert Smith’s plaintive vocals. In contrast, Paula Abdul’s “Straight Up” emerged as a pop gem, infusing catchy hooks with Abdul’s signature sassy charm. Public Enemy’s “Fight the Power” thundered onto the scene as a resounding anthem against social injustice, urging listeners to question authority and demand change.

Meanwhile, De La Soul’s “Me, Myself And I” provided a playful yet insightful commentary on self-identity and individuality, solidifying their status as pioneers of alternative rap. Pixies’ “Debaser” shattered musical conventions with its raw energy, while N.W.A’s “Express Yourself” defiantly resonated with those embracing authenticity. Enya’s “Orinoco Flow” whisked us away on Celtic winds, and Young M.C.’s “Bust A Move” had us grooving to its playful rap verses.

Then there were the soulful strains of Guns N’ Roses’ “Patience,” revealing a softer side to the rock rebels, and Madonna’s “Like a Prayer,” a fusion of pop sensibility with gospel-infused vocals that pushed boundaries. Fine Young Cannibals’ “She Drives Me Crazy” pulsated with infectious energy, blending pop, new wave, and soul, while Prince’s “Batdance” defied genres with its blend of funk, rock, and pop flamboyance. Meanwhile, Nirvana’s “About a Girl” hinted at the seismic shift the band would bring to the music industry.

Reflecting on the music of 1989, we’re reminded of its enduring legacy and profound impact on contemporary music. Each song in this playlist serves as a time capsule, transporting us to a moment when music had the power to unite, inspire, and ignite imaginations. So let’s press play and embark on a journey through the sonic landscape of 1989, where every note resonates with the magic of music.

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Your (Almost) Daily Playlist: 11-4-22

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Today’s playlist celebrates the November 4 birthdays of Godspeed You! Black Emperor’s Efrim Menuck, Squeeze’s Chris Difford, Diddy, Fat Boys’ Kool Rock-Ski, and Frances Faye; and the November 5 birthdays of Simon & Garfunkel’s Art Garfunkel, The Byrds’ Gram Parsons, Ike Turner, Ryan Adams, Bryan Adams, Inner City’s Paris Grey, Herman’s Hermits’ Peter Noone, A Flock of Seagulls’ Mike Score, Charles Bradley, Loleatta Holloway, Fishbone’s Angelo Moore, and Dominatrix’s Dominique Davalos.

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Your (Almost) Daily Playlist: 9-5-22

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Today’s playlist celebrates the September 5 birthdays of Queen’s Freddie Mercury, En Vogue’s Terry Ellis, Inner City’s Kevin Saunderson, Al Stewart, Loudon Wainwright III, and The Impalas’ Joe “Speedo” Frazier; and the September 6 birthdays of Pink Floyd’s Roger Waters, The Cranberries’ Delores O’Riordan, Jimmy Reed, The Cardigans’ Nine Persson, Macy Gray, Sylvester, N.O.R.E./Noreaga, CeCe Peniston, Nightcrawlers’ John Reid, Dum Dum Girls’ Dee Dee, and Foxy Brown.

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Your (Almost) Daily Playlist (11-5-20)

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Inspired by the November 5 birthdays of Art Garfunkel, Ryan Adams, Ike Turner, Herman’s Hermits’ Peter Noone, Fishbone’s Angelo Moore, Gram Parsons, Bryan Adams, Inner City’s Paris Grey, Loleatta Holloway, A Flock of Seagulls’ Mike Score and Dominatrix’s Dominique Davalos; and the November 4 birthdays of Squeeze’s Chris Difford, Diddy/Puff Daddy, Fat Boys’ Kool Rock-Ski, and Frances Faye.

Throwback Thursday – 1989

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During the February 22, 1989 telecast of the Grammy Awards, Pepsi premiered a thirty-second spot that featured a new song by Madonna, “Like a Prayer.” It was the first time a major artist’s new single was used in a television commercial prior to being released to radio or record stores.

The following week, a two-minute version of the commercial aired during The Cosby Show, at the time a highly-rated program starring America’s favorite dad, Bill Cosby. The ad, part of a $5 million endorsement deal Pepsi struck with Madonna that also included tour sponsorship, featured Madonna dancing in the street, in a school hallway, and in a church.

The song’s music video premiered the following day on MTV. In the video, Madonna witnesses the murder of a white girl by white supremacists. A black man gets arrested for the killing. Madonna seeks refuge in a church, where she has a dream that includes stigmata on her hands, kissing a black saint, and dancing in front of burning crosses.

The Vatican and other religions organizations condemned the video and threatened a protest against Pepsi products. Pepsi dropped its sponsorship of Madonna, never again aired the television spot, and let Madonna keep the $5 million they paid her.

“Like a Prayer” became Madonna’s seventh #1 pop hit in the United States. It also topped the charts in the United Kingdom, Australia, Canada, the Netherlands, Sweden, Japan, Italy, Spain, Norway, Denmark, Finland, Ireland, New Zealand, Belgium, and Switzerland.

“Like a Prayer” won the Viewers Choice award at the 1989 MTV Music Video Awards, a program that incidentally was sponsored by Pepsi. In her speech, Madonna said “I would really like to thank Pepsi for causing so much controversy.”

Tunes du Jour’s playlist this Throwback Thursday spotlights the year 1989, and kicks off with Madonna’s “Like a Prayer.”


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It’s Q-Tip’s Birthday And I Need To Dance!

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Here’s the thing…I started writing today’s blog entry about mishaps I’ve recently encountered in on-line dating, specifically with an app I downloaded last week that despite my creating a profile that says I’m a man looking for a man, keeps trying to set me up with straight guys. I tied that into today’s birthday, Q-Tip from A Tribe Called Quest, by saying he’s one straight guy who wouldn’t date me. I quoted lyrics from Tribe’s song “Georgy Porgy.” While I was typing those lyrics, my stomach turned. I had trouble finding the humor in a song that refers to a gay guy as gross, ill, a fag, wounded, weak, a fucking faggot, and then some. The post started out funny but when I got to Q-Tip’s lyric “You can call me homophobic but I know it and you know it/ you’re filthy and funny to the utmost,” I decided I may be funny, but he isn’t, nor is he worth celebrating.

Odd that such a hateful bigot should appear on a record by Deee-Lite, a trio of gay and gay-friendly performers. Q-Tip appears on a lot of good records.

Friday is dance day at Tunes du Jour. Today’s playlist doesn’t celebrate the loathsome Q-Tip, but rather twenty great club tracks, a few of which feature Q-Tip. I’ll fill you in on my dating app experiences later.


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It’s Robyn’s Birthday And I Need To Dance!

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Another New York Moment

    In those halcyon days before we thought about skin cancer, when David Dinkins was the mayor of New York City, Kathy and I would go to Central Park to tan. Usually we spread our towels on Sheep Meadow, among our fellow Manhattan sun worshippers, who were not sheep, at least not genealogically.

    One time Sheep Meadow was closed off, so we went to a nearby field to lay out. It was a smaller area, with only a handful of folks taking in the rays. Shortly after we covered ourselves in suntan oil, Kathy and I independently simultaneously peripherally noticed some motion nearby. A gender-discordant couple was enjoying each other’s company. Not in the same way Kathy and I were enjoying each other’s company. Their way was under a thin ratty blanket and involved thrusting. Looking around we saw that our fellow tanners saw what was happening and looked around at all the tanners to confirm their eyes were not deceiving them. It being New York City, nobody bothered them. Not the people there to tan, not the parents walking with their children along the path a few feet from the fornicators, not the NYPD. Live and let live. That’s how we did it in New York.

    They finished their activity and cleaned themselves up with the paper towels they had the foresight to bring with them. These were not amateurs. They were prepared. He probably was a boy scout many many years earlier.

    That was all well and good. However, a half hour later they started at it again. One time, no problem, but a second time? Now that’s rude! Nobody likes a show-off.

    “I’m near the meadow watching you boink her, oh ooh oh.” I didn’t write a song with that lyric that day, but let’s pretend I did, if only to make this segue less awkward.

    In 2010, Swedish singer Robyn released “Dancing on My Own,” which included the lyric “I’m in the corner watching you kiss her, oh ooh oh.” Her song was not about coitus in a Manhattan park. In the song she is stalking her ex, something I don’t recommend doing unless it’s on-line.

    Today Robyn turns 36 years old. As Friday is dance day at Tunes du Jour, we’ll pepper our playlist with some of Robyn’s best, starting with “Dancing on My Own.” Everybody get down (though if you’re in a public park, get down only once per 24-hour period)!


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Winston + Bobby Brown

The Song Retains The Name

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Winston + Bobby Brown
Today is Bobby Brown’s 46th birthday. A former member of New Edition, Brown had his first solo hit in 1988 with “Don’t Be Cruel,” which reached #8 on the Hot 100. Though it shares its title with an Elvis Presley #1 hit from 1956, Brown’s “Don’t Be Cruel” is not a remake.

That brings us to today’s playlist, which I call The Song Retains the Name. It consists of different songs with the same title. I initially planned to include twenty such songs, but more kept springing to mind. Before I knew it, I passed 100 entries. There are plenty more, so I decided to open this up to my reader(s). If you have songs that share titles you’d like to add, feel free to do so.

(NOTES: I included The Jacksons’ “This Place Hotel” because when it was released in 1980 its title was “Heartbreak Hotel.” Thought he didn’t have to, Michael Jackson, the song’s writer, later changed its name to “This Place Hotel” to avoid confusion with the Elvis Presley song “Heartbreak Hotel.” Whitney Houston didn’t feel the need to make the same Hotel accommodation.

Also, though it is listed on Spotify as “The Best of My Love,” the Eagles track does not have a “The” on the 45 or the band’s On the Border album.)

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