Winston + Suzanne 2014-07-11 15.15

It’s Friday And I Need To Dance!

I’m at a place in my life where I very much wish to try new things. To enter into places not completely familiar. I’ve accomplished a lot utilizing my knowledge of popular music and negotiation skills. From college graduation until last September I’ve always worked at record companies. Is there somewhere else where I can use these attributes?

Figuring out the next step on one’s own can be challenging. Having a career coach is helpful. Better yet would be meeting someone who sees what you (or, in this case, I) have to offer and gives you (me) a job, or, optimally, collaborates with you (me) on a new venture.

I think about this fairly often. This morning it occurred to me that it came to be for me a couple of weeks ago, though not directly related to my record company jobs.

When I lived I New York I performed and-up comedy at night. I did well with it. I won contests, had an agent, and played to sold-out theaters. I understand comedy structure, know how to formulate a joke, and have good timing.

Two weeks ago a friend and I started working together on a TV sitcom pilot. I can write relatable characters and punchlines. My friend, who has a terrific sense of humor as well, can take what I do and add in his knowledge of script formatting and sitcom structure. I’m enthusiastic about our new venture.

Winston + Suzanne 2014-07-11 15.15
In 1987, singer-songwriter Suzanne Vega scored a huge hit with “Luka,” from her album Solitude Standing. Her biggest hit to date, the song went to #3 on the United States pop charts, and also hit the Top 40 in countries such as The United Kingdom, Canada, Australia, The Netherlands, France, Sweden, Italy, Belgium, New Zealand, Austria, and Ireland.

Vega can write great lyrics and catchy hooks. ”Luka” also performed well on the Rock chart. Vega is like me in this story, and the British production duo who called themselves D.N.A. are my friend with whom I am writing the television script.

D.N.A. took Suzanne’s skills, in particular the a capella track that opens the Solitude Standing album, and added a dance beat to it. The result was another top ten pop hit, this one credited to D.N.A. featuring Suzanne Vega. The song, “Tom’s Diner,” also brought Vega to the top 15 of the Dance Club chart, the Modern Rock chart, and the R&B chart.

Vega didn’t plan this success. By chance D.N.A. entered her life and together each reached new heights. Hopefully our sitcom pilot will have the same success.

Today Suzanne Vega turns 55. We’ll kick off our Friday dance party with the DNA mix of “Tom’s Diner.”

Ringo + Lily 002

It’s Friday And I Need To Dance!

Ringo + Lily 002
“I love to have that conflict of something sounding so sweet but actually being really quite dark.”

That quote from Lily Allen summarizes one of my favorite attributes of her music – sunny melodies coupled with not-quite-sunny lyrics, a juxtaposition that makes for some wonderfully subversive pop tunes.

The song that put her on the map, “Smile,” exemplifies this. It’s a catchy song – upbeat, major chords. Lily wrote it about an ex-boyfriend who was cheating on her. Then the ex got dumped by his new girlfriend and he called Lily to console him, which brings us to the awesome chorus: “At first when I see you cry, it makes me smile. Yeah, it makes me smile / At worse I feel bad for a while, but then I just smile. I go ahead and smile.”

“Smile” appeared on Allen’s debut album Alright, Still, released in 2006. Her follow-up album, 2009’s It’s Not Me, It’s You, contains another brilliant example of this style, this time aimed at a well-known public figure.

The song was initially released by Allen on her MySpace page in 2008 as “Guess Who, Batman.” The song is not about anyone connected with Batman, but rather, someone whose initials match the first letter of each word in this title. If you’re still not sure, I’ll let Lily give you a clue: “It was originally written about this fucking arsehole who used to be the President of the United States of America. His name is George W. Bush.”

She made that comment after Bush left office and after the song was released with an additional verse and a new title, “Fuck You.”

Among the things for which she takes Bush to task is his perceived homophobia: “So you say it’s not okay to be gay / Well, I think you’re just evil.”

Shortly after the second album’s release an Australia guy with the YouTube moniker steviebeebishop created a video for the song that featured members of the L, G, B and T populations and their supporters around the world lip-synching the tune. It became a phenomenon that spread to other countries, with lip-synched versions emanating from countries such as France, Croatia, New Zealand, Hungary, Mexico and Brazil.

The song was no longer specifically about Bush, but directed towards anyone who expresses anti-gay sentiments. As steviebeebishop explained when he posted his video:

theres a disgusting amount of hate on the internet (especially on youtube!) directed at minority groups (especially the LGBT community) so i was inspired to organize this collab video. i never set out to change the world. i did not make this for the gay haters to see. i wanted to make something light hearted and funny for the victims of gay hate, to teach them to brush off the hate and stand strong and confident as who they are. you’re not alone! stevie loves you 🙂

Today is Lily Allen’s 29th birthday. As Friday is dance day at Tunes du Jour, we’ll kick off our playlist with a remix of “Fuck You.” By the way, Lily’s third album, Sheezus, is out today.