David Bowie would have turned 76 today. A few of his tunes are included in today’s playlist.
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It’s Siouxsie Sioux’s Birthday And I Need To Dance!
During the 1980s, Siouxsie and the Banshees, led by Susan “Siouxsie” Ballion, had 15 top 40 singles in the UK, where they formed. In the US, they had 15 fewer hits.
That changed in 1991, thanks to a song about a popular Hollywood actress of the 1950s who died in a car accident in 1967.
Vera Palmer, under her screen name Jayne Mansfield, won the Golden Globe Award for New Star of the Year in 1957, beating out Natalie Wood. That was the year she appeared in the film Will Success Spoil Rock Hunter?, based on the Broadway show in which she also starred. She also starred in the hit film The Girl Can’t Help It, which featured appearances from Little Richard, Fats Domino, The Platters, Eddie Cochran and Gene Vincent.
Her career took a turn after these hits, perhaps due to a public backlash against her over-exposure, perhaps due to a decline in popularity of the “blonde bombshell” look, and/or perhaps due to her frequent pregnancies keeping her from accepting roles she was offered.
She did continue to work, however – in films, on television, on stage, and on records. Following a nightclub performance in Biloxi, Mississippi on June 28, 1967, Mansfield was en route to New Orleans where she was scheduled to be part of a radio show the following day. Her car collided with a tractor-trailer, and Mansfield, as well as her boyfriend and the car’s driver, were killed instantly.
The car accident is referenced in the fourth verse of Siouxsie and the Banshees’ “Kiss Them for Me,” named after Mansfield’s 1957 film in which she co-starred with Cary Grant.
“Kiss Them for Me” peaked at #23 on the Billboard Hot 100, nine positions higher than its UK peak. It also went to #1 on the Billboard Modern Rock chart and hit #8 on the Billboard Dance chart.
Today the woman born Susan Ballion turns 59 years old. Tunes du Jour’s weekly dance party kicks off with her ode to the late Jayne Mansfield.
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It’s Falco’s Birthday And I Need To Dance!
Actually, I need to rest, as I have a cold. You go on and dance.
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It’s David Bowie’s Birthday And I Need To Dance!
Our weekly dance playlist kicks off with a track that was inspired by a song from the 1952 film Hans Christian Andersen. In the movie, Danny Kaye performs the Frank Loesser’s “Inchworm.” While schoolchildren sing “Two and two are four / Four and four are eight” etc., Kaye sings to the titular worm “You and your arithmetic/ You’ll probably go far,” and asking “Could it be you’d stop and see
how beautiful they are?” Singer-songwriter David Bowie told Performing Songwriter magazine “You wouldn’t believe the amount of my songs that have sort of spun off that one song. Not that you’d really recognize it. Something like ‘Ashes to Ashes’ wouldn’t have happened if it hadn’t have been for ‘Inchworm.’ There’s a child’s nursery rhyme element in it, and there’s something so sad and mournful and poignant about it. It kept bringing me back to the feelings of those pure thoughts of sadness that you have as a child, and how they’re so identifiable even when you’re an adult. There’s a connection that can be made between being a somewhat lost five-year old and feeling a little abandoned and having the same feeling when you’re in your twenties. And it was that song that did that for me.”
Today is David Bowie’s 69th birthday. Put on your red shoes and dance the blues with this playlist of club tunes.
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It’s Friday And I Need To Dance!
While performing stand-up comedy in the late 1990s/early 2000s I appeared in several contests. More often than not I scored very well. In a contest at the club StandUp NY to find New York’s funniest gay man, I came in second. First place went to Seth Rudetsky. Around that same time both of us were entrants in another stand-up contest. Again, I came in second to Seth’s first.
Our acts were similar. Both of us were (are) thin New York gay Jews who mocked silly pop song lyrics in our sets. Seth talked about Sheena Easton’s “Morning Train” while I discussed Air Supply’s “All Out of Love.” I don’t begrudge him his first place winnings – he was great.
Seth went on to write for The Rosie O’Donnell Show, which garnered him several Emmy nominations. He has written for the Grammy Awards and the Tony Awards. He hosts a radio show on SiriusXM about Broadway musicals.
This past Tuesday my friend Scott and I attended Seth’s one-person show at Largo. His opening act was Judd Apatow. In the audience were Barbra Streisand, Sean Hayes, and the guy who played Valerie Cherish’s PR person on The Comeback. Also in the audience was me, the runner-up. Was I jealous? Was I bitter? You bet I was!
On the positive tip, I was inspired as well. It was a very fun show and gave me some ideas as to how to structure the one-person show I’ve been saying I will write for the past fourteen years. Destiny is calling me – open up my eager eyes, ‘cause I’m Mr. Brightside.
Our weekly dance party kicks off with The Killers.
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It’s Richard Butler’s Birthday And I Need To Dance!
About the Psychedelic Furs song “Love My Way,” Richard Butler, the band’s lead singer, said “It’s basically addressed to people who are fucked up about their sexuality, and says ‘Don’t worry about it.’ It was originally written for gay people.”
I could be upset that he says I’m fucked up about my sexuality, but I choose to focus on the positive. He wrote a song about me. Thanks, Richard, and happy birthday!
Friday is dance day at Tunes du Jour, so let’s get this party started!
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It’s Friday And I Need To Dance!
“I go through stages of intense dislike for ‘Blue Monday,’ which I’m sure every group does when they get one song they’re synonymous with, but the way it keeps getting reinvented is wonderful. It seems to be one of those tracks that’s timeless, which is amazing. We were using technology which could have dated like other ’80s stuff, but somehow we managed to swerve it. Was that deliberate? No, everything we do is by accident. The fact that for two years no one spotted that the sleeves cost more to make than the records confirms this. I honestly thought ‘Thieves Like Us,’ the single after ‘Blue Monday,’ was far superior. ‘Blue Monday’’s not a song, it’s a feeling, but once people hear that drum riff they’re off. People used to go mad when we didn’t play it. We had a fight onstage with a DJ in Nottingham once because we wouldn’t play it – which was a very New Order thing to do. As you get older and mellower you appreciate what got you where you are. We play it now because people love it.” – Peter Hook of New Order, 2003, in Q magazine, which named “Blue Monday” one of the best songs ever
Peter Hook turns 59 today. Tunes du Jour kicks off our weekly dance party with “Blue Monday.”
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It’s Limahl’s Birthday And I Need To Dance!
Young Chris Hamill was not popular at school. Expelled for disrupting class, the teen boy transferred to a new school, where the kids pointed out his effeminacy. Always the last one picked in sports, Hamill’s confidence level dropped. Discovering he was gay didn’t help. Unhappy at school, he became a loner, escaping into his music.
After leaving school Hamill pursued acting. He landed a few roles, but music was where his passion truly lied. Hamill reinvented himself. He rearranged the letters of his last name and became Limahl, the cutieface pop singer. He was recruited by a band named Art Nouveau. With Limahl on board, the group changed their name to KajaGooGoo.
While working as a waiter at London’s Embassy Club, Limahl met Nick Rhodes of Duran Duran. He gave Rhodes the group’s demo tape. Rhodes took it to his record label, EMI, who signed them.
In January 1983, EMI released the group’s Rhodes-produced debut single, “Too Shy.” It went to #1 in the UK and reached #5 in the US. At this time, Limahl kept his sexual orientation secret. “I wasn’t embarrassed about being gay, but my role as Limahl, my pop star role, had to be more enigmatic. I didn’t want to start talking about gay sex and gays in 1983 when most of our following was teenage girls.”
While “Too Shy” was on the US charts, the band completed a successful tour playing to 40,000 people in Finland. The following day, Limahl was fired from the group by its other members. About Limahl, KajaGooGoo guitarist Steve Askew said “His lifestyle is so different from ours. We’re very normal people whereas Limahl likes the bright lights.” Limahl, shocked by his dismissal, felt he was let go for being too cute and turning the group into a pop band solely for teens.
Following his sacking from KajaGooGoo, Limahl had a solo hit in 1985 with the theme from the film The NeverEnding Story. That song will kick off the dance playlist for today, Limahl’s 56th birthday.
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It’s Friday and I Need To Dance!
I love to dance. I also love to eat and to sleep, but I really love to dance. It is my favorite activity. Yes, I like it even more than swimming. If the music is right I can go for hours at a time. In the early nineties, while living in New York City, I would go dancing almost every weekend. Those weekends when I wasn’t at a club I’d be dancing in my living room. Being that I lived in a 200 square foot apartment, my living room also served as my bedroom, den, and dance studio.
Every Friday, Tunes Du Jour will publish a dance playlist. Play it loud and get down, whether in your living room, bedroom, den, dance studio, on a bus, in the waiting room of your ophthalmologist’s office or at the dog park. It’s a great way to welcome the weekend.
Being today is the birthday of Tina Weymouth, a founding member of both Talking Heads and Tom Tom Club, we will spotlight some of her work. Our party kicks off with “Wordy Rappinghood,” a UK million-seller that topped the dance chart in the US in early 1982.