Tag Archives: Inner City

Throwback Thursday – 1989

During the February 22, 1989 telecast of the Grammy Awards, Pepsi premiered a thirty-second spot that featured a new song by Madonna, “Like a Prayer.” It was the first time a major artist’s new single was used in a television commercial prior to being released to radio or record stores.

The following week, a two-minute version of the commercial aired during The Cosby Show, at the time a highly-rated program starring America’s favorite dad, Bill Cosby. The ad, part of a $5 million endorsement deal Pepsi struck with Madonna that also included tour sponsorship, featured Madonna dancing in the street, in a school hallway, and in a church.

The song’s music video premiered the following day on MTV. In the video, Madonna witnesses the murder of a white girl by white supremacists. A black man gets arrested for the killing. Madonna seeks refuge in a church, where she has a dream that includes stigmata on her hands, kissing a black saint, and dancing in front of burning crosses.

The Vatican and other religions organizations condemned the video and threatened a protest against Pepsi products. Pepsi dropped its sponsorship of Madonna, never again aired the television spot, and let Madonna keep the $5 million they paid her.

“Like a Prayer” became Madonna’s seventh #1 pop hit in the United States. It also topped the charts in the United Kingdom, Australia, Canada, the Netherlands, Sweden, Japan, Italy, Spain, Norway, Denmark, Finland, Ireland, New Zealand, Belgium, and Switzerland.

“Like a Prayer” won the Viewers Choice award at the 1989 MTV Music Video Awards, a program that incidentally was sponsored by Pepsi. In her speech, Madonna said “I would really like to thank Pepsi for causing so much controversy.”

Tunes du Jour’s playlist this Throwback Thursday spotlights the year 1989, and kicks off with Madonna’s “Like a Prayer.”


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It’s Q-Tip’s Birthday And I Need To Dance!

Here’s the thing…I started writing today’s blog entry about mishaps I’ve recently encountered in on-line dating, specifically with an app I downloaded last week that despite my creating a profile that says I’m a man looking for a man, keeps trying to set me up with straight guys. I tied that into today’s birthday, Q-Tip from A Tribe Called Quest, by saying he’s one straight guy who wouldn’t date me. I quoted lyrics from Tribe’s song “Georgy Porgy.” While I was typing those lyrics, my stomach turned. I had trouble finding the humor in a song that refers to a gay guy as gross, ill, a fag, wounded, weak, a fucking faggot, and then some. The post started out funny but when I got to Q-Tip’s lyric “You can call me homophobic but I know it and you know it/ you’re filthy and funny to the utmost,” I decided I may be funny, but he isn’t, nor is he worth celebrating.

Odd that such a hateful bigot should appear on a record by Deee-Lite, a trio of gay and gay-friendly performers. Q-Tip appears on a lot of good records.

Friday is dance day at Tunes du Jour. Today’s playlist doesn’t celebrate the loathsome Q-Tip, but rather twenty great club tracks, a few of which feature Q-Tip. I’ll fill you in on my dating app experiences later.


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It’s Robyn’s Birthday And I Need To Dance!

Another New York Moment

    In those halcyon days before we thought about skin cancer, when David Dinkins was the mayor of New York City, Kathy and I would go to Central Park to tan. Usually we spread our towels on Sheep Meadow, among our fellow Manhattan sun worshippers, who were not sheep, at least not genealogically.

    One time Sheep Meadow was closed off, so we went to a nearby field to lay out. It was a smaller area, with only a handful of folks taking in the rays. Shortly after we covered ourselves in suntan oil, Kathy and I independently simultaneously peripherally noticed some motion nearby. A gender-discordant couple was enjoying each other’s company. Not in the same way Kathy and I were enjoying each other’s company. Their way was under a thin ratty blanket and involved thrusting. Looking around we saw that our fellow tanners saw what was happening and looked around at all the tanners to confirm their eyes were not deceiving them. It being New York City, nobody bothered them. Not the people there to tan, not the parents walking with their children along the path a few feet from the fornicators, not the NYPD. Live and let live. That’s how we did it in New York.

    They finished their activity and cleaned themselves up with the paper towels they had the foresight to bring with them. These were not amateurs. They were prepared. He probably was a boy scout many many years earlier.

    That was all well and good. However, a half hour later they started at it again. One time, no problem, but a second time? Now that’s rude! Nobody likes a show-off.

    “I’m near the meadow watching you boink her, oh ooh oh.” I didn’t write a song with that lyric that day, but let’s pretend I did, if only to make this segue less awkward.

    In 2010, Swedish singer Robyn released “Dancing on My Own,” which included the lyric “I’m in the corner watching you kiss her, oh ooh oh.” Her song was not about coitus in a Manhattan park. In the song she is stalking her ex, something I don’t recommend doing unless it’s on-line.

    Today Robyn turns 36 years old. As Friday is dance day at Tunes du Jour, we’ll pepper our playlist with some of Robyn’s best, starting with “Dancing on My Own.” Everybody get down (though if you’re in a public park, get down only once per 24-hour period)!


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The Song Retains The Name

Winston + Bobby Brown
Today is Bobby Brown’s 46th birthday. A former member of New Edition, Brown had his first solo hit in 1988 with “Don’t Be Cruel,” which reached #8 on the Hot 100. Though it shares its title with an Elvis Presley #1 hit from 1956, Brown’s “Don’t Be Cruel” is not a remake.

That brings us to today’s playlist, which I call The Song Retains the Name. It consists of different songs with the same title. I initially planned to include twenty such songs, but more kept springing to mind. Before I knew it, I passed 100 entries. There are plenty more, so I decided to open this up to my reader(s). If you have songs that share titles you’d like to add, feel free to do so.

(NOTES: I included The Jacksons’ “This Place Hotel” because when it was released in 1980 its title was “Heartbreak Hotel.” Thought he didn’t have to, Michael Jackson, the song’s writer, later changed its name to “This Place Hotel” to avoid confusion with the Elvis Presley song “Heartbreak Hotel.” Whitney Houston didn’t feel the need to make the same Hotel accommodation.

Also, though it is listed on Spotify as “The Best of My Love,” the Eagles track does not have a “The” on the 45 or the band’s On the Border album.)

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It’s Friday And I Need To Dance!

There was an article on the site Gawker yesterday about a woman named Zoe Fennessy who, when she hears the music of Ne-Yo, “freezes up and begins vomiting uncontrollably.” You may say the same thing happens to you when you listen to Nickelback, but Ms. Fennessy’s reaction to Ne-Yo’s music is due to a rare medical condition called musicogenic epilepsy.

Some of you may be saying “Who’s Ne-Yo? Is he/she/they someone whose music gets played a lot?” The answer is, apparently. Since his first hit in 2006 (“So Sick,” which went to #1 on the US and UK pop charts), Ne-Yo has had 17 top forty hits on the US pop chart and a half-dozen more on the r&b chart. He has had just as many hits in the UK, where Fennessy lives.

Ne-Yo isn’t the only artist to cause seizures in people with this condition. Around ten years ago there was a report of a six-month-old who had seizures when she heard The Beatles. The Beatles! That shit ain’t right, yo. One may get a reaction from all classical music, another from the lower notes played on a brass instrument.

The reactions people with the condition have vary as well. Some have convulsions, others become incontinent, and others become incredibly sleepy.

Ms. Fennessy had part of her brain removed to try and cure the problem, but the operation was not a success. She still needs to steer clear of Ne-Yo’s music.

Friday is dance day at Tunes du Jour, and if Ms. Fennessy is reading, she’ll be happy to know there is no Ne-Yo on today’s playlist, which kicks off with the Jason Nevins remix of “It’s Like That” by Run-D.M.C., whose Joseph “Run” Simmons turns 50 today.

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Clowns Angry At Media (+ It’s Friday And I Need To Dance!)

The new season of American Horror Story features a character named Twisty the Clown. Twisty the Clown is a psychopath who murders people with scissors and imprisons children in a school bus. The character is getting professional clowns’ knickers in a twisty.

Glenn Kohlberger, president of Clowns of America International, is quoted in The Hollywood Reporter as saying “Hollywood makes money sensationalizing the norm. They can take any situation no matter how good or pure and turn it into a nightmare.”

His sentiments are echoed by the United States’ second largest clown trade group, the Society of Clowns for the Advancement of Realistic Expression (SCARE). “Business was going great for me until the autumn of 2001,” said that organization’s president, Slappy bin Laden. “You have to ask yourself ‘Why would business suddenly drop off?’ The answer must be the media’s portrayal of clowns.” Bin Laden points to The Simpsons’ Krusty the Clown as an example. “[Krusty the Clown] is a buffoon masquerading as a clown. He’s not a real clown.”

“Things have not improved since then,” bin Laden continues. “We got a Batman movie in which a clown called The Joker is a sociopath. We got a sitcom called Modern Family in which a clown is actually a homosexual. These portrayals give clowns a bad name.”

“Hollywood is not going to change unless it is pressured to do so.” That is why bin Laden pitched a new sitcom that portrays clowns in a positive, and per bin Laden, more truthful light. Everybody Loves Slappy will premiere on the FX network in January 2015. In the show, bin Laden plays Slappy Hussein, a sportswriter living with his family in Lynbrook, NY. “The show is good clean entertainment. It’s about a clown who works hard and loves his family, though he’s an alcoholic who beats his wife, because all clowns do that.”

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Friday is dance day at Tunes du Jour. You can vogue, hustle or do the twisty. Put on your dancing shoes (or big clown shoes) and hit the floor!

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It’s Friday And I Need To Dance!

Our weekly dance party kicks off with the Beatmasters’ remix of Moby’s “Everytime You Touch Me,” a track that appears in its original form on Moby’s third studio album, Everything Is Wrong. Entertainment Weekly gave the album an A-; The New Rolling Stone Album Guide gave it 4 stars.

Get your groove on. I’ll be back Sunday with part one of my top tracks of 2013 list.

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