Kings 003

King Holiday

Kings 003

Dr. Martin Luther King, Jr.’s birthday was first celebrated as a national holiday in the United States on January 20, 1986. To commemorate this, a group of popular urban music acts of that time collaborated on a single entitled “King Holiday.” The song was written by Kurtis Blow, Grandmaster Melle Mel, Phillip Jones and Bill Adler. Appearing with Blow and Melle Mel on the record are Run-D.M.C., Whitney Houston, Lisa Lisa, Full Force, James “JT” Taylor (of Kool & the Gang), Teena Marie, Whodini, Fat Boys, El DeBarge, Stephanie Mills, New Edition, Stacy Lattisaw and Menudo.

A bill to turn King’s birthday into a national holiday was first introduced to the House of Representatives in 1979, but it didn’t receive enough votes to pass. The following year Stevie Wonder released “Happy Birthday,” a song calling for the holiday, and organized a rally in Washington DC for the cause. Soon, a petition was circulated calling for the same. Six million signatures were collected. Though President Reagan was initially against the holiday, he later signed the bill authorizing it.

Senator John McCain of Arizona was against the holiday, as was that state’s governor, Evan Meacham. New Hampshire didn’t acknowledge Martin Luther King Day until 1999. South Carolina made King Day a paid holiday for state employees in 2000. Prior to then, employees could choose between observing King’s birthday or one of three Confederate holidays.

Today Tunes du Jour celebrates the birthday and the legacy of Dr. Martin Luther King, Jr.

It’s Friday And I Need To Dance!

Our weekly dance party kicks off with the Beatmasters’ remix of Moby’s “Everytime You Touch Me,” a track that appears in its original form on Moby’s third studio album, Everything Is Wrong. Entertainment Weekly gave the album an A-; The New Rolling Stone Album Guide gave it 4 stars.

Get your groove on. I’ll be back Sunday with part one of my top tracks of 2013 list.

An Atheist Jew’s Guide To Christmas Music, Part 1

Raised Jewish, I celebrated Hanukkah. For several years, my family also celebrated Christmas. We didn’t go to midnight mass, we didn’t drink egg nog, we didn’t throw a special type of log in the fireplace. (By the way, I have no idea what makes a Yule log yuley). We put tinsel and candy canes on a large potted plant my mother had in the den and bought each other small but practical gifts. For example, when I was 11 for Christmas my parents got me a salt shaker. The Christmas celebrations stopped after I innocently told Grandpa Mordechai about them. My parents were so angry with me they took away my salt shaker.

Though I no longer celebrate Christmas, I still have a major jones for Christmas music. I own many more Christmas records than any atheist Jew probably should. We’re talking in the hundreds.

I eschew Christmas classics performed by well-known middle-of-the-road acts such as Celine Dion, Michael Bublé, Kenny G (sell-out Jew), Neil Diamond (sell-out Jew) or Barbra Streisand (sell-out Jew). Frank Sinatra shows up only in a duet with Cyndi Lauper and Bing Crosby shows up only in his duet with David Bowie.

Including the Crosby/Bowie version, I have 15 renditions of “The Little Drummer Boy” in my iPod, by a diverse list of artists including Johnny Cash, The Temptations, Joan Jett, Bob Dylan, Iggy Pop and RuPaul.

I have ten versions of “Winter Wonderland,” and that’s not counting the cross-dressing parody “Walkin’ Round in Women’s Underwear,” not performed by RuPaul.

I have “Christmas in Hollis,” “Christmas in Harlem,” “Christmas in Washington,” “Christmastime in the LBC,” “Christmas in the City,” “Christmas in Heaven,” “Christmastime in Hell” and “Christmas at the Zoo.”

I have Christmas songs by most of my favorite artists of all-time, including The Beatles, Prince, Michael Jackson, Madonna, Stevie Wonder, R.E.M., Elvis Presley, The White Stripes, Kanye West, Ike and Tina Turner, Chuck Berry, and Radiohead.

Some Christmas songs aren’t Christmas songs at all. “Frosty the Snowman,” “Let It Snow Let it Snow Let It Snow” and “Winter Wonderland” don’t mention the baby Jesus or Santa Claus or presents or a bullied reindeer with a skin ailment.

Some of the Christmas songs I have are a bit odd. “I Found the Brains of Santa Claus,” a smooth jazz version of “Grandma Got Run Over By a Reindeer,” C3PO and R2D2 singing “Sleigh Ride.” I have Liberace reciting “Twas the Night Before Christmas,” though his version doesn’t hold a candle to Aretha Franklin’s version, in which the Queen of Soul took a few liberties with the words: “A bundle of gifts he had and what did I get? / As I squealed, opening the package, the same old shit!” Her lyrics are downright Disneyesque compared to Snoop Dogg’s reading of the famous poem. If you’re interested, Google the lyrics because I’m not going to print them here.

I have John Denver singing “Please Daddy (Don’t Get Drunk This Christmas).” Verse one opens with a couplet for the arithmetically-challenged: “Just last year when I was only seven / Now I’m almost eight you can see.” Santa needs to bring John some flashcards. The next two lines create a holiday image that is less Norman Rockwell and more John Waters: “You came home at quarter past eleven / And fell down underneath the Christmas tree.” Someone needs to get him to a 12-step group. He can attend a meeting with the title character of Fishbone’s “Slick Nick, You Devil You,” who came down the chimney with a keg of brew and spilled Jack Daniels all over the drapes.

I have Sarah Silverman singing “Give the Jew Girl Toys,” in which she taunts Santa by singing “You have a list / Well, Schindler did to / Liam Neeson played him / Tim Allen played you.”

Then there’s the classic “Fairtytale of New York” by the Pogues and Kirsty MacColl, which evokes the holiday spirit with the line “You scumbag, you maggot / You cheap lousy faggot,” something yelled at me every year by those Salvation Army Santas.

Better still is “Macarena Christmas.” I LOVE “Macarena” and I’m betting you do to though you probably won’t admit it. “Macarena Christmas” celebrates the birth of our lord and savior Baby Macarena by taking the chorus from the hit single and uncleverly inserting it repeatedly into a medley of Christmas songs, so it goes “Joy to the world, the Lord has come / Da le a tu cuerpo alegria Macarena, Que tu cuerpo es pa darle alegria y cosa Buena / Da le a tu cuerpo alegria Macarena / Eeeeeh, Macarena – ay / Jingle bells jingle bells jingle all the way.” Sound effects of what sounds like an infant with the hiccups are thrown in. It makes no sense, y me gusta mucho.

My favorite holiday album and one of the greatest all-time albums period is Phil Spector’s A Christmas Gift for You, featuring tracks he produced for The Ronettes, The Crystals, Darlene Love and Bob B. Soxx and The Blue Jeans. Every cut on it is classic and can be enjoyed by the whole family, except Grandpa Mordechai.

All the girls are on me cause I’m down with Mike D

Today Tunes du Jour celebrates the birthday of Beastie Boy Mike D. Originally a hardcore punk band, the Beastie Boys evolved into one of the most influential and longest-running hip hop groups.

Our playlist begins with “The New Style,” which hit the r&b chart a month prior to the Beasties hitting the pop chart with their breakout hit, “(You Gotta) Fight for Your Right (To Party!!!).” Both tracks appear on their debut album Licensed To Ill, which the Village Voice favorably reviewed under the headline “Three Jerks Make a Masterpiece.” The album came out in 1986, the year after the group opened for Madonna on The Virgin Tour, and was practically glued to my turntable. I didn’t think they’d be able to top such a perfect record.

Through the years they continued to surprise and innovate. Enjoy this playlist consisting of a handful of Beastie Boys tracks along with other hip hop favorites.