Inspired by the March 12 birthdays of James Taylor, Blur’s Graham Coxon, Liza Minnelli, Libertines’ Pete Doherty, La Roux’s Elly Jackson and Jack Kerouac; and the March 11 birthdays of Cheryl Lynn and Bobby McFerrin.
Your (Almost)Daily Playlist (2-26-20)
Inspired by the February 26 birthdays of Johnny Cash, Fats Domino, Erykah Badu, Sandie Shaw, Mitch Ryder, fun.’s Nate Ruess and Sharon Van Etten.
It Never Rains In Southern California
As you may have heard, our sleepy little hamlet of Los Angeles got some rain over the past week. I assume you heard this because Los Angeles is the center of the world and our weather is likely reported everywhere, especially when we get rain, which lesser cities take for granted. More rain is forecast for this week.
If you were near a radio in the United States in 1972, you heard Albert Hammond’s hit single “It Never Rains in Southern California,” and learned that while in L.A. it never rains, it pours. Man, it pours.
Today’s playlist consists of songs with word rain or some variation thereof in the title. It includes Albert Hammond’s “It Never Rains in Southern California,” one of two top forty singles Hammond had as an artist. (The other was 1974’s “I’m a Train.” Remember that one? Didn’t think so.) As a songwriter, Hammond’s hits include The Hollies’ “The Air That I Breathe,” Leo Sayer’s “When I Need You,” Starship’s “Nothing’s Gonna Stop Us Now,” Whitney Houston’s “One Moment in Time,” Chicago’s “I Don’t Wanna Live Without Your Love,” Ace of Base’s “Don’t Turn Around,” Julio Iglesias and Willie Nelson’s “To All the Girls I’ve Loved Before” and The Pipkins’ “Gimme Dat Ding.” His son is a founding member of The Strokes.
Back to the weather. Get your umbrella and enjoy today’s playlist while the sun is still shining.
Improv, 9/11 And The Strokes
Last Tuesday I made my long-form improv performance debut on the main stage at Improv Olympics, one of the top improv schools in the US. I’ve performed short-form improv at various venues. Short-form is the style used on Whose Line Is It Anyway. Players create spontaneously within the parameters of a particular game. In long-form, we get a one-word suggestion from the audience and from that we perform about eight scenes for a half hour.
I was very nervous all day Tuesday. It reminded me of the first time I performed standup I public. I was taking a course in Stand-Up Comedy. One day my teacher called me while I was at work. He was hosting a show that night and one of his performers dropped out. Could I fill in? I said yes; after all, that was the point of taking the Stand-Up workshop. Once I said yes, I could barely get any more work done. My heart was racing. I got to the venue – a singles dating meetup at the Jewish Community Center on New York City’s Upper West Side. My teacher, the emcee, introduced me. I walked to the stage and turned to face the audience. I felt all the fear leave my body. I did my set. It went over well.
Showtime last Tuesday night was 8:30. Along with my fellow players, I exited the green room via the door that leads to the stage. What I did not know was that the door literally opens to the stage. I went through it and there was the audience. All the fear left my body. It’s not that confidence took its place. It’s more that I had to focus on the task at hand, and that took precedence over my nerves.
Two weeks ago I gave a speech about 9/11. When the attacks occurred, I was living and working in New York’s Chelsea neighborhood, two miles north of the twin towers. Though I was sure my Los Angeles audience saw on television what was going on in New York that day and the days that followed, I tried to convey what it felt like in my neighborhood – how the smell of the burned buildings permeated our streets, how all available outdoor wall space was plastered with notices about missing people who were last seen at the World Trade Center, how the only sounds on the streets were the sirens from emergency vehicles.
The speech was well-received. I wasn’t nervous about giving it, though I knew I would choke up, as it’s something I find difficult to talk about.
Obviously, that September day was horrible, but some life lessons were learned. It put work/life balance into a proper perspective. It made clear that our time on this planet is limited, so make the most of your stay. It brought home, literally, that while there is a lot of good in the world, there is a lot of evil as well. Life can be scary, and there are things more scary than speaking to a crowd or improvising a scene based on a one-word suggestion. Such presentations and performances can be nerve-wracking, but it’s doubtful they’ll kill you.
My next public improv performance is this coming Tuesday.
Yesterday Julian Casablancas, lead singer of New York City-based band The Strokes, turned 36. Today’s playlist features ten of his best songs.
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