Inspired by the November 10 birthdays of Miranda Lambert, Jimmy Eat World’s Jim Adkins, Ennio Morricone, Eve, Ben L’Oncle Soul, The Beautiful South’s Jacqui Abbott, Diplo, Warren G, Donna Fargo, Greg Lake, Tracy Morgan and Atlanta Rhythm Section’s Ronnie Hammond.
Inspired by the August 10 birthdays of The Ronettes’ Ronnie Spector, The Righteous Brothers’ Bobby Hatfield, Bell Biv DeVoe’s Michael Bivins, Jethro Tull’s Ian Anderson, Jimmy Dean, The Four Aces’ Al Aberts and UTFO’s Kangol Kid.
Inspired by the August 6 birthdays of The Chiffons’ Judy Craig, Spice Girls’ Geri Halliwell, Timbuk 3’s Pat McDonald, and Andy Warhol.
Inspired by the August 5 birthdays of Beastie Boys‘ Adam Yauch, Dead or Alive’s Pete Burns, The McCoys’ Rick Derringer, Samantha Sang, Sammi Smith, Spiral Starecase’s Pat Upton, and Funkmaster Flex.
Inspired by the July 26 birthdays of The Rolling Stones’ Mick Jagger, Queen’s Roger Taylor, The Crystals/Bob B. Soxx & the Blue Jeans’ Darlene Love, Dobie Gray and Brenton Wood.
Inspired by Black Music Month, LGBTQ Pride Month, and the June 27 birthdays of The Beach Boys’ Bruce Johnston, The Surfaris’ Jim Fuller, Sixpence None the Richer’s Leigh Nash, and Lonzo.
The girl group sound was a genre of pop music that flourished on the charts between 1958 and 1966. Most records that fall into this category were made by all-female trios or quartets. However, some girl group hits were performed by solo women, and some by groups that featured a cisgender male. Per girl-groups.com, more than 750 girl groups cracked the US or UK charts between 1960 and 1966.
Tunes du Jour commemorates International Women’s Day with a playlist of forty of the best examples of the girl group sound.
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Today is the day after Thanksgiving here in the United States of America. You’re officially allowed to start listening to holiday music now. To get you started, I compiled a playlist of what I consider to be 100 of the best Christmas songs. Okay, 98 songs, a stand-up routine and a skit. It’s a mix of standards, versions of standards with which you may not be familiar, and obscure but delightful tunes.
Enjoy!
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About Bill Cosby, rapper A$AP Rocky recently said, “He did so much positive things leading up to one thing, which he was convicted of being innocent for, by the way.” First off, it’s so many positive things, not so much. Secondly, it’s for which he was convicted of being innocent. Thirdly, one gets convicted of being innocent? No wonder our nation’s jails are overcrowded. Go on, $AP. “All you remember is the 56 woman and all that kind of shit.” Yes, all that kind of serial rapist shit. Nobody remembers he introduced the world to Fat Albert and Raven Symone. Just rape rape rape and more rape. Oh, sorry. I interrupted this genius again. Back to you A$$. “I’m not his lawyer, but I do know he’s innocent.” And even if he is guilty, “All we know is that he was accused, he allegedly raped however many woman he raped, which, you got, it’s so much issues in the world, you know I’m saying?” I know what you’re saying! There are so many issues in the world, so why spend any time on one of the issues in the world, that being the issue of crime?
I expected better from the guy who rapped “I be fuckin’ broads like I be fuckin’ bored / Turn a dyke bitch out have her fuckin’ boys, beast” and “I swear that bitch Rita Ora got a big mouth/ Next time I see her might curse the bitch out/ Kicked the bitch out once cause she bitched out/ Spit my kids out, jizzed up all in her mouth and made the bitch bounce.” It turns out he’s not as intelligent, articulate and thoughtful as those lyrics make him out to be.
The only time I ever bought the “clean” version over the “explicit” version of a song is when I got A$AP Rocky’s “F**kin’ Problems,” from which the dyke bitch lyric is taken. The beat is great, but the lyrics are so over-the-top misogynist, and that’s saying a lot for a genre in which far too many lyrics are extremely misogynist.
Rocky is a talented guy, albeit one with a vile attitude toward women. Usually I can separate the person from the art. I love the movie Chinatown, even though its director, Roman Polanski, pled guilty to statutory rape. I love the Ronettes’ “Be My Baby” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling,” even though the producer of those records, Phil Spector, is presently serving time for second degree murder. I love Robin Thicke’s “Blurred Lines,” even though he’s Robin Thicke. I don’t know what I’ll do if Chris Brown ever releases a halfway decent song. Good things the odds of that ever happening are mighty slim.
I’m not defending these artists. Being a monster and being talented are not mutually exclusive. Sometimes I can listen to or watch the art and not think about the crimes allegedly committed. Is that wrong? If it is, that’s my f**kin’ problem.
CeeLo Green gave us the great “Fuck You” in 2010. In 2012, Green was accused by a woman of drugging and sexually assaulting her. CeeLo’s attorney said the sex was consensual, with the singer tweeting “If someone is passed out they’re not even WITH you consciously, so WITH Implies consent. People who have really been raped REMEMBER!!!” Fuck you.
I still listen to Green’s “Fuck You,” but I don’t set out to listen to his newer music. In part it’s because of his attitude. Even if he didn’t drug and or rape this woman, I read his tweets about rape and think “Does that make him crazy? Probably.” To be honest, I also don’t listen to his newer music because it sucks. Everything the man has done since “Fuck You” is pretty bad. Did you hear his song “Robin Williams” from last year? It’s shit. I’m not saying I’m glad he died, but the actor is lucky he never had to hear it.
So I’ll listen to “Fuck You” and I’ll listen to “Crazy,” the worldwide smash he had as one-half of Gnarls Barkley. The other half of the duo, Brian Burton, professionally known as Danger Mouse,” celebrates his 39th birthday today. Tunes du Jour kicks off its weekly dance party with Gnarls Barkley’s “Crazy.” Will I be celebrating when CeeLo’s birthday comes around? Maybe by singing “Fuck You.”
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Brian Wilson of the Beach Boys calls “Be My Baby” by the Ronettes his favorite single of all-time. So blown away by the song he was that he attempted to match it. He wrote a song in the same key, E Major, and opened his song with the same drum riff that opens “Be My Baby.” The title of Wilson’s composition was inspired by his then wife, Marilyn. When he wondered if he could write a song as good as the Ronettes one, she said to him “Don’t worry, baby.”
Wilson’s “Don’t Worry Baby,” as recorded by his group the Beach Boys, is a classic in its own right. It kicks off our playlist celebrating Wilson’s 74th birthday, which coincides with the first day of summer, which makes sense. Here are twenty of Brian’s greatest contributions to popular music.
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