Living Colour’s Vernon Reid was born on this date in 1958. A handful of has band’s tunes are included on today’s playlist.
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In his excellent autobiography Le Freak, Chic’s Nile Rodgers writes how his group’s record label wanted to capture the magic Rodgers and his music partner Bernard Edwards brought to their group to other acts on the Atlantic Records roster, such as The Rolling Stones and Bette Midler. Nile turned down the acts that were firmly established, as with them less attention would be paid to the song’s writers and producers. He wanted to work with a lesser known act. Atlantic Records president Jerry Greenberg suggested a group of sisters who “stick together like birds of a feather,” and so it came to be that Rodgers and Edwards wrote and produced the We Are Family album for Sister Sledge. I think you know what happened next.
Today’s playlist celebrates the birthday of Sister Sledge lead vocalist Kathy Sledge by including several tracks from that classic album.
For many years I’ve been saying that 1986 was a crap year for music. I prove myself wrong with this week’s Throwback Thursday playlist. Listen to these gems! How did I get this so wrong until now? My theory is this: In 1986 I was still listening to top 40 radio more than other formats. While there were many great hit songs in ’86 (as evidenced by the playlist below), there was also a lot of garbage songs that were successful on the pop chart. My thoughts of all those garbage songs outweighed my fond memories of all of the good songs. Well, no more, missy! Nineteen eighty-six was a good year for music. The proof is in the pudding (pudding meaning this week’s Throwback Thursday playlist).
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Inspired by the July 9 birthdays of Jack White, Hole’s Courtney Love, Marc Almond, AC/DC’s Bon Scott, Modest Mouse’s Isaac Brook, Simple Minds’ Jim Kerr, Lee Hazlewood, Gwen Guthrie and Haysi Fantayzee’s Kate Garner.
In 1984, Madonna peaked at #18 on the Billboard Hot 100 with her first charting single, “Holiday.” By the following year, she had established herself as the Queen of the Pop Charts. She followed “Holiday” with three singles that hit the top ten in 1984: “Borderline,” “Lucky Star” and “Like a Virgin,” the latter hitting #1 and remaining there for six weeks. She opened 1985 with the #2 hit “Material Girl,” followed closely by the #1 “Crazy for You.” “Crazy” is from the film Vision Quest, in which Madonna had a small part as a nightclub singer.
Madonna had a much larger role in the film Desperately Seeking Susan. Released in April 1985, the smash film featured a new track from Madonna, “Into the Groove.” As one might expect when a new superstar has a new song, and a great song at that, the track received lots of radio airplay. “Groove” hit #1 on the Dance Club chart, and the only record on which it appeared, a 12-inch single where it was the b-side of “Angel,” went gold, selling over a million units in the US.
Though it was a big seller with a ton of airplay and club play, “Into the Groove” never hit Billboard’s Hot 100. Though that chart is supposed to accurately reflect a song’s popularity in the US, Billboard imposes rules that hang around longer than they should, throwing off historians looking into a song’s popularity. One of the arcane rules in 1985 was that a song had to be available on a commercial 7-inch vinyl single to be eligible to chart. Commercial availability solely on a 12-inch vinyl single, even one that sold over a million copies, is not enough. Widespread radio play on a variety of formats (the song hit the top twenty on the r&b chart, which for reasons that made sense to Billboard’s chart editors, allowed 12-inch singles to chart) is not enough.
Eventually, Billboard got around to revising these rules. The advent of cassingles (cassette tape singles) and CD singles expanded the formats eligible. The music industry’s decision to hold back the release of singles in any format to force consumers to shell out big bucks for a full-length album to get the one song they liked forced Billboard to make radio airplay without a commercial single good enough for a Hot 100 chart placement, but that change didn’t come into being until December of 1998, thirteen years too late for Madonna and historians.
This week’s Throwback Thursday kicks off with one of the best-known songs to have never charted on Billboard’s Hot 100, Madonna’s “Into the Groove.” It is followed by other music highlights of 1985.
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Today is my birthday. Over my 25+ years on earth, I’ve learned many life lessons. Most of them came from songs. My birthday gift to you is a playlist of 100 songs offering advice as to what not to do.
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