Winston + Bobby Brown

The Song Retains The Name

Winston + Bobby Brown
Today is Bobby Brown’s 46th birthday. A former member of New Edition, Brown had his first solo hit in 1988 with “Don’t Be Cruel,” which reached #8 on the Hot 100. Though it shares its title with an Elvis Presley #1 hit from 1956, Brown’s “Don’t Be Cruel” is not a remake.

That brings us to today’s playlist, which I call The Song Retains the Name. It consists of different songs with the same title. I initially planned to include twenty such songs, but more kept springing to mind. Before I knew it, I passed 100 entries. There are plenty more, so I decided to open this up to my reader(s). If you have songs that share titles you’d like to add, feel free to do so.

(NOTES: I included The Jacksons’ “This Place Hotel” because when it was released in 1980 its title was “Heartbreak Hotel.” Thought he didn’t have to, Michael Jackson, the song’s writer, later changed its name to “This Place Hotel” to avoid confusion with the Elvis Presley song “Heartbreak Hotel.” Whitney Houston didn’t feel the need to make the same Hotel accommodation.

Also, though it is listed on Spotify as “The Best of My Love,” the Eagles track does not have a “The” on the 45 or the band’s On the Border album.)

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Glenn’s Ten – January 28, 2015

It’s been awhile since I posted Glenn’s Ten, the ranking of my ten favorite songs of the week, so let me rectify that.

At number one is Elle Varner with “Fuck It All,” which will be my wedding song. Elle is the only act in Glenn’s Ten this week who is there for the first time. Long-missing D’Angelo surprise released an album in December, from which two tracks are in this week’s tally. Kanye West surprise-released a single on New Year’s Eve. That song, “Only One” was last week’s #1. On it he is helped by Sir Paul McCartney, who makes his first Glenn’s Ten appearance since “No More Lonely Nights” in 1984. Mary J. Blige has also been absent from Glenn’s Ten for a number of years, but she is there now with “Therapy,” a former #1.

Glenn’s Ten for this week is:
1 – “Fuck It All” – Elle Varner
2 – “Sugah Daddy” – D’Angelo
3 – “Only One” – Kanye West featuring Paul McCartney
4 – “Therapy” – Mary J. Blige
5 – “Break the Rules” – Charli XCX
6 – “Little Red Wagon” – Miranda Lambert
7 – “Really Love” – D’Angelo
8 – “Earned It” – The Weeknd
9 – “Stay Gold” – First Aid Kit
10 – “She’s Not Me” – Jenny Lewis

Today’s playlist consists of those ten songs, followed by ten songs that were #1 on Glenn’s Ten on this date in past years.

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50 Songs Named After Real People

Today is the birthday of two music icons – Jam-Master Jay of rap pioneers Run-D.M.C. and disc jockey Wolfman Jack. Besides their place in their history of rock and roll, both men have another thing in common – they were the subjects of songs. That inspired me to put together today’s playlist – songs named after real people.

I found fifty songs whose titles are actual people. Actually I found more than fifty, but I didn’t want to subject you to Chiddy Bang or Mac Miller. I made a few rules for myself:
1) The title can’t have words besides the person’s name, hence no Kim Carnes’ “Bette Davis Eyes” or Sleater-Kinney’s “I Wanna Be Your Joey Ramone.”
2) The title has to be the full name the person is known by, so no “Springsteen” by Eric Church or “Jessica” (about Jessica Simpson) by Adam Green. Allowed are “Galileo,” “Joan of Arc” and “King Tut,” as that is how most people identify Galileo Galilei, Joan d’Arc and Tutankhamun.
3) The song doesn’t have to be about the person after whom it is titled, so “Jack the Ripper” and “Rosa Parks” are in.
4) The track has to be on Spotify. This means I left out Bob Dylan’s “George Jackson” and Hoodie Allen’s “James Franco.”

Amazingly for a playlist based on such a goofy concept, it holds together quite well, if I say so myself.

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The Evolution Of Jay-Z

“What people do in their own homes is their business, and you can choose to love whoever you love. That’s their business. It’s no different than discriminating against blacks. It’s discrimination, plain and simple.”

The above quote comes from Jay-Z. He was referring to gay rights in an interview with Poppy Harlow on CNN in May 2012. Referencing the lack of marriage equality nationwide, he said “I always thought it as something that is still holding the country back.”

He always thought this? Even in 1996, when he rapped about “Too many faggot niggas clocking my spending?” Or the following year, when he rapped ““Hate a nigga like that faggot?” How about the lyric in which he complains about “faggots” talking to the police, which is followed by his promise to kill those faggots? Or his rap “Why is you over here lookin’ at me while all these girls up in here? What you gay?” Or the song in which he calls rapper Nas, no strange to homophobic lyrics himself, a “fag?” That’s the same song in which he mocks Mobb Deep’s Prodigy with a gay implication. Was he ruminating about how gay Americans deserve the same rights accorded to straight Americans when he rapped “Now I ain’t down with who like me or who like you. That’s gay, I ain’t into liking dudes no way?” When he said “And since you infatuated with sayin’ tha gay shit, yes you was kissin’ my dick when you was kissin’ that bitch,” was he really saying “I respect you as a man, for I am a man as well, and we are all equal?”

There are rappers, specifically Eminem, who defend the use of the word “faggot” by saying it doesn’t mean gay; it means weak. Equating a gay slur with weakness or a lesser-than status isn’t homophobic? First of all, that’s bullshit. Secondly, in the case of the Jay-Z lyrics cited above, he is referring to gay men.

Perhaps, like President Obama, who endorsed marriage equality shortly before the rapper’s CNN interview, Jay-Z has evolved. I’m skeptical that he “always” felt the lack of equality was holding the country back, but I’m glad he feels that way now. He is one of the two most-famous rap artists in the world. He is not running for office and trying to garner votes. His support means a lot. As Clinton Yates wrote in the Washington Post, “Hopefully, Jay-Z’s words can lead generations of music fans out of the fog when it comes to being an open-minded and accepting citizen of the world.”

Today Jay-Z turns 45 years old. Here are twenty of his finest raps, homophobia-free. Misogynist? That’s a discussion for another time.

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Glenn’s Ten – 9/17/14

Meghan Trainor’s “All About that Bass” moves into #1 in Glenn’s Ten this week, knocking from the top Demi Lovato’s “Really Don’t Care.” There is one new entry – “Alone in My Home” performed by Jack White.

Glenn’s Ten for this week is:
1. “All About that Bass” – Meghan Trainor
2. “How Can You Really” – Foxygen
3. “Really Don’t Care” – Demi Lovato featuring Cher Lloyd
4. “Electric Lady” – Janelle Monae featuring Solange
5. “Do You” – Spoon
6. “Flawless” – Beyoncé featuring Chimamanda Ngozi Adichie
7. “Dark Sunglasses” – Chrissie Hynde
8. “Chandelier” – Sia
9. “Alone in My Home” – Jack White
10. “New Dorp, New York” – SBTRKT featuring Ezra Koenig

Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order.

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doggies + Otis 2014-09-09 10.59

Otis!

In 2011 I chatted with Zelma Redding, widow of the great soul singer Otis Redding. I was heading up the licensing department at Warner Music Group. A request came in to license Otis Redding’s recording of “Try a Little Tenderness” as a sample in a new track by JAY Z and Kanye West, which they called “Tenderness.” Warner controlled the Redding master recording via a license with Stax Records. Stax is now owned by Concord Music, so my contact for such deals was an executive at Concord rather than the Stax recording artists. We worked out a deal. Being the Redding sample made up a huge part of the new track, we asked that Otis Redding be given a featuring credit.

Days before the new song was to hit iTunes, Island Def Jam, the label releasing the JAY Z/Kanye West collaboration, told my team they wish to change the song title from “Tenderness” to “Otis.” I liked that idea. I relayed this to Concord. Soon, my phone rang. It was Zelma Redding. More than discuss the deal points of the license, she wanted to make sure that this song named after her late husband wouldn’t defame the man. I’m happy to say we hit it off right away. She was a pleasure to work with. Though I am respectful toward all artists I represent, I am a huge Otis Redding fan, which I made clear to her. I wouldn’t do a deal that would disparage him in any way.

The JAY Z and Kanye West featuring Otis Redding track “Otis” broke the US iTunes store one-week sales record when it came out in July of 2011, selling nearly 290,000 downloads. It since has sold over 1,000,000 downloads stateside. It was nominated for a Grammy for Best Rap Song and won the Grammy for Best Rap Performance. Its reception brought Otis Redding to the attention of many younger listeners. Said Zelma, “We are proud that Otis’ legacy continues to inspire some of today’s popular artists. We like ‘Otis’ and thank Kanye and Jay-Z for honoring our Otis through their music.”

doggies + Otis 2014-09-09 10.59
Today is Otis Redding’s birthday. Tunes du Jour pays homage to the man who Rolling Stone named one of the ten best singers of all-time.

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Glenn’s Ten – July 28, 2014

Spoon’s “Do You” holds on to #1 in Glenn’s Ten this week. There are two new entries – Christopher Owens’ “Nothing More than Everything to Me” and Bright Eyes’ “You Are Your Mother’s Child.” It’s a very white list again this week, and, with the exception of the Miranda Lambert/Carrie Underwood track, a very adult alternative list. Am I missing a great new r&b or rap track? I look forward to the new Kanye West single, due any day now.

Glenn’s Ten for this week is:
1. “Do You” – Spoon
2. “All the Rage Back Home” – Interpol
3. “Heart is a Drum” – Beck
4. “Left Hand Free” – Alt-J
5. “Every Time the Sun Comes Up” – Sharon Van Etten
6. “Control” – Broken Bells
7. “Nothing More than Everything to Me” – Christopher Owens
8. “You Are Your Mother’s Child” – Bright Eyes
9. “Just One of the Guys” – Jenny Lewis
10. “Somethin’ Bad” – Miranda Lambert with Carrie Underwood

Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order.

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Winston + Chuck 2014-06-30 11.25

A Change Is Gonna Come If You Make It So

A company I worked for – I won’t say which one – has an amazing catalogue of rhythm & blues music, arguably the best r&b catalogue of any record label. Despite possessing this goldmine, most of our catalogue releases were from white rock bands. I asked a member of senior management why we didn’t do more with our black artists, and the answer I got was “We don’t know how to sell that music.”

Is that not a stupid response? If you don’t know how to do that, hire someone who has that expertise, or learn how to do it. Why ignore a large swath of your potential market, especially when you already own the assets?

Years ago I was put in charge of licensing at a record label. I knew the music and I knew the components of licensing deals; however, I wasn’t a very good negotiator. I found the process intimidating. I could have left it at that – “I don’t know how to negotiate.” My company would have made money nonetheless, though not at its full potential. For that matter, I wouldn’t be working at full potential.

I took a course in negotiations. Six weeks, $300. Money well spent. I put what I learned in the class into action. Practice makes perfect, and I became an excellent negotiator. In my four years at that company our licensing revenue increased 400%. My skills also led to my next job as the Vice President of Licensing at another company.

Is a lack of some skill or knowledge holding you back? Fix that. Read a book, attend a seminar, take an on-line course or find a mentor. Saying “I don’t know how” won’t lead to success; learning how will.

Winston + Chuck 2014-06-30 11.25
Today is the last day of Black Music Month. It would be ludicrous to think a 40-song playlist would cover black music in any comprehensive way. Enjoy it for what it is – nearly three hours of fantastic music. Listen to it while you research how to learn a new skill.

Ringo + Curtis 004

Keeping The Music Of Curtis Mayfield Alive

Ringo + Curtis 004
In my role as the Vice President of Licensing at Warner Music Group I oversaw the licensing of “samples.” A sample is when a newer song uses a portion of an existing recording. A prominent example is Puff Daddy’s sample of The Police’s “Every Breath You Take” in his “I’ll Be Missing You.”

One of the most popular catalogues for sample licensing is that of Curtis Mayfield. Elements of his records have been used by many well-known and respected rap acts, including Kanye West and Beastie Boys. I’d run the requests by Curtis’ son Kirk, who was always a pleasure to work with.

Many complain of hip hop’s dependence on samples, and while often times samples are used in a lazy and uninspired way, there are many examples where the samples complement the new song perfectly. It can also be argued that samples keep the music of great acts of the past alive and introduce this music to younger generations. Where else might a teenager hear Curtis Mayfield or James Brown other than via a new Kanye jam?

Today, the third day of Black Music Month, we celebrate the birthday of the late, great Curtis Mayfield with some of the classics he had a hand in – as a solo artist, as a member of The Impressions, as a writer/producer, or via a sample. Click here for the playlist.

Glenn's Ten 005

This Date In Glenn’s Ten

In 1980 an Ohio-born performer living in Australia wrote and recorded a song that went on to sell over six million copies. It went to #1 in a dozen or so countries, including Australia, Canada, Germany, France, and the UK, where it reigned on top for three weeks. It has been covered dozens of times in different languages, and that’s not including the many versions of the tune that have been uploaded to YouTube.

The performer is Joe Dolce and the song is “Shaddap You Face,” which was #1 in Glenn’s Ten (the only chart that matters) on this day in 1981.

Glenn's Ten 005Thirty-three years of Glenn’s Ten lists are in these books

My point in telling you this is this – no idea is too stupid. If there is a song you wish to write, a book you wish to publish, an invention you wish to create, go for it! You could be the next Joe Dolce! And if someone tells you your idea sucks, say to them “Ah, shaddup you face.”

Today’s playlist consists of songs that were #1 in Glenn’s Ten on May 8 going back to 1981. The only one missing is 1993’s entry, “Riding on a Rocket” by Shonen Knife, as that is not available on Spotify.