Tunes Du Jour Celebrates Sisters Day

Happy Sisters Day! There’s a unique, almost telepathic bond between sisters, and nowhere is that connection more audible than in music. When sisters sing together, they create a blend that often is simply magical—a harmony that’s been practiced over a lifetime.

In celebration of this incredible bond, I’ve curated a playlist of songs from groups that feature at least one pair of sisters. From the tough-girl cool of the ’60s girl groups to ’80s rock goddesses, ’90s pop sensations, and modern indie darlings, this playlist is a testament to the power of sisterhood in harmony. So grab your sister (or your chosen sister!), turn up the volume, and let’s dive in.


Leader of the Pack – The Shangri-Las
The Sisters: Mary and Elizabeth “Betty” Weiss were the heart of this legendary girl group, alongside the identical twins Marge and Mary Ann Ganser. With their dramatic, soap-opera-in-a-song storytelling and a “tougher than the boys” attitude, the Shangri-Las stood out. “Leader of the Pack” is their definitive mini-masterpiece of teenage tragedy.

Emmylou – First Aid Kit
The Sisters: Swedish folk duo Klara and Johanna Söderberg are revered for their breathtaking, otherworldly harmonies. On “Emmylou,” they pay beautiful tribute to their country music heroes (Emmylou Harris, Gram Parsons, June Carter, and Johnny Cash), creating a modern folk classic that feels utterly timeless.

Be My Baby – The Ronettes
The Sisters: The iconic lead vocals of Veronica “Ronnie” Bennett (later Spector) were backed by the harmonies of her older sister, Estelle Bennett, and their cousin Nedra Talley. This song, with its legendary drum intro and Phil Spector’s Wall of Sound production, is pure pop perfection and a benchmark for the girl group era.

C’est la Vie – B*Witched
The Sisters: This infectiously cheerful Irish pop group featured identical twin sisters Edele and Keavy Lynch (whose brother, Shane, was in the boy band Boyzone). “C’est la Vie,” with its jig-dancing, double-denim aesthetic, and suggestive lyrics, is a pure shot of late-’90s bubblegum pop nostalgia.

We Are Family – Sister Sledge
The Sisters: It’s right there in the name! Debbie, Joni, Kim, and Kathy Sledge are the four sisters who became a global phenomenon with this timeless anthem. Written and produced by Nile Rodgers and Bernard Edwards of Chic, the song wasn’t just a disco smash; it became a universal hymn for families, teams, and communities everywhere.

Move Ya Body – Nina Sky
The Sisters: Identical twin sisters Nicole and Natalie Albino make up the duo Nina Sky. This dancehall-infused debut single was a massive summer smash in 2004, and its infectious “Diwali Riddim” beat still fills dancefloors today.

Walk Like an Egyptian – Bangles
The Sisters: Vicki and Debbi Peterson (guitar and drums, respectively) were the sibling core of the Bangles. While Susanna Hoffs often took the lead, the Petersons’ rock-solid rhythm and harmonies were essential to the band’s sound. This quirky, chart-topping hit became one of the most memorable songs of the ’80s.

Closer – Tegan And Sara
The Sisters: Canadian identical twin sisters Tegan and Sara Quin have been indie-rock mainstays for years. “Closer” marked their brilliant pivot into synth-pop, a shimmering, exhilarating track about the thrill of a crush before a relationship even begins. It’s a masterclass in pop songwriting.

I’ll Take You There – The Staple Singers
The Sisters: Gospel and soul royalty, The Staple Singers were a true family affair led by patriarch “Pops” Staples. His daughters Mavis, Cleotha, and Yvonne Staples provided the heavenly, soul-stirring harmonies. This song, with its iconic bassline borrowed from a reggae track, is a blissful invitation to a better place.

I Love How You Love Me – The Paris Sisters
The Sisters: Albeth, Sherrell, and Priscilla Paris were known for their incredibly tight, close-miked, whispery harmonies. Produced by Phil Spector before his Wall of Sound days, this dreamy, delicate ballad perfectly captures the sweet innocence of young love.

Best of My Love – The Emotions
The Sisters: Wanda, Sheila, and Pamela Hutchinson are the Chicago-born sisters behind The Emotions. This joyous, soaring disco-soul classic was co-written and produced by Earth, Wind & Fire’s Maurice White, and it showcases their absolutely flawless, exuberant harmonies. It’s impossible not to smile while listening.

Hippychick – Soho
The Sisters: This one-hit wonder from 1990 was fronted by twin sisters Jacqueline “Jacqui” and Pauline Cuff. The song’s laid-back groove is built around a genius sample of The Smiths’ “How Soon Is Now?,” creating a track that’s instantly recognizable and quintessentially of its era.

Never Ever – All Saints
The Sisters: The ’90s British girl group All Saints, known for their cooler, more casual style, included sisters Natalie and Nicole Appleton. “Never Ever” was their biggest hit, a soulful, melancholic R&B ballad that became one of the best-selling singles by a girl group in the UK.

Nothing But A Heartache – The Flirtations
The Sisters: Though their lineup shifted, this American vocal group (who found fame in the UK) was founded by sisters Shirley and Pearly Pearce. “Nothing But a Heartache” is a prime cut of Northern Soul—up-tempo, dramatic, and deeply soulful, it’s a crate-digger’s treasure.

The Sign – Ace Of Base
The Sisters: This Swedish pop group that dominated the airwaves in the ’90s was fronted by sisters Jenny and Linn Berggren. Their distinct voices—Jenny’s powerful and clear, Linn’s ethereal and soft—were the perfect vehicle for this insanely catchy reggae-pop confection that took over the world.

Popsicles and Icicles – The Murmaids
The Sisters: Sisters Carol and Terry Fischer were two-thirds of The Murmaids. This sweet, dreamy tune, written by a young David Gates (who would later form the band Bread), became a surprise hit in 1963 and remains a perfect example of the innocent charm of the era.

Chapel of Love – Dixie Cups
The Sisters: New Orleans trio The Dixie Cups featured sisters Barbara Ann and Rosa Lee Hawkins, along with their cousin Joan Marie Johnson. Their version of “Chapel of Love” knocked The Beatles out of the #1 spot in 1964.

Boogie Fever – The Sylvers
The Sisters: The Sylvers were a large family band, similar to the Jacksons. On their biggest hit, “Boogie Fever,” the lead vocals are handled by Edmund Sylvers, but the shimmering, essential background harmonies come courtesy of sisters Olympia and Charmaine Sylvers.

My Boyfriend’s Back – The Angels
The Sisters: This sassy girl-group classic was powered by sisters Barbara “Bibs” and Phyllis “Jiggs” Allbut. The song is a perfect slice of early ’60s pop, a warning to a would-be suitor that her boyfriend is back in town and “gonna save my reputation.”

Eres Tu (Touch the Wind) – Mocedades
The Sisters: This Spanish group featured three sisters in its classic lineup: Amaya, Izaskun, and Estíbaliz Uranga. “Eres Tú” was Spain’s entry in the 1973 Eurovision Song Contest. It didn’t win, but it became a massive global hit, showcasing the group’s lush, soaring vocal arrangements.

Cannonball – The Breeders
The Sisters: A cornerstone of ’90s alternative rock, The Breeders were formed by Kim Deal (of the Pixies) and her identical twin sister, Kelley Deal. “Cannonball,” with its iconic slithering bassline, nonsensical lyrics, and explosive chorus, is a blast of pure, raw, and effortlessly cool rock and roll.

The Ketchup Song (Aserejé) – Las Ketchup
The Sisters: Say it out loud: The Ketchup sisters! This one is wonderfully literal. Spanish sisters Lola, Pilar, and Lucía Muñoz are the daughters of a flamenco guitarist known as “El Tomate” (The Tomato). Their nonsensical smash hit, complete with a viral dance, was inescapable throughout Europe in the summer of 2002.

The Wire – HAIM
The Sisters: Este, Danielle, and Alana Haim are the quintessential modern sister act. The multi-instrumentalist siblings from California burst onto the scene with a sound that blended ’70s soft rock with ’80s pop. “The Wire” is a perfect introduction to their intricate rhythms and impeccable harmonies.

Hammond Song – The Roches
The Sisters: Maggie, Terre, and Suzzy Roche were a trio of sisters from New York known for their astonishingly complex, intricate, and often quirky folk harmonies. “Hammond Song,” from their debut album produced by King Crimson’s Robert Fripp, is a haunting and beautiful display of their unique vocal chemistry.

Not Ready To Make Nice –The Chicks
The Sisters: Martie Maguire (fiddle) and Emily Strayer (banjo, dobro) are the instrumental powerhouses and harmony singers of this trailblazing country trio. This fiery, defiant anthem was their response to the backlash they faced for speaking out against the Iraq War, and it earned them three Grammy Awards, including Song of the Year.

Respectable – Mel & Kim
The Sisters: British sisters Melanie and Kim Appleby were a vibrant pop duo who worked with the hitmaking team of Stock Aitken Waterman. “Respectable” is a sassy, high-energy dance-pop track that champions self-respect and fun. Tragically, Mel passed away from cancer in 1990 at the peak of their fame.

Alone – Heart
The Sisters: Ann and Nancy Wilson are rock and roll royalty. With Ann’s powerhouse vocals and Nancy’s virtuosic, dynamic guitar work, they have been the unwavering core of Heart for decades. While “Alone” is a cover, their rendition transformed it into one of the greatest power ballads of all time.

Mr. Lee – The Bobbettes
The Sisters: This groundbreaking group included sisters Jannie and Emma Pought. In 1957, The Bobbettes became the first all-female group to write their own #1 R&B hit. “Mr. Lee,” a song originally written to tease a teacher they disliked, is a fun, foundational piece of rock and roll history.

Automatic – The Pointer Sisters
The Sisters: Anita, June, Ruth, and Bonnie Pointer began by singing a mix of jazz, soul, and country before reinventing themselves as sleek, synth-pop superstars following Bonnie’s departure from the group. This ’80s classic is a prime example of their funky, high-tech sound, driven by Ruth Pointer’s incredibly deep and sultry lead vocal.

I Wanna Love Him So Bad – The Jelly Beans
The Sisters: This gem from the golden age of girl groups featured the powerful harmonies of sisters Maxine and Betty Smith. Discovered while still in high school, The Jelly Beans were teamed with legendary songwriters Jeff Barry and Ellie Greenwich. The result was this classic expression of teenage devotion, a perfect slice of 1964 pop.


I hope you enjoyed this journey through the history of sister acts in music. Share this playlist with your sister and have a wonderful, music-filled Sisters Day!

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Tunes Du Jour Celebrates International Be Kind To Lawyers Day

It started, as these things often do, with a law.

Or more accurately, with three: “Law of the Land” (Temptations), “The Laws Have Changed” (New Pornographers), and “You Can’t Rule Me” (Lucinda Williams). A trifecta of declarations, all suggesting that whether you’re enforcing the law or dodging it, someone’s about to get into trouble.

This playlist is my musical tribute to International Be Kind To Lawyers Day — a real holiday, celebrated annually on the second Tuesday in April, for reasons that are presumably legal. It’s not just about lawyers, though. This 30-track journey follows the trajectory of a full-blown legal drama: rules are established, rules are broken, crimes are committed, time is served, lawyers are called, and justice is… complicated.

We meet a few Fun Lovin’ Criminals, some Smooth Criminals, and even those who insist they’re just Criminal Minded. The lawbreakers get caught — there’s fighting, testifying, jail time, and at least one unfortunate visit to the Court of the Crimson King (which, I suspect, is not a traffic violation court).

And let’s not forget the lawyers themselves. They’re gun-toting in one song, love-struck in another, and altogether overburdened. But in honor of their service — and in defense of their billable hours — we end on a note of redemption: “Return to Innocence” by Enigma. Because if music has taught us anything, it’s that legal complications can always be resolved in just over four minutes.

So, whether you’re in the mood to break the law, beat the rap, or rap to the beat of the Fat Boys (or Snoop, Freddie Gibbs, Boogie Down Productions…), press play and pass the gavel. And if you happen to know a lawyer, consider saying something nice. After all, they know where all the paperwork is buried.

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Tunes Du Jour Presents 1969

The music of 1969 captures a unique crossroads in cultural history—a year teetering between optimism and cynicism, unity and rebellion. Looking at a playlist from this year reveals a blend of genres and voices, each reflecting a society in flux. The playlist’s tracks encompass themes of love, social change, disillusionment, and raw individualism, echoing the era’s contradictions and bold spirit.

On one end of the spectrum, songs like Elvis Presley’s “Suspicious Minds” and Tammy Wynette’s “Stand By Your Man” echo traditional themes of love, loyalty, and heartbreak, though with a hint of modern skepticism. Presley’s soulful performance marked his return to chart-topping success, while Wynette’s hit became a polarizing anthem, embraced by some for its devotion and questioned by others for its apparent passivity. Meanwhile, Glen Campbell’s “Wichita Lineman” captured a more introspective side of the decade, blending pop and country into a haunting portrayal of loneliness and perseverance.

But 1969 wasn’t all about introspection; it was also a year of unrestrained expression and pushing boundaries. Creedence Clearwater Revival’s “Bad Moon Rising” hinted at a sense of looming danger, with its ominous lyrics striking a nerve during a time of political upheaval. In contrast, “Honky Tonk Women” by The Rolling Stones embraced the gritty allure of rock and roll without aiming for a larger societal message. Jagger’s tales of chance encounters and gin-soaked nights represent the Stones’ unapologetic celebration of indulgence, sidestepping introspection in favor of pure hedonism.

Amidst the wild spirit of rock, 1969 also offered more uplifting messages with a hint of idealism. Sly & The Family Stone’s “Everyday People” and The Youngbloods’ “Get Together” conveyed calls for unity that resonated deeply in an era fraught with political and racial tensions. Sly Stone’s anthem became a rallying cry for acceptance, emphasizing individuality while embracing common ground. Similarly, “Aquarius/Let the Sunshine In” by The 5th Dimension captured the essence of the countercultural movement in all its utopian ambitions, even if the optimism was a bit idealistic in hindsight.

Then there was the music that addressed disillusionment head-on, perhaps best captured by Simon & Garfunkel’s “The Boxer” and Peggy Lee’s “Is That All There Is?” Both songs offer reflective, sometimes jaded perspectives on life’s struggles and the disappointments that can accompany maturity. Where “The Boxer” tells the story of a young man grappling with hardship and loss, Lee’s dry wit in “Is That All There Is?” confronts the emptiness that can lie beneath life’s surface pleasures.

Ultimately, this playlist from 1969 feels like a time capsule of an era balancing between hope and disillusionment. From the raw proto-punk of The Stooges to the tender balladry of Stevie Wonder’s “My Cherie Amour,” the year’s music speaks to a generation grappling with unprecedented social changes. Through these songs, 1969 continues to resonate, reminding us that music often reflects the spirit of its time while challenging listeners to consider where they stand.

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Your (Almost) Daily Playlist: 10-21-24

I have to give Manfred Mann credit. If while walking my dogs I encountered someone snapping their fingers, shuffling their feet, and singing “Do wah diddy diddy dum diddy do,” I wouldn’t see wedding bells in our future.

Manfred Mann was born Manfred Lubowitz on this date in 1940. A few of his tracks are included on today’s playlist.

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Your (Almost) Daily Playlist: 11-10-22

Today’s playlist celebrates the November 10 birthdays of Warren G, Massive Attack’s Andrew Vowles, King Crimson’s Greg Lake, Ennio Morricone, Major Lazer’s Diplo, Miranda Lambert, Eve, Jimmy Eat World’s Jim Adkins, The Capris’ Nick Santo, The Beautiful South’s Jacqui Abbott, Atlanta Rhythm Section’s Ronnie Hammond, Donna Fargo, Tracy Morgan, and Ben L’Oncle Soul; and the November 11 birthdays of XTC’s Andy Partridge, Wu-Tang Clan’s U-God, LaVern Baker, Marshall Crenshaw, Peaches, The Ides of March’s Jim Peterik, X’s Dave Alvin, Hardfloor’s Ramon Zenker, Half Pint, Dennis Coffey, Mose Allison, The Raveonettes’ Sharin Foo, Static Major, Stubby Kaye, and Chris Smither.

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