Inspired by Black Music Month, LGBTQ Pride Month, and the June 7 birthdays of Prince, Tom Jones, Violent Femmes’ Gordon Gano, Whodini’s Ecstasy, Prefab Sprout’s Paddy McAloon, Chromeo’s Dave 1, Dean Martin, Joey Scarbury, Fetty Wap, George Ezra, Sunshine Anderson and Broadway composer Charles Strouse.
Inspired by Black Music Month, LGBTQ Pride Month, the June 5 birthdays of The Psychedelic Furs’ Richard Butler, Badfinger’s Tom Evans, Ronnie Dyson, Laurie Anderson, Aesop Rock, Marky Mark, and Cherish’s Felisha and Fallon King; and the June 4 birthdays of The Mamas and the Papas’ Michelle Phillips, Freddy Fender, Peter & Gordon’s Gordon Waller, El DeBarge and Devin the Dude.
Inspired by the May 31 birthdays of D.M.C., Led Zeppelin’s John Bonham, Peter Yarrow, Johnny Paycheck, Normani, Vicki Sue Robinson, Waka Flocka Flame, and Corey Hart.
Inspired by the May 29 birthdays of Oasis‘ Noel Gallagher, Spice Girls’ Mel B, Procol Harum’s Gary Brooker, Status Quo’s Francis Rossi, Melissa Etheridge, Disco Tex, Sylvia, Rebbie Jackson, The Hives’ Pelle Almqvist, LaToya Jackson, Danny Elfman and Churchill’s Bethany Kelly.
Inspired by the May 17 birthdays of Nine Inch Nails’ Trent Reznor, Queens of the Stone Age’s Josh Homme, George Johnson, Bob B. Soxx & the Blue Jeans/The Alley Cats’ Bobby Sheen, Keith, A.L.T. and New Kids on the Block’s Jordan Knight.
Inspired by the March 4 birthdays of Bobby Womack, Lemonheads’ Evan Dando, Jon Fratelli, Chris Rea, Miriam Makeba, and Brand Nubian’s Grand Puba; and the March 3 birthdays of the Searchers’ Mike Pender, Jennifer Warnes and Tone Loc.
Inspired by the February 20 birthdays of Nirvana’s Kurt Cobain, Rihanna, Steely Dan’s Walter Becker, J.Geils, Spirit’s Randy California, Stone Roses’ Ian Brown, Seal, Backstreet Boys’ Brian Littrell, and Lindisfarne’s Alan Hull.
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“I don’t care to belong to any club that will have Bon Jovi as a member.”
– Groucho Marx
On April 14, the Rock and Roll Hall of Fame will induct several worthwhile acts and Bon Jovi. Over the coming weeks, Tunes du Jour will spotlight artists that are eligible for induction (i.e. they commercially released their debut recording at least 25 years ago), but have not been inducted as they are not as talented, innovative or influential as Bon Jovi.
Today we look at and listen to The Replacements. Per the Rock and Roll Hall of Fame’s website, consideration for induction involves “factors such as an artist’s musical influence on other artists, length and depth of career and the body of work, innovation and superiority in style and technique, but musical excellence shall be the essential qualification of induction.” Starting out as a punk band, The Replacements evolved their sound over the course of 12 years and seven albums. Mixing humor with heartbreak and vulnerability, loud thrashing anthems with melodic quieter songs, the band influenced so many artists that made it bigger in a commercial sense, including Nirvana, R.E.M., and Green Day, all of whom are in the Rock and Roll Hall of Fame. Still, Bon Jovi has had a longer career, more albums, and, um, influenced Nickelback (probably), so they win.
“Right now I’m listening to this band called The Replacements – they’re from the ‘80s or something – and half the songs make me think, ‘God, I should cover this!’”
– Lorde
Here are twenty of The Replacements’ finest tunes.
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Prior to Nirvana, alternative music was consigned to specialty sections of record stores, and major labels considered it to be, at the very most, a tax write-off. After the band’s second album, 1991’s Nevermind, nothing was ever quite the same, for better and for worse. Nirvana popularized punk, post-punk, and indie rock, unintentionally bringing them into the American mainstream like no other band to date.
– AllMusic
It’s the Song that Broke Punk, the incantation about self-despising entertainment that turned a dead-end Aberdeen kid into a supernova, the very last rock song everyone could rally around.
– Pitchfork
The song that changed everything, “Nirvana’s “Smells Like Teen Spirit,” was released as a single in September 1991. It reached #6 on Billboard’s Hot 100 in January of the following year, and kicks off this week’s Throwback Thursday playlist focusing on 1992.
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“It was a 5-minute song with no chorus and a mandolin as the lead instrument. So for us to hold that as the bar we have to jump over every time we write a song would be ridiculous.”
In the summer of 1990, R.E.M. demoed a song in the studio with the working title of “Sugar Cane.” The band’s guitarist, Peter Buck, had recently purchased a mandolin and while learning how to play it, came up with the song’s main riff and chorus.
Lyrics about obsession and unrequited love were added, including an expression from the southern part of the United States that means “being at the end of one’s rope.” That expression became the song’s new title. The band’s singer, Michael Stipe, recorded his vocals in one take.
Though in the liner notes the R.E.M.’s career retrospective, Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011, Stipe wrote “I don’t think any of us had any idea it would ever be … anything,” the group wanted it to be the first single released from their album Out of Time. Their record label, Warner Bros., didn’t think that was a good idea, as it was, in the words of one of the company’s executives, an “unconventional track.” After much discussion, Warner relented.
That record, with the title “Losing My Religion,” went to #4 on Billboard’s Hot 100 and became a smash worldwide. The album from which it was taken, Out of Time, sold over 18 million copies, far more than any of their previous releases.
Out of Time won the Grammy Award for Best Alternative Music Album and was nominated for Album of the Year. “Losing My Religion” won Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video and was nominated for Record of the Year and Song of the Year, which it lost to “Unforgettable,” which was written in 1951.
When asked at the time if he was worried that the song’s success might alienate older fans, Peter Buck told Rolling Stone, “The people that changed their minds because of ‘Losing My Religion’ can just kiss my ass.”
“Losing My Religion” made Rolling Stone’s list of the 500 Greatest Songs of All Time, VH1’s list of the 100 Greatest Songs of the 90s, Blender’s list of The 500 Greatest Songs Since You Were Born, and The Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll. On their annual music critics poll, the Village Voice had “Losing My Religion” as the #2 single of 1991, just behind Nirvana’s “Smells Like Teen Spirit.”
For this Throwback Thursday, Tunes du Jour presents twenty of the best tracks from 1991. (I didn’t include “Smells Like Teen Spirit” because I base this not on year of release, but on the year a song peaked in popularity. “Smells Like Teen Spirit” hit the top ten on the Hot 100 in 1992.)
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