The Evolution Of Jay-Z

“What people do in their own homes is their business, and you can choose to love whoever you love. That’s their business. It’s no different than discriminating against blacks. It’s discrimination, plain and simple.”

The above quote comes from Jay-Z. He was referring to gay rights in an interview with Poppy Harlow on CNN in May 2012. Referencing the lack of marriage equality nationwide, he said “I always thought it as something that is still holding the country back.”

He always thought this? Even in 1996, when he rapped about “Too many faggot niggas clocking my spending?” Or the following year, when he rapped ““Hate a nigga like that faggot?” How about the lyric in which he complains about “faggots” talking to the police, which is followed by his promise to kill those faggots? Or his rap “Why is you over here lookin’ at me while all these girls up in here? What you gay?” Or the song in which he calls rapper Nas, no strange to homophobic lyrics himself, a “fag?” That’s the same song in which he mocks Mobb Deep’s Prodigy with a gay implication. Was he ruminating about how gay Americans deserve the same rights accorded to straight Americans when he rapped “Now I ain’t down with who like me or who like you. That’s gay, I ain’t into liking dudes no way?” When he said “And since you infatuated with sayin’ tha gay shit, yes you was kissin’ my dick when you was kissin’ that bitch,” was he really saying “I respect you as a man, for I am a man as well, and we are all equal?”

There are rappers, specifically Eminem, who defend the use of the word “faggot” by saying it doesn’t mean gay; it means weak. Equating a gay slur with weakness or a lesser-than status isn’t homophobic? First of all, that’s bullshit. Secondly, in the case of the Jay-Z lyrics cited above, he is referring to gay men.

Perhaps, like President Obama, who endorsed marriage equality shortly before the rapper’s CNN interview, Jay-Z has evolved. I’m skeptical that he “always” felt the lack of equality was holding the country back, but I’m glad he feels that way now. He is one of the two most-famous rap artists in the world. He is not running for office and trying to garner votes. His support means a lot. As Clinton Yates wrote in the Washington Post, “Hopefully, Jay-Z’s words can lead generations of music fans out of the fog when it comes to being an open-minded and accepting citizen of the world.”

Today Jay-Z turns 45 years old. Here are twenty of his finest raps, homophobia-free. Misogynist? That’s a discussion for another time.

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Ten Facts About Britney Spears’s “Toxic”

Ten Facts About Britney Spears’s “Toxic”:
• It was Britney’s fourth top ten single in the US, after “…Baby One More Time,” “(You Drive Me) Crazy,” “Oops! I Did It Again.” Four years passed between “Oops” and “Toxic.”
• It went to #1 in the UK, Australia, Canada, Hungary, Norway, Argentina, Ireland and Iceland, and went top ten in sixteen other countries.
• It won Britney her first Grammy Award, for Best Dance Recording.
• Initially the song was offered to Kylie Minogue, but she passed.
• One of its four writers is Cathy Dennis, who had hits as a singer in the late 1980s/early 90s with “Touch Me (All Night Long),” “Just Another Dream,” “Too Many Walls,” and “C’mon and Get My Love.” Dennis is a writer on Kylie Minogue’s “Can’t Get You out of My Head,” Kelly Clarkson’s “Before Your Love” and Katy Perry’s “I Kissed a Girl.”
• “Toxic” was produced by the Swedish production duo Bloodshy & Advant, who also produced Spears’ “Piece of Me” and “My Prerogative.”
Rolling Stone, Pitchfork, NME and The Telegraph named “Toxic” one of the best singles of the first decade of this millennium. Pitchfork ranked it at #3 on their Best Singles of 2004 list, while the Village Voice critics poll had it at #5.
• Naming it one of the best tracks of the decade, NME wrote “It’s the song that little girls dance to at discos. It’s the standard soundtrack to gay clubs and hen nights. And it basically soundtracked all fun in the last decade from the moment it was released.”
• In 2010, Britney Spears said that “Toxic” was her favorite song from her catalogue.
• In 2013, Jay-Z said that “Toxic” was his favorite song from the Britney Spears oeuvre.

Today Britney Spears celebrates her 33rd birthday. 33! Here are twenty career highlights.

More about Britney Spears here.

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Glenn’s Ten (11-18-14)

Greetings, readers! Today we check in with Glenn’s Ten, the list of my ten favorite current songs at this moment.

There are no changes in my top three. For the third week in a row, Tove Lo is at #1 with “Habits,” Banks is at #2 with “Beggin for Thread,” and George Ezra is #3 with “Budapest.” Entering this week’s top ten is Father John Misty’s “Bored in the USA” at #4, Les Sins’ “Bother” at #5, and Belle & Sebastian’s “The Party Line” at #8. This is the first time in Glenn’s Ten for Misty and Les Sins (who also records under the name Toro y Moi). I haven’t published Glenn’s Ten in the blog for a few weeks, so there are a few other songs that will appear to be new entries to those of you keeping score at home.

Here is Glenn’s Ten for this week:
1 – “Habits (Stay High)” – Tove Lo
2 – “Beggin for Thread” – Banks
3 – “Budapest” – George Ezra
4 – “Bored in the U.S.A.” – Father John Misty
5 – “Bother” – Les Sins
6 – “Inside Out” – Spoon
7 – “Let Me Down Easy” – Paolo Nutini
8 – “The Party Line” – Belle & Sebastian
9 – “Cedar Lane” – First Aid Kit
10 – “Low Key” – Tweedy

Today’s playlist are the above ten tracks followed by ten songs that were #1 on this date in Glenn’s Ten history.

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Glenn’s Ten – 9/30/14

Ariel Pink’s “Put Your Number in My Phone” moves into #1 in Glenn’s Ten this week, knocking from the top Meghan Trainor’s “All About that Bass.” There are three new entries – “Beggin for Thread” performed by Banks, “i” performed by Kendrick Lamar and “Dangerous” performed by Big Data featuring Joywave.

Glenn’s Ten for this week is:
1. “Put Your Number in My Phone” – Ariel Pink
2. “Gotta Get Away” – The Black Keys
3. “Secrets” – Mary Lambert
4. “All About that Bass” – Meghan Trainor
5. “Beggin for Thread” – Banks
6. “Alone in My Home” – Jack White
7. “i” – Kendrick Lamar
8. “Flawless” – Beyoncé featuring Chimamanda Ngozi Adichie
9. “Dangerous” – Big Data featuring Joywave
10. “Do You” – Spoon

Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order.

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Otis!

In 2011 I chatted with Zelma Redding, widow of the great soul singer Otis Redding. I was heading up the licensing department at Warner Music Group. A request came in to license Otis Redding’s recording of “Try a Little Tenderness” as a sample in a new track by JAY Z and Kanye West, which they called “Tenderness.” Warner controlled the Redding master recording via a license with Stax Records. Stax is now owned by Concord Music, so my contact for such deals was an executive at Concord rather than the Stax recording artists. We worked out a deal. Being the Redding sample made up a huge part of the new track, we asked that Otis Redding be given a featuring credit.

Days before the new song was to hit iTunes, Island Def Jam, the label releasing the JAY Z/Kanye West collaboration, told my team they wish to change the song title from “Tenderness” to “Otis.” I liked that idea. I relayed this to Concord. Soon, my phone rang. It was Zelma Redding. More than discuss the deal points of the license, she wanted to make sure that this song named after her late husband wouldn’t defame the man. I’m happy to say we hit it off right away. She was a pleasure to work with. Though I am respectful toward all artists I represent, I am a huge Otis Redding fan, which I made clear to her. I wouldn’t do a deal that would disparage him in any way.

The JAY Z and Kanye West featuring Otis Redding track “Otis” broke the US iTunes store one-week sales record when it came out in July of 2011, selling nearly 290,000 downloads. It since has sold over 1,000,000 downloads stateside. It was nominated for a Grammy for Best Rap Song and won the Grammy for Best Rap Performance. Its reception brought Otis Redding to the attention of many younger listeners. Said Zelma, “We are proud that Otis’ legacy continues to inspire some of today’s popular artists. We like ‘Otis’ and thank Kanye and Jay-Z for honoring our Otis through their music.”

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Today is Otis Redding’s birthday. Tunes du Jour pays homage to the man who Rolling Stone named one of the ten best singers of all-time.

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Go Beyoncé, It’s Ya Birthday!

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In 1998 Sony Music released the self-titled debut album of an all-female quartet who called themselves Destiny’s Child. They were managed by Matthew Knowles, father of lead singer Beyoncé. At that time I was working at Sony, licensing songs for inclusion on compilations outside the US. As the group’s first single, “No, No, No” (“You say no no no no no / I say yeah yeah yeah yeah yeah / You say no no no no no / I say yeah yeah yeah yeah yeah” – a riveting conversation) climbed the charts around the world, I got an increasing number of requests to license it. I would run the requests by Matthew to make sure he was cool with it. Some managers don’t like their client’s songs to be on compilations. Some feel consumers will then by the compilation instead of the artist’s album. One day Mathew called me. “Glenn, any time you have a licensing opportunity for the girls, just do it. Don’t wait for me to answer. I want them to become household names, so all exposure is good.” His plan worked. Destiny’s Child, which underwent a couple of personnel changes and ultimately became a trio, has sold more than 60 million records. Fortunately, future releases were far superior to “You say no no no no no / I say yeah yeah yeah yeah yeah / You say no no no no no / I say yeah yeah yeah yeah yeah.”

The group released their final studio album in 2004. Members Kelly Rowland and Michelle Williams have put out solo releases, while lead singer Beyoncé Knowles faded into obscurity, never to be heard from again. Oh, wait – I’m confusing her with the lead singer of Blaque. Since leaving Destiny’s Child Beyoncé has sold another 75 million records.

Today Beyoncé turns 33 years old. Here are twenty of her best.

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Glenn’s Ten – 7/16/14

There are two new entries in Glenn’s Ten this week – Spoon’s “Do You” and Beck’s “Heart is a Drum.” They replace Conor Oberst’s “Hundreds of Ways” and Paramore’s “Ain’t It Fun.” The Oberst track had a ten-week run. The Paramore track entered Glenn’s Ten the first week in April and spent two weeks at #1.

Glenn’s Ten for this week is:
1. “Every Time the Sun Comes Up” – Sharon Van Etten
2. “Somethin’ Bad” – Miranda Lambert and Carrie Underwood
3. “Control” – Broken Bells
4. “Do You” – Spoon
5. “West Coast” – Lana Del Rey
6. “Heart is a Drum” – Beck
7. “Just One Drink” – Jack White
8. “Do It Again” – Röyksopp and Robyn
9. “Come Get It Bae” – Pharrell Williams
10. “Love Never Felt So Good” – Michael Jackson

Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order.

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A Change Is Gonna Come If You Make It So

A company I worked for – I won’t say which one – has an amazing catalogue of rhythm & blues music, arguably the best r&b catalogue of any record label. Despite possessing this goldmine, most of our catalogue releases were from white rock bands. I asked a member of senior management why we didn’t do more with our black artists, and the answer I got was “We don’t know how to sell that music.”

Is that not a stupid response? If you don’t know how to do that, hire someone who has that expertise, or learn how to do it. Why ignore a large swath of your potential market, especially when you already own the assets?

Years ago I was put in charge of licensing at a record label. I knew the music and I knew the components of licensing deals; however, I wasn’t a very good negotiator. I found the process intimidating. I could have left it at that – “I don’t know how to negotiate.” My company would have made money nonetheless, though not at its full potential. For that matter, I wouldn’t be working at full potential.

I took a course in negotiations. Six weeks, $300. Money well spent. I put what I learned in the class into action. Practice makes perfect, and I became an excellent negotiator. In my four years at that company our licensing revenue increased 400%. My skills also led to my next job as the Vice President of Licensing at another company.

Is a lack of some skill or knowledge holding you back? Fix that. Read a book, attend a seminar, take an on-line course or find a mentor. Saying “I don’t know how” won’t lead to success; learning how will.

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Today is the last day of Black Music Month. It would be ludicrous to think a 40-song playlist would cover black music in any comprehensive way. Enjoy it for what it is – nearly three hours of fantastic music. Listen to it while you research how to learn a new skill.

Glenn’s Ten – June 29, 2014

A handful of readers asked me to post Glenn’s Ten, the weekly ranking of my ten favorite current songs. I’m happy to oblige.

Glenn’s Ten for this week is:
1. “Every Time the Sun Comes Up” – Sharon Van Etten
2. “Somethin’ Bad” – Miranda Lambert and Carrie Underwood
3. “Just One Drink” – Jack White
4. “Do It Again” – Röyksopp and Robyn
5. “Control” – Broken Bells
6. “West Coast” – Lana Del Rey
7. “Love Never Felt So Good” – Michael Jackson
8. “Hundreds of Ways” – Conor Oberst
9. “Come Get It Bae” – Pharrell Williams
10. “Ain’t It Fun” – Paramore

Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order.

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#1 In Glenn’s Ten On This Day Throughout History

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Today’s playlist consists of songs that were #1 in Glenn’s Ten, the weekly tally of my favorite current songs, on this date going back to 1981, the year I started tracking such things (click here for more background).

My #1 on March 3, 1981 was Don McLean’s cover of Roy Orbison’s “Crying.” My #1 this week is Pharrell Williams’ “Happy.” It took me thirty-three years to go from “Crying” to “Happy.”

In 1981 I was a shy, skinny high school student who felt like he didn’t belong. I wished I was more popular but hard as I tried, I just wasn’t cool.

I worked to better myself. Gaining weight was a challenge, as was overcoming my shyness. To achieve the latter I ultimately turned to stand-up comedy. Getting up on stage in front of a group of strangers to express my thoughts was what I needed. It gave me confidence and got me an agent and positive reviews in publications including Backstage.

To gain weight I ate a banana split every night right before bed. I didn’t put on any pounds, but I did develop lactose-intolerance.

Eventually my metabolism slowed down and I filled out.

I also became successful in corporate America, most recently as the Vice President of Licensing at Warner Music Group. That shy, introverted kid made something of himself.

In retrospect, I’ve been cool this whole time. Perhaps my fellow high school students didn’t think so, but what did they know? I’m going to rely on the impressions of 16 year-olds as to my coolness? It takes more guts to be a non-conformist. I learned to love myself as I am.

Loving yourself is the subject of a few #1 songs of this date. There’s 1991’s “I Touch Myself” by Divinyls, but that’s not the self-love to which I refer. Lady Gaga’s self-empowerment anthem “Born This Way” topped my chart for several weeks n 2011. Madonna, Gaga’s spiritual predecessor, sang “You’re frozen when your heart’s not open” in 1998.

It’s now 2014. I’m unemployed for the first time since graduating college. I’m also the happiest I’ve ever been. I am confident. I feel positive and energized about my future. If I have to, I can do anything. I am strong. I am invincible. I am…happy.

Here is the chronological soundtrack of my March 3 journey from “Crying” to “Happy,” with videoclips for the two entries not available on Spotify.