Tag Archives: P!nk

Presidents Day Top 40

Washington, Lincoln, Jefferson – they’re here. This Presidents Day playlist kicks off with one of the Bushes. Kate.


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20 Duets

Duets. Twenty of ’em.

Happy Valentine’s Day!


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Lily Allen’s Wonderful Smile

“Hell hath no fury like a woman scorned.” This expression is often misquoted and misattributed. The actual phrase is “Heaven has no rage like love to hatred turned, nor hell a fury like a woman scorned,” and it appeared in William Cosgrove’s play The Mourning Bride in 1697.

Fury is one reaction, but if you were a scorned performer with a pen, a pad, and wit, you may choose to go another route.

On her first single, “Smile,” Lily Allen sings about how when her cheating boyfriend left her for his sidepiece, she was sad. In real life, Allen was depressed when she broke up with her boyfriend, DJ Lester Lloyd. A drug overdose led her to seek medical treatment for her depression.

In “Smile,” Allen’s ex calls the singer to complain about the problems in his new relationship, which make him very sad. She may feel a little sympathy for him, but mostly it’s schadenfreude. “At first when I see you cry, it makes me smile / Yeah, it makes me smile / At worst I feel bad for awhile, but then I just smile / I go ahead and smile.”

The “Smile” single was released in the UK in July of 2006. At that year’s Secret Garden Party festival, Allen performed the song on the main stage, while Lloyd was set up in a tent opposite where Allen was. She told a reporter “So he and his new girlfriend had no option but to watch me perform to a couple of thousand people singing ‘Smile’ back to me. Oh, it’s the little things, eh!”

Today is Lily Allen’s 31st birthday. Here are twenty career highlights to make you smile.


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It’s Max Martin’s Birthday And I Need To Dance!

As a songwriter, Max Martin has a credit on 21 number one singles on Billboard‘s Hot 100 chart. Only Paul McCartney and John Lennon have more. He has had 60 top tens as a writer. On top of that, he has had a hand in producing a slew of hits. Some of them are good.

Today, Max Martin turns 45 years old. Friday is dance day at Tunes du Jour. Our playlist consists of twenty songs Max Martin had a hand in writing and/or producing. Some of them are good.


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My Birthday Advice: Don’t!

doggies + Elvis
Today is my birthday. Over my 25+ years on earth, I’ve learned many life lessons. Most of them came from songs. My birthday gift to you is a playlist of 100 songs offering advice as to what not to do.


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Becoming F**kin’ Perfect

Tomorrow is the last show of the four week run of my improv troupe on iO West’s main stage. I started taking improv classes in the late nineties. I was performing stand-up comedy at the time and was told by several people that learning how to improvise will take my stand-up to the next level.

I started doing stand-up to get over my shyness. It was never a dream of mine to become a famous stand-up comic. My dream was to be able to converse with people, particularly people I barely knew. My dream was to speak up. My dream was to be heard.

I was a shy kid. Skinny, not athletic, with braces and glasses. My self-esteem was not too high.

Once someone got to know me they would tell me I’m funny. I used my sense of humor as my way of coping. I also used it to develop self-confidence.

The audiences’ response to my stand-up boosted my self-confidence. Being sought by agents boosted my self-confidence. Improvising – thinking on my feet while on stage – boosts my self-confidence. There is still some shyness, but I’ve come a long way.

improv show

P!nk, the artist born Alecia Moore, turns 35 today. A song she started writing about her husband turned into a message for those suffering from depression stemming from low self-esteem – “don’t you ever, ever feel like you’re less than fucking perfect.” “Fuckin’ Perfect” reached #2 on the Billboard Hot 100. That song is amongst the ten P!nk performances that form today’s playlist.

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It’s Friday And I Need To Dance!

Gwen Stefani, the lead singer and lyricist of the band No Doubt, wanted to do a dance-oriented solo album, but when the band finished its Rock Steady tour in November 2002, all she wanted to do was sleep. “I wanted to take a break and was really burned out, but the record company were ready to go.” Her label, Interscope, wanted her to work on her solo album with singer-songwriter Linda Perry, who was available for only five days.

Without the time to recharge, Stefani’s anxieties about doing the record rose to the surface and she spent a lot of time crying in bed. She’d been with the guys in No Doubt for seventeen years at that point; could she do a record without them?

On their second day in the studio together, Perry presented Stefani with the music of a song she stayed up the previous night to write. Stefani was to come up with lyrics, and she took the speed with which Perry came up with the song as a dare, as if to ask her “What are you waiting for?”

That was the inspiration Stefani needed. She wrote the lyrics to “What You Waiting For?,” addressing her fears about doing the record, her lack of inspiration, and the pressure the felt her label was putting on her. The song opens with Stefani referencing her bandmates and their years together – “What an amazing time / What a family/ How did the years go by?/ Now it’s only me.” Then the repeated background vocals of “tick tock” suggest the clock is ticking and she needs to get to work on this solo venture. Her nervous side sings “I’m worried if I go it alone,” to which her confident persona responds “You never know, it could be great” and “Take a chance, you might grow.”

“What You Waiting For?” was the first single released from Stefani’s first solo venture, Love, Angel, Music, Baby. The album sold seven million copies worldwide and was nominated for a Grammy Award for Album of the Year. Hit singles from the album were “Hollaback Girl,” “Rich Girl,” “Cool” and “Luxurious.”

Of the experience making the record, Stefani said “I think it’s very important to put yourself in a situation that’s uncomfortable to be able to grow.”

Is there something you wish to do but have not yet started to tackle? What you waiting for?
doggies + Gwen 2014-07-18 11.34

Friday is dance day at Tunes du Jour. We kick off this week’s party with Gwen Stefani’s “What You Waiting For?”

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My Top 74 Songs Of 2013 – You Know You Want It!

In 2013 I found religion. I praised Yeezus. I listened to the words of Lorde. I hailed the resurrection of The Replacements. I danced apocalyptic. This year’s music fed my spirituality, though my year-end list also has sacrilege and unbelievers.

Much like I did with God, before 2013 I dismissed Robin Thicke. I never thought I’d ever see his name on my year-end song lists, let alone at #1, but “Blurred Lines” is my choice for record of the year. The song is about wannabe players hitting on a woman with awkward come-ons, though some chose to think the song celebrate sexual assaults. They coined a term for it – rapey, after Snow White’s least popular dwarf.

I never thought I’d see Daft Punk or Nile Rodgers again in Glenn’s Ten, but this year they returned on the same record. Their “Get Lucky,” which, like “Blurred Lines,” also features Pharrell Williams, is my #2 song of 2013. Daft Punk, who are French and therefore crepey, was last in Glenn’s Ten in 2001 with “Digital Love.” Nile Rodgers was in the great disco band Chic, whose hit-making days preceded the creation of Glenn’s Ten. After Chic he worked with a lot of great artists and Duran Duran. The last time he was in Glenn’s Ten was in 1990 as the co-producer of The B-52s’ “Deadbeat Club.” The Daft Punk/Nile Rodgers/Pharrell Williams combo also turn up at #8 with “Lose Yourself to Dance.” Daft Punk are also at #67 with “Doin’ It Right” and Pharrell is also at #24, assisting Azealia Banks on “ATM Jam.”

Kendrick Lamar is all over my year-end list, placing more songs on it than any other act. Besides several tracks from his terrific debut album, good kid, m.A.A.d city (#3 – “Swimming Pools (Drank),” #10 – “Bitch Don’t Kill My Vibe,” #39 – “Backseat Freestyle” and #44 – “Poetic Justice”), he guested on singles from Miguel (#51 – “How Many Drinks”), ScHoolboy Q (#72 – “Collard Greens”) and A$AP Rocky (#7 – “Fuckin’ Problems”). On the subject of the latter, the way A$AP talks about women is his fuckin’ problem. It’s the first time I ever purchased the so-called “clean” version of a song. The explicit version is very misogynous, though I would stop short of calling it rapey, mostly because that word is stupid (no offense to the dwarf).

While “Get Lucky” evoked the 70s disco sound, that era’s laid back Cali rock vibe was heard in Haim’s “The Wire” (#4), whose introduction sounded a lot like Eagles’ “Heartache Tonight.”

The recipient of the kiss-off that is Icona Pop’s “I Love It” (#5) is from the 70s, but she’s a 90s bitch. She’s loud. She’s angry. She’s possibly psychotic. I don’t care. I love it.

Mariah Carey has released around 75 singles during her career. I’ve enjoyed approximately none of them. Imagine my surprise when I looked at my satellite radio display to see the song I was enjoying was credited to Mariah, all the more unexpected because it was a guy singing. I prefer to think of “#Beautiful” (#36) as a Miguel track.

Like Mariah, the last time Shabba Ranks was in Glenn’s Ten was never, but he was there this year, not as an artist, but as a song title/inspiration for an A$AP Rocky/A$AP Ferg’s collaboration (#43 – “Shabba”).

Kanye West is too humble and reserved to say it, but his Yeezus is the year’s best album. It produced three Glenn’s Ten hits (#27 – “Black Skinhead,” #66 – “Blood on the Leaves” and #69 – “Bound 2”). My other favorite albums of the year are Daft Punk’s Random Access Memories, Janelle Monae’s The Electric Lady (#16 – “Dance Apocalyptic,” #30 – “Q.U.E.E.N.” and #35 – “Primetime”), Vampire Weekend’s Modern Vampires of the City (#13 – “Diane Young” and #68 – “Unbelievers”), Foxygen’s We Are the 21st Century Ambassadors of Peace and Magic (#21 – “San Francisco” and #42 – “No Destruction) and Beyoncé’s self-titled album, which she snuck out two weeks ago, too recent for any of its tracks to make this year’s list.

Check out the tunes and let me know if you make any discoveries.

1) “Blurred Lines” – Robin Thicke featuring T.I. and Pharrell
2) “Get Lucky” – Daft Punk featuring Pharrell Williams
3) “Swimming Pools (Drank)” – Kendrick Lamar
4) “The Wire” – Haim
5) “I Love It” – Icona Pop featuring Charli XCX
6) “Hold On, We’re Going Home” – Drake
7) “Fuckin’ Problems” – A$AP Rocky featuring Drake, 2Chainz and Kendrick Lamar
8) “Lose Yourself to Dance” – Daft Punk featuring Pharrell Williams
9) “Put the Gun Down” – ZZ Ward
10) “Bitch Don’t Kill My Vibe” – Kendrick Lamar
11) “Wicked Games” – The Weeknd
12) “Thrift Shop” – Macklemore and Ryan Lewis featuring Wanz
13) “Diane Young” – Vampire Weekend
14) “Royals” – Lorde
15) “Man” – Neko Case
16) “Dance Apocalyptic” – Janelle Monae
17) “Just Give Me a Reason” – P!nk featuring Nate Ruess
18) “Default” – Django Django
19) “Lightning Bolt” – Jake Bugg
20) “High School Lover” – Cayucas
21) “San Francisco” – Foxygen
22) “Lysandre” – Christopher Owens
23) “Right Action” – Franz Ferdinand
24) “ATM Jam” – Azealia Banks featuring Pharrell
25) “Hard Out Here” – Lily Allen
26) “Do You…” – Miguel
27) “Black Skinhead” – Kanye West
28) “Stare at the Sun” – Eleanor Friedberger
29) “Sacrilege” – Yeah Yeah Yeahs
30) “Q.U.E.E.N.” – Janelle Monae featuring Erykah Badu
31) “Mama Told Me” – Big Boi featuring Kelly Rowland
32) “White Walls” – Macklemore & Ryan Lewis featuring ScHoolboy Q and Hollis
33) “Y.A.L.A.” – M.I.A.
34) “I’m Not Sayin’” – The Replacements
35) “Primetime” – Janelle Monae featuring Miguel
36) “#Beautiful” – Mariah Carey featuring Miguel
37) “Stompa” – Serena Ryder
38) “Bubble Butt” – Major Lazer featuring Bruno Mars, Tyga & Mystic
39) “Backseat Freestyle” – Kendrick Lamar
40) “Applause” – Lady Gaga
41) “Reflektor” – Arcade Fire
42) “No Destruction” – Foxygen
43) “Shabba” – A$AP Ferg featuring A$AP Rocky
44) “Poetic Justice” – Kendrick Lamar featuring Drake
45) “Sunset” – the xx
46) “Wenu Wenu” – Omar Souleyman
47) “Change” – Churchill
48) “Hang Loose” – Alabama Shakes
49) “Dark and Stormy” – Hot Chip
50) “Can’t Hold Us” – Macklemore and Ryan Lewis featuring Ray Dalton
51) “How Many Drinks” – Miguel featuring Kendrick Lamar
52) “The Ceiling” – The Wild Feathers
53) “Love is Blindness” – Jack White
54) “Dream Baby Dream” – Bruce Springsteen
55) “I Won’t Be Long” – Beck
56) “The Fox (What Does the Fox Say?)” – Ylvis
57) “Super Rich Kids” – Frank Ocean with Earl Sweatshirt
58) “Here We Go” – Christopher Owens
59) “Afterlife” – Arcade Fire
60) “Song for Zula” – Phosphorescent
61) “FUCKMYLIFE666” – Against Me!
62) “Do I Wanna Know?” – Arctic Monkeys
63) “Blowin’ Smoke” – Kacey Musgraves
64) “Don’t Swallow the Cap” – the National
65) “Perfume” – Britney Spears
66) “Blood on the Leaves” – Kanye West
67) “Doin’ It Right” – Daft Punk featuring Panda Bear
68) “Unbelievers” – Vampire Weekend
69) “Bound 2” – Kanye West
70) “Lies” – Chvrches
71) “Work Bitch” – Britney Spears
72) “Collard Greens” – ScHoolboy Q featuring Kendrick Lamar
73) “Ain’t That the Way” – Divine Fits
74) “You’re Not the One” – Sky Ferreira


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Human Rights Day

human rights day

“For to be free is not merely to cast off one’s chains, but to live in a way that respects and enhances the freedom of others.” – Nelson Mandela (1918 – 2013)

Today is Human Rights Day. Here is your soundtrack:

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