Your (Almost) Daily Playlist: 12-10-23

“Nightshift” was Commodores’ biggest hit following the departure of usual lead singer Lionel Richie. The group’s Walter Orange, a co-writer of the song, sings lead on verse one. Orange also sang lead on Commodores’ hits “Brick House” and “Too Hot Ta Trot.” So there. 

Commodores’ Walter Orange was born on this date (or maybe yesterday’s date) in 1946. Two of the group’s songs on which he sang lead are included on today’s playlist.

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Your (Almost) Daily Playlist: 9-30-22

Today’s playlist celebrates the September 30 birthdays of Frankie Lymon, T. Rex’s Marc Bolan, Sugababes’ Keisha Buchanan, The 5th Dimension’s Marilyn McCoo, Johnny Mathis, Butthole Surfers’ Gibby Haynes, Patrice Rushen, T-Pain, The Lox’s Sheek, Len Cariou, and The Brady Bunch’s Barry Williams; and the October 1 birthdays of Youssou N’Dour, Donny Hathaway, Richard Harris, The Shocking Blue’s Mariska Veres, Peaches & Herb’s Herb Fame, Brownsville Station’s Cub Coda, The Capitols’ Samuel George, Jebediah’s Bob Evans, Julie Andrews, Shalamar’s Howard Hewett, and Thomas Leer.

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Throwback Thursday: 1979

Nineteen seventy-nine was a very good year in music. In compiling today’s Throwback Thursday playlist focusing on 1979 I had so many very good songs from which to choose. 208 songs, to be exact. That’s how many 1979 cuts bring me much joy. There are another 181 1979 tracks I also like. Somehow I was able to whittle it down to the 30 cuts below. Some years it’s a struggle to come up with 30!

Disco was at its commercial peak in 1979. So many of the disco songs that charted then remain popular today – “I Will Survive,” “We Are Family,” “Y.M.C.A.,” “Don’t Stop ‘Til You Get Enough,” “Hot Stuff,” “Good Times,” “Heart of Glass,” “Ring My Bell,” “Knock on Wood,” “Got To Be Real.” While the genre seemed omnipresent, there was more to 1979 music than clams on the half shell and roller skates roller skates. Hear what was going on below.

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It’s Aretha Franklin’s Birthday And I Need To Dance!

In 1994, Aretha Franklin took “A Deeper Love” to #1 on the dance club chart. Her record was a remake of a song that hit #1 on the dance club chart just two years prior. The 1992 version was credited to Clivillés + Cole, the song’s writers and producers, with vocals performed by Deborah Cooper. Clivillés + Cole, the C + C of C + C Music Factory, produced the Aretha’s version as well.

“A Deeper Love” was one of six #1 singles Aretha had on the dance club chart, which shows that in addition to being the Queen of Soul, she was a dance queen as well. It kicks off our weekly dance party, in honor of the Queen, who turns 74 today.


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Blondie + Ringo

Throwback Thursday – 1979

Blondie + Ringo
Blondie’s hit single “Heart of Glass” was written by band members Debbie Harry and Chris Stein and had the working title of “The Disco Song.” Drummer Clem Burke said his part was inspired by the Bee Gees’ “Stayin’ Alive.”

Said Harry “When we did ‘Heart of Glass’ it wasn’t too cool in our social set to play disco. But we did it because we wanted to be uncool,” with the band’s keyboardist Jimmy Destri adding “We used to do ‘Heart of Glass’ to upset people.”

The song was included on Blondie’s Parallel Lines LP “as a novelty item to put more diversity into the album,” per Stein. The novelty song became the group’s first charted single and first #1, in 1979. Its success prompted John Lennon to send Ringo Starr a postcard advising to write songs like “Heart of Glass.”

Today’s Throwback Thursday playlist spotlights twenty of the best tracks from 1979, kicking off with Blondie’s upsetting disco novelty.


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It’s T.I.’s Birthday And I Need To Dance!

Last night I debuted a new speech about diversity and inclusion in corporate America. It was the first time I tackled the subject in a presentation and I’m pleased to say it went very well.

I’m working on a series of speeches about what makes good leaders. It’s a departure from my usual speeches, which lean toward storytelling or purely humorous. Last night’s speech had plenty of humor (and all the jokes hit!), but it had a message and action steps as well. I delivered the twenty minute version. I’m working on a thirty minute and hour-long version as well.

Comments I received afterwards included “Great style – loved every moment,” “enjoyed all aspects,” “good mix of information and humor,” “very interesting,” “very creative,” and “I don’t like your shirt.” For the record, my shirt was a crisp, white Surface To Air button-down with a grey stripe down the center. What’s not to like?

I look forward to the next presentation.

Friday is dance day at Tunes du Jour. We kick off this week’s party playlist with “Blurred Lines,” which features a guest spot from Clifford Harris, Jr., better known by his initials, T.I., who turns 35 today.


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EWF + Ringo

It’s Friday And I Need To Dance!

Friday is dance day at Tunes du Jour. This week’s dance playlist kicks off with a song that, per its writer, is “about someone on the brink of self destruction who goes to these [dance] clubs to try and find more, but is at least aware of the fact that if there’s something like true love, that is something that could kind of drag them out of the abyss.” Allee Willis, who wrote the song with Jon Lind, told songfacts.com that the song was inspired by the film Looking for Mr. Goodbar. “I got kind of fascinated with people who did go to clubs every night, whose life was kind of falling apart, but they lived for the night life, though it didn’t seem to be advancing them as humans in the end.”

The song’s first verse is “Midnight creeps so slowly into hearts of men who need more than they get. Daylight deals a bad hand to a woman who has laid too many bets. The mirror stares you in the face and says, ‘Baby, uh-uh, it don’t work.’ You say your prayers though you don’t care; you dance and shake the hurt.”

The chorus expresses the hope that “All the love in the world can’t be gone, all the need to be loved can’t be wrong, all the records are playing and my heart keeps saying ‘Boogie Wonderland.’” Per Willis, Boogie Wonderland “was this state of mind that you entered when you were around music and when you danced, but hopefully it was an aware enough state of mind that you would want to feel as good during the day as you did at night.”

EWF + Ringo

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