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Produced by Mike Chapman

You may not know the name Mike Chapman. Then again, maybe you do. Chances are I don’t know you, so I have no idea what familiarity you may have with the name Mike Chapman. Even if I do know you, I don’t know everything that you know. I mean, I don’t know how much familiarity you have on certain subjects. Of course, you know things I don’t. Where am I going with this? I forgot. I’ll start over.

Mike Chapman. Even if you don’t recognize the name, chances are you recognize his hit songs. He produced Blondie’s Parallel Lines album. He produced Get the Knack. He produced lots more, some of his earlier efforts with his former business partner Nicky Chinn. The Chapman-Chinn team is also credited with writing many hit songs, as is Chapman without Chinn. Have you ever heard Toni Basil’s “Mickey?” Of course you have. It was written by Chapman and Chinn. Do you know Tina Turner’s “Better Be Good to Me?” That was written by Chapman and Chinn with Holly Knight.

Today’s playlist consists of nineteen songs on which Mike Chapman has a production credit, with Sweet’s “Ballroom Blitz” as a bonus track. Chapman didn’t produce that, though he and Chinn wrote it, as they did Sweet’s hit “Little Willy.” I love both of those records! Chapman and Chinn also wrote but didn’t produce the Huey Lewis and the News hit “Heart and Soul.” It’s no “Ballroom Blitz.” If you want to listen to it, you’re on your own.

Today may be Mike Chapman’s birthday. Then again, maybe it isn’t. It depends on what website you look to to get your information. Either way, the man is responsible for so many great hits, and that’s reason enough to post a playlist of some of his finest work (plus Rod Stewart’s “Love Touch,” which Rod agrees isn’t his finest, but whatevs). Included are the original versions (produced by Chapman) of the previously-mentioned hits for Toni Basil and Tina Turner.

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Throwback Thursday – 1978

Just how popular were the Bee Gees in 1978? So big that they accounted for two percent of the record industry’s profits that year.

On January 1, 1978, the trio, made up of brothers Barry, Maurice and Robin Gibb, were at #1 with “How Deep is Your Love,” which the three performed, wrote and co-produced. It stayed on top for three weeks. In February they returned to the #1 position with “Stayin’ Alive.” That stayed at #1 for four weeks. It was knocked from the top spot by “(Love Is) Thicker Than Water,” performed by Andy Gibb, younger brother of the Bee Gees. “Thicker Than Water” was co-written and co-produced by Bee Gee Barry Gibb. “Thicker Than Water” was knocked from the top spot after two weeks by “Night Fever,” performed, written and co-produced by the Bee Gees. That song remained at #1 for eight weeks, only to be knocked from the top by “If I Can’t Have You,” performed by Yvonne Elliman and written and co-produced by the Bee Gees. Starting in mid-June, “Shadow Dancing,” written by the Bee Gees and Andy Gibb, co-produced by Barry Gibb, and performed by Andy Gibb went to #1 and stayed there for seven weeks. In late August Frankie Valli had his first #1 single in three years with “Grease,” written and co-produced by Barry Gibb.

Not everything they touched hit #1 that year. “Emotion,” written by Barry and Robin Gibb, co-produced by Barry Gibb and performed by Samantha Sang, peaked at #3 in March 1978. It was kept from #1 by “Night Fever” and “Stayin’ Alive.”

The album from which “Night Fever,” “Stayin’ Alive,” “How Deep is Your Love” and “If I Can’t Have You” were taken is the soundtrack to the film Saturday Night Fever, which spent 24 weeks at #1 and became the largest-selling album in history at that time. It remains the only soundtrack to have spawned four #1 singles. It could have been five if the Bee Gees’ version of their composition “More Than a Woman” had been released as a commercial single. Instead, the Tavares version of the song, which also appears on the soundtrack, was the single and became a top forty hit. Saturday Night Fever became the first soundtrack album to win the Grammy Award for Album of the Year. The Bee Gees also won Grammy Awards for Best Pop Performance by a Duo or Group with Vocals (both “How Deep is Your Love” and “Stayin’ Alive”) and Best Vocal Arrangement for Two or More Voices (for “Stayin’ Alive”), and Barry Gibb, along with Albhy Galuten and Karl Richardson, won Producer of the Year.

In 1978 the Bee Gees were connected with another high-profile movie project: Sgt. Pepper’s Lonely Hearts Club Band, in which they starred and performed on the soundtrack. Though Robin Gibb hit #15 with the film’s “Oh! Darling”, the album and film were considered flops.

The relative failure of Sgt. Pepper’s notwithstanding, the Bee Gees remained huge throughout 1978. Their blend of pop, soul, and dance music gave them mass appeal. Besides hitting #1 on the pop charts, “Stayin’ Alive” and “Night Fever” were top ten hits on the r&b and disco charts.

Tunes du Jour celebrates Throwback Thursday this week with the music of 1978. The Bee Gees may have dominated the mainstream, but as you’ll hear, rumblings of new and exciting permutations of rock & roll were rumbling under the surface.

We’ll kick off today’s playlist with the song that went to #1 in the UK, Canada, Australia, the Netherlands, Italy, Mexico, New Zealand, South Africa and the US.


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