On the latest UK Top 100 singles chart, The Killers’ “Mr. Brightside,” from their 2004 debut album Hot Fuss, moves up from number 66 to number 63 in its 415th week on that chart. I think it’s on its way to hit song status.
The Killers’ Brandon Flowers was born on this date in 1981. A handful of that band’s songs are included on today’s playlist.
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In the realm of music, 2017 proved to be a year of vibrant eclecticism, where established artists continued to push boundaries and emerging voices made their mark. The year’s soundtrack was a rich collection of narratives, each song telling its own story, whether it be Kendrick Lamar’s thought-provoking lyricism on “HUMBLE.”, or Cardi B’s “Bodak Yellow,” an anthem of confidence and empowerment.
The year also saw artists like Future and Lil Uzi Vert pushing the boundaries of rap music, while Lorde and Portugal. The Man offered a more introspective take on pop. Drake’s “Passionfruit” and Calvin Harris’ “Slide” were the smooth, rhythmic tracks that became the backdrop of many summer nights, showcasing the seamless blend of R&B and electronic music.
Veterans like Harry Styles and Miley Cyrus reinvented themselves, leaving behind their pure pop personas for more mature, soulful expressions in “Sign of the Times” and “Malibu,” respectively. Meanwhile, SZA and Sampha delivered deeply personal albums that spoke to the complexities of relationships and self-discovery.
The indie scene was no less vibrant, with King Krule, St. Vincent, and The War on Drugs each offering a unique sonic experience that defied mainstream trends. And let’s not forget the poignant comeback of Kesha, who reminded us of the redemptive power of music.
As we reminisce about the tunes of 2017, it’s impossible not to feel the excitement and energy they brought into our lives. Each track on this playlist brings its own flavor to the table. It’s not just about the songs; it’s about the memories they evoke, the feelings they stir, and the way they become the soundtrack to our lives. Let’s crank up the volume, lose ourselves in the melodies, and celebrate the music of 2017.
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“One minute you’re just cooking up someone’s order of French fries and the next minute you’re laying on the floor and they blow your brains out.”- The Flaming Lips’ Wayne Coyne reflecting on being held up at gunpoint when he was a fry cook at Long John Silver’s
The Flaming Lips’ Wayne Coyne on this date in 1961. A few of his band’s cuts are included on today’s playlist.
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Five years after then president of The Recording Academy proclaimed that women need to step up, the ladies have responded with “How’s this, jerkface?” Women dominate this year’s Grammy nominations. More importantly, all but two of the top 20 songs on my year-end list are led by female artists (with one guy showing up to provide guest vocals). That’s a record, I think, but don’t quote me on that. I’m too lazy to check. I don’t have a deep analysis for this phenomenon, but I do have a deep appreciation for the talent and diversity of these women (not that women have ever been underrepresented in my annual tallies). The highest placing male acts on my 2023 list are none other than The Rolling Stones and The Beatles. Yes, you read that right. The legends are back, and they still can show the young-uns how it’s done. With their song “Angry,” The Rolling Stones have achieved a remarkable feat: the longest span from first appearance to most recent appearance in my year-end surveys. In 1981, my first year of making such lists, the group placed with “Start Me Up.” The 80s are also well represented by Kylie Minogue and Madonna, each of whom made a triumphant return to my list after long absences. Welcome back, ladies! And last but not least, let’s give a round of applause to Megan Thee Stallion, who has been in my top five for five years in a row. That’s a record, I think, but don’t quote me on that. I’m too lazy to check. Now, without further ado, here is my list of the best songs of 2023. Enjoy!
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One night in December 1994 my friend Kathy and I attended the WDRE Acoustic Xmas show at New York City’s Beacon Theater. There were multiple artists on the bill, each getting a short slot to perform three or four songs. The acts were The Go-Go’s, Big Audio Dynamite, Jesus and Mary Chain, frente!, Love Spit Love, Black 47, G. Love & Special Sauce, and Radiohead’s Thom Yorke and Jonny Greenwood. I looked up online who performed, as the only act I recall seeing there were the Radiohead guys. The band had one album out at that time, 1993’s Pablo Honey. Kathy and I just wanted them to do their hit – “Creep” – and then skedaddle. They didn’t play “Creep.” They played some song about plastic trees and one about an iron long and some other mess. Kathy and I knew this band would never be heard from again.
Oops.
Radiohead’s Thom Yorke was born on this date in 1968. Lots of Thom’s work on today’s playlist.
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I’ve been a fan of Santigold since she was Santogold. She changed her stage name to avoid a lawsuit from the maker of the film Santo Gold’s Blood Circus (my least favorite kind of circus, for those keeping notes). FUN FACT: When Santigold vomits she actually vomits gold sparkles. Don’t ask me how I know that.
Santigold was born Santi White on this date in 1976. A few of her tunes are included on today’s playlist.
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The album Yankee Hotel Foxtrot was rejected by Reprise Records, Wilco’s label at the time, for being too experimental and uncommercial. Wilco bought back the rights to the album for $50,000. The band subsequently signed with Nonesuch Records, which, like Reprise, is distributed by Warner Music. Nonesuch put out the album in 2002. It became Wilco’s best-selling album, despite the band making it available to stream for free on their website following their departure from Reprise.
Wilco’s Jeff Tweedy was born on this date in 1967. Lots of Wilco on today’s playlist.
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Ben Gibbard and Jimmy Tamborello, the two members of The Postal Service, collaborated by sending recordings of their music back and forth through the mail, which inspired their band name. The fact that they used FedEx and UPS for this purpose is besides the point. Do you really think they could get away with calling their project FedEx?
Ben Gibbard of The Postal Service and Death Cab For Cutie was born on this date in 1976. His work is well-represented on today’s playlist.
https://open.spotify.com/embed/playlist/7grUUfw8JYyKEGgrINX7Lb?utm_source=generator
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