Tag Archives: Robin Thicke

20 Greatest Songs Of The Century…So Far That Are Not On Rolling Stone’s 100 Greatest Songs Of This Century…So Far

The current issue of Rolling Stone includes their list of the 100 greatest songs of this century, so far. Incredibly, the 20 songs on this Tunes du Jour playlist are not on the Rolling Stone list, though they are great and from this century. As the title of one of the songs says, WTF?

I should note that while “Empire State of Mind” by Jay-Z featuring Alicia Keys is better than many of the songs on my playlist or Rolling Stone’s list, it is not on Spotify, hence its omission. Also, Beyoncé has not yet posted her Lemonade album on Spotify, so sorry. (I ain’t sorry.)


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It’s Danger Mouse’s Birthday And I Need To Dance!

About Bill Cosby, rapper A$AP Rocky recently said, “He did so much positive things leading up to one thing, which he was convicted of being innocent for, by the way.” First off, it’s so many positive things, not so much. Secondly, it’s for which he was convicted of being innocent. Thirdly, one gets convicted of being innocent? No wonder our nation’s jails are overcrowded. Go on, $AP. “All you remember is the 56 woman and all that kind of shit.” Yes, all that kind of serial rapist shit. Nobody remembers he introduced the world to Fat Albert and Raven Symone. Just rape rape rape and more rape. Oh, sorry. I interrupted this genius again. Back to you A$$. “I’m not his lawyer, but I do know he’s innocent.” And even if he is guilty, “All we know is that he was accused, he allegedly raped however many woman he raped, which, you got, it’s so much issues in the world, you know I’m saying?” I know what you’re saying! There are so many issues in the world, so why spend any time on one of the issues in the world, that being the issue of crime?

I expected better from the guy who rapped “I be fuckin’ broads like I be fuckin’ bored / Turn a dyke bitch out have her fuckin’ boys, beast” and “I swear that bitch Rita Ora got a big mouth/ Next time I see her might curse the bitch out/ Kicked the bitch out once cause she bitched out/ Spit my kids out, jizzed up all in her mouth and made the bitch bounce.” It turns out he’s not as intelligent, articulate and thoughtful as those lyrics make him out to be.

The only time I ever bought the “clean” version over the “explicit” version of a song is when I got A$AP Rocky’s “F**kin’ Problems,” from which the dyke bitch lyric is taken. The beat is great, but the lyrics are so over-the-top misogynist, and that’s saying a lot for a genre in which far too many lyrics are extremely misogynist.

Rocky is a talented guy, albeit one with a vile attitude toward women. Usually I can separate the person from the art. I love the movie Chinatown, even though its director, Roman Polanski, pled guilty to statutory rape. I love the Ronettes’ “Be My Baby” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling,” even though the producer of those records, Phil Spector, is presently serving time for second degree murder. I love Robin Thicke’s “Blurred Lines,” even though he’s Robin Thicke. I don’t know what I’ll do if Chris Brown ever releases a halfway decent song. Good things the odds of that ever happening are mighty slim.

I’m not defending these artists. Being a monster and being talented are not mutually exclusive. Sometimes I can listen to or watch the art and not think about the crimes allegedly committed. Is that wrong? If it is, that’s my f**kin’ problem.

CeeLo Green gave us the great “Fuck You” in 2010. In 2012, Green was accused by a woman of drugging and sexually assaulting her. CeeLo’s attorney said the sex was consensual, with the singer tweeting “If someone is passed out they’re not even WITH you consciously, so WITH Implies consent. People who have really been raped REMEMBER!!!” Fuck you.

I still listen to Green’s “Fuck You,” but I don’t set out to listen to his newer music. In part it’s because of his attitude. Even if he didn’t drug and or rape this woman, I read his tweets about rape and think “Does that make him crazy? Probably.” To be honest, I also don’t listen to his newer music because it sucks. Everything the man has done since “Fuck You” is pretty bad. Did you hear his song “Robin Williams” from last year? It’s shit. I’m not saying I’m glad he died, but the actor is lucky he never had to hear it.

So I’ll listen to “Fuck You” and I’ll listen to “Crazy,” the worldwide smash he had as one-half of Gnarls Barkley. The other half of the duo, Brian Burton, professionally known as Danger Mouse,” celebrates his 39th birthday today. Tunes du Jour kicks off its weekly dance party with Gnarls Barkley’s “Crazy.” Will I be celebrating when CeeLo’s birthday comes around? Maybe by singing “Fuck You.”


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It’s T.I.’s Birthday And I Need To Dance!

Last night I debuted a new speech about diversity and inclusion in corporate America. It was the first time I tackled the subject in a presentation and I’m pleased to say it went very well.

I’m working on a series of speeches about what makes good leaders. It’s a departure from my usual speeches, which lean toward storytelling or purely humorous. Last night’s speech had plenty of humor (and all the jokes hit!), but it had a message and action steps as well. I delivered the twenty minute version. I’m working on a thirty minute and hour-long version as well.

Comments I received afterwards included “Great style – loved every moment,” “enjoyed all aspects,” “good mix of information and humor,” “very interesting,” “very creative,” and “I don’t like your shirt.” For the record, my shirt was a crisp, white Surface To Air button-down with a grey stripe down the center. What’s not to like?

I look forward to the next presentation.

Friday is dance day at Tunes du Jour. We kick off this week’s party playlist with “Blurred Lines,” which features a guest spot from Clifford Harris, Jr., better known by his initials, T.I., who turns 35 today.


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A Beginner’s Guide To Pharrell

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Perhaps while you were watching the Grammy Awards this past weekend you asked “Who is this cute guy with great hats who sings “Get Lucky?” He is Pharrell Williams and he has been having hits for more than twenty years.

He first hit the Top 40 as one of the writers of Wreckx-N-Effect’s “Rump Shaker,” which hit #2 in 1992. Since then he has co-written and co-produced hits for many pop and hip hop superstars. He has also performed as a member of N.E.R.D. Today’s playlist is a sampler of his work. You may be surprised as to how many of his hits you already know.

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My Top 74 Songs Of 2013 – You Know You Want It!

In 2013 I found religion. I praised Yeezus. I listened to the words of Lorde. I hailed the resurrection of The Replacements. I danced apocalyptic. This year’s music fed my spirituality, though my year-end list also has sacrilege and unbelievers.

Much like I did with God, before 2013 I dismissed Robin Thicke. I never thought I’d ever see his name on my year-end song lists, let alone at #1, but “Blurred Lines” is my choice for record of the year. The song is about wannabe players hitting on a woman with awkward come-ons, though some chose to think the song celebrate sexual assaults. They coined a term for it – rapey, after Snow White’s least popular dwarf.

I never thought I’d see Daft Punk or Nile Rodgers again in Glenn’s Ten, but this year they returned on the same record. Their “Get Lucky,” which, like “Blurred Lines,” also features Pharrell Williams, is my #2 song of 2013. Daft Punk, who are French and therefore crepey, was last in Glenn’s Ten in 2001 with “Digital Love.” Nile Rodgers was in the great disco band Chic, whose hit-making days preceded the creation of Glenn’s Ten. After Chic he worked with a lot of great artists and Duran Duran. The last time he was in Glenn’s Ten was in 1990 as the co-producer of The B-52s’ “Deadbeat Club.” The Daft Punk/Nile Rodgers/Pharrell Williams combo also turn up at #8 with “Lose Yourself to Dance.” Daft Punk are also at #67 with “Doin’ It Right” and Pharrell is also at #24, assisting Azealia Banks on “ATM Jam.”

Kendrick Lamar is all over my year-end list, placing more songs on it than any other act. Besides several tracks from his terrific debut album, good kid, m.A.A.d city (#3 – “Swimming Pools (Drank),” #10 – “Bitch Don’t Kill My Vibe,” #39 – “Backseat Freestyle” and #44 – “Poetic Justice”), he guested on singles from Miguel (#51 – “How Many Drinks”), ScHoolboy Q (#72 – “Collard Greens”) and A$AP Rocky (#7 – “Fuckin’ Problems”). On the subject of the latter, the way A$AP talks about women is his fuckin’ problem. It’s the first time I ever purchased the so-called “clean” version of a song. The explicit version is very misogynous, though I would stop short of calling it rapey, mostly because that word is stupid (no offense to the dwarf).

While “Get Lucky” evoked the 70s disco sound, that era’s laid back Cali rock vibe was heard in Haim’s “The Wire” (#4), whose introduction sounded a lot like Eagles’ “Heartache Tonight.”

The recipient of the kiss-off that is Icona Pop’s “I Love It” (#5) is from the 70s, but she’s a 90s bitch. She’s loud. She’s angry. She’s possibly psychotic. I don’t care. I love it.

Mariah Carey has released around 75 singles during her career. I’ve enjoyed approximately none of them. Imagine my surprise when I looked at my satellite radio display to see the song I was enjoying was credited to Mariah, all the more unexpected because it was a guy singing. I prefer to think of “#Beautiful” (#36) as a Miguel track.

Like Mariah, the last time Shabba Ranks was in Glenn’s Ten was never, but he was there this year, not as an artist, but as a song title/inspiration for an A$AP Rocky/A$AP Ferg’s collaboration (#43 – “Shabba”).

Kanye West is too humble and reserved to say it, but his Yeezus is the year’s best album. It produced three Glenn’s Ten hits (#27 – “Black Skinhead,” #66 – “Blood on the Leaves” and #69 – “Bound 2”). My other favorite albums of the year are Daft Punk’s Random Access Memories, Janelle Monae’s The Electric Lady (#16 – “Dance Apocalyptic,” #30 – “Q.U.E.E.N.” and #35 – “Primetime”), Vampire Weekend’s Modern Vampires of the City (#13 – “Diane Young” and #68 – “Unbelievers”), Foxygen’s We Are the 21st Century Ambassadors of Peace and Magic (#21 – “San Francisco” and #42 – “No Destruction) and Beyoncé’s self-titled album, which she snuck out two weeks ago, too recent for any of its tracks to make this year’s list.

Check out the tunes and let me know if you make any discoveries.

1) “Blurred Lines” – Robin Thicke featuring T.I. and Pharrell
2) “Get Lucky” – Daft Punk featuring Pharrell Williams
3) “Swimming Pools (Drank)” – Kendrick Lamar
4) “The Wire” – Haim
5) “I Love It” – Icona Pop featuring Charli XCX
6) “Hold On, We’re Going Home” – Drake
7) “Fuckin’ Problems” – A$AP Rocky featuring Drake, 2Chainz and Kendrick Lamar
8) “Lose Yourself to Dance” – Daft Punk featuring Pharrell Williams
9) “Put the Gun Down” – ZZ Ward
10) “Bitch Don’t Kill My Vibe” – Kendrick Lamar
11) “Wicked Games” – The Weeknd
12) “Thrift Shop” – Macklemore and Ryan Lewis featuring Wanz
13) “Diane Young” – Vampire Weekend
14) “Royals” – Lorde
15) “Man” – Neko Case
16) “Dance Apocalyptic” – Janelle Monae
17) “Just Give Me a Reason” – P!nk featuring Nate Ruess
18) “Default” – Django Django
19) “Lightning Bolt” – Jake Bugg
20) “High School Lover” – Cayucas
21) “San Francisco” – Foxygen
22) “Lysandre” – Christopher Owens
23) “Right Action” – Franz Ferdinand
24) “ATM Jam” – Azealia Banks featuring Pharrell
25) “Hard Out Here” – Lily Allen
26) “Do You…” – Miguel
27) “Black Skinhead” – Kanye West
28) “Stare at the Sun” – Eleanor Friedberger
29) “Sacrilege” – Yeah Yeah Yeahs
30) “Q.U.E.E.N.” – Janelle Monae featuring Erykah Badu
31) “Mama Told Me” – Big Boi featuring Kelly Rowland
32) “White Walls” – Macklemore & Ryan Lewis featuring ScHoolboy Q and Hollis
33) “Y.A.L.A.” – M.I.A.
34) “I’m Not Sayin’” – The Replacements
35) “Primetime” – Janelle Monae featuring Miguel
36) “#Beautiful” – Mariah Carey featuring Miguel
37) “Stompa” – Serena Ryder
38) “Bubble Butt” – Major Lazer featuring Bruno Mars, Tyga & Mystic
39) “Backseat Freestyle” – Kendrick Lamar
40) “Applause” – Lady Gaga
41) “Reflektor” – Arcade Fire
42) “No Destruction” – Foxygen
43) “Shabba” – A$AP Ferg featuring A$AP Rocky
44) “Poetic Justice” – Kendrick Lamar featuring Drake
45) “Sunset” – the xx
46) “Wenu Wenu” – Omar Souleyman
47) “Change” – Churchill
48) “Hang Loose” – Alabama Shakes
49) “Dark and Stormy” – Hot Chip
50) “Can’t Hold Us” – Macklemore and Ryan Lewis featuring Ray Dalton
51) “How Many Drinks” – Miguel featuring Kendrick Lamar
52) “The Ceiling” – The Wild Feathers
53) “Love is Blindness” – Jack White
54) “Dream Baby Dream” – Bruce Springsteen
55) “I Won’t Be Long” – Beck
56) “The Fox (What Does the Fox Say?)” – Ylvis
57) “Super Rich Kids” – Frank Ocean with Earl Sweatshirt
58) “Here We Go” – Christopher Owens
59) “Afterlife” – Arcade Fire
60) “Song for Zula” – Phosphorescent
61) “FUCKMYLIFE666” – Against Me!
62) “Do I Wanna Know?” – Arctic Monkeys
63) “Blowin’ Smoke” – Kacey Musgraves
64) “Don’t Swallow the Cap” – the National
65) “Perfume” – Britney Spears
66) “Blood on the Leaves” – Kanye West
67) “Doin’ It Right” – Daft Punk featuring Panda Bear
68) “Unbelievers” – Vampire Weekend
69) “Bound 2” – Kanye West
70) “Lies” – Chvrches
71) “Work Bitch” – Britney Spears
72) “Collard Greens” – ScHoolboy Q featuring Kendrick Lamar
73) “Ain’t That the Way” – Divine Fits
74) “You’re Not the One” – Sky Ferreira


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