Ringo + Chubby

Let’s Twist!

Ringo + Chubby
On January 13, 1962, Chubby Checker returned to #1 with “The Twist,” a record he previously took to #1 in September of 1960, making it the only record to hit #1 in two separate chart runs.

The song was originally recorded and released in 1959 by its writer, Hank Ballard, and his band, The Midnighters, as the b-side to their single “Teardrops on Your Letter.” A Baltimore DJ named Buddy Deane played “The Twist” on his television dance party program and got a good response. He told Dick Clark, host of American Bandstand about the tune.

Depending on what account you read, Ballard was unavailable to appear on American Bandstand or Clark was wary of Ballard, who previously hit with such lascivious songs as “Work with Me, Annie” and “Sexy Ways.” Either way, Clark had Chubby Checker (born Earnest Evans; his stage name was a take-off on popular singer Fats Domino) record “The Twist.”

Checker’s version is an extremely faithful cover of the Ballard recording. It is difficult to tell them apart; even Ballard thought the Checker recording was his!

In its 1960 release, Chubby Checker’s record launched a national dance craze. On the second release of the Chubby Checker version, “The Twist” became a worldwide phenomenon. Other twist hits included “Slow Twistin’,” “Dear Lady Twist,” “Twist, Twist Señora,” “Twistin’ the Night Away,” “Percolator (Twist),” “Soul Twist,” “Twist and Shout,” “Hey, Let’s Twist,” “Twistin’ Matilda (and the Channel),” “Twist-Her,” “Bristol Twistin’ Annie,” “Twistin’ Postman” and The Chipmunks’ “The Alvin Twist” – and that was just in 1962!

Chubby Checker’s “The Twist” spent one week at #1 in 1960 and two more weeks at #1 in 1962 before it was knocked from the top by…”The Peppermint Twist,” by Joey Dee & the Starlighters.

Here are twenty twistin’ favorites.

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Glenn’s Ten – 10/15/14

The Black Keys hold down the top spot in Glenn’s Ten this week with “Gotta Get Away,” which may be their least White Stripesy single to date. Kendrick Lamar has a good chance of taking the reins from that duo next week with his Isley Brothers-sampling “i.” Swedish chanteuse Tove Lo is the week’s lone new entry with “Habits (Stay High)” entering at #7.

1 – “Gotta Get Away” – The Black Keys
2 – “i” – Kendrick Lamar
3 – “Put Your Number in My Phone” – Ariel Pink
4 – “Beggin for Thread” – Banks
5 – “Secrets” – Mary Lambert featuring B.o.B
6 – “Budapest” – George Ezra
7 – “Habits (Stay High)” – Tove Lo
8 – “Alone in My Home” – Jack White
9 – “Low Key” – Tweedy
10 – “Dangerous” – Big Data featuring Joywave

Today’s playlist are the above ten tracks followed by ten songs that were #1 on this date in Glenn’s Ten history.

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Jack + me 1069915_10151751737788582_422945744_n

In Which I Send Jack White A Copy Of “Muskrat Love”

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I met Jack White of The White Stripes, The Raconteurs and The Dead Weather at a barbecue a few years ago. He thought it was cool that I worked at Rhino Entertainment. He sold Rhino’s records at the store he had before his career as a musician took off. I told him I’d put together a care package of some Rhino releases for him. He told me he’d feel bad getting them for free. I told him it was fine and a few days later sent to him via his manager a package with a blues box set, the DVD of The Rutles’ made-for-television film All You Need Is Cash and a compilation entitled ‘70s Party Killers that included The Captain & Tennille, Starland Vocal Band and Dawn featuring Tony Orlando, among others. I don’t know if the package ever made it to him. Maybe the manager kept it for himself. Maybe the postal carrier stole it. Who wouldn’t want to own a compilation that featured “Muskrat Love,” “Afternoon Delight” and “Tie a Yellow Ribbon ‘Round the Ole Oak Tree?” Those are the songs I think of when I think of Jack White. I mean that as a high compliment.

Today the tenth child of Teresa and Gorman Gillis, born John Anthony Gillis, turns 39 years old. As was the case with Beck yesterday and Ringo Starr the day before, the White Stripes offerings on Spotify are pretty slim. Nonetheless, I was able to cobble together this playlist of ten fine Jack White performances. I only hope that someday he covers “Muskrat Love.”

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Glenn's Ten 005

This Date In Glenn’s Ten

In 1980 an Ohio-born performer living in Australia wrote and recorded a song that went on to sell over six million copies. It went to #1 in a dozen or so countries, including Australia, Canada, Germany, France, and the UK, where it reigned on top for three weeks. It has been covered dozens of times in different languages, and that’s not including the many versions of the tune that have been uploaded to YouTube.

The performer is Joe Dolce and the song is “Shaddap You Face,” which was #1 in Glenn’s Ten (the only chart that matters) on this day in 1981.

Glenn's Ten 005Thirty-three years of Glenn’s Ten lists are in these books

My point in telling you this is this – no idea is too stupid. If there is a song you wish to write, a book you wish to publish, an invention you wish to create, go for it! You could be the next Joe Dolce! And if someone tells you your idea sucks, say to them “Ah, shaddup you face.”

Today’s playlist consists of songs that were #1 in Glenn’s Ten on May 8 going back to 1981. The only one missing is 1993’s entry, “Riding on a Rocket” by Shonen Knife, as that is not available on Spotify.

Ringo + Toni 002

Feliz Cinco De Mayo!

Ringo + Toni 002
Hoy es Cinco de Mayo, y yo was thinking about Spanish-language songs that crossed over onto the US pop charts. That got me thinking about hit songs that were re-recorded in Spanish by their original hitmakers in an attempt to cross over the other direction. It’s a savvy business move, no? Why limit your audience, especially once the music business became more global?

Here is your Cinco de Mayo playlist:

#1 In Glenn’s Ten On This Day Throughout History

Today’s playlist is made up of songs that were at #1 in Glenn’s Ten on this day, in chronological order. A few of the songs are not on Spotify, so I’ll give you YouTube links so you may experience them.

Originally intended to be the b-side of a George Harrison single entitled “This Is Love,” supergroup Traveling Wilburys’ “Handle With Care” was my #1 on this day on 1988. Per the liner notes of this album’s reissue in 2007, the word “wilbury” came from a remark George Harrison made to producer Jeff Lynne about errors made while recording – “We’ll bury ’em in the mix.”

Despite referencing Santa in its title and being a December #1 in 1991, De La Soul’s “Millie Pulled a Pistol on Santa” in not a Christmas song. It’s about a girl seeking revenge on a sexually-abusive parent.

“I Got My Education” performed by New York house duo Uncanny Alliance was my #1 this day in 1992. It hit #2 on Billboard‘s dance chart. The duo released one album and neither member was ever heard from again.

My #1 on this day in 2005 was The White Stripes’ “Walking with a Ghost,” a cover of a song released just a few months earlier by Tegan and Sara.

Here are the other #1s from this day in Glenn’s Ten history, except for 1985’s entry, as I cannot locate the book where I maintained that year’s lists.

An Atheist Jew’s Guide To Christmas Music, Part 1

Raised Jewish, I celebrated Hanukkah. For several years, my family also celebrated Christmas. We didn’t go to midnight mass, we didn’t drink egg nog, we didn’t throw a special type of log in the fireplace. (By the way, I have no idea what makes a Yule log yuley). We put tinsel and candy canes on a large potted plant my mother had in the den and bought each other small but practical gifts. For example, when I was 11 for Christmas my parents got me a salt shaker. The Christmas celebrations stopped after I innocently told Grandpa Mordechai about them. My parents were so angry with me they took away my salt shaker.

Though I no longer celebrate Christmas, I still have a major jones for Christmas music. I own many more Christmas records than any atheist Jew probably should. We’re talking in the hundreds.

I eschew Christmas classics performed by well-known middle-of-the-road acts such as Celine Dion, Michael Bublé, Kenny G (sell-out Jew), Neil Diamond (sell-out Jew) or Barbra Streisand (sell-out Jew). Frank Sinatra shows up only in a duet with Cyndi Lauper and Bing Crosby shows up only in his duet with David Bowie.

Including the Crosby/Bowie version, I have 15 renditions of “The Little Drummer Boy” in my iPod, by a diverse list of artists including Johnny Cash, The Temptations, Joan Jett, Bob Dylan, Iggy Pop and RuPaul.

I have ten versions of “Winter Wonderland,” and that’s not counting the cross-dressing parody “Walkin’ Round in Women’s Underwear,” not performed by RuPaul.

I have “Christmas in Hollis,” “Christmas in Harlem,” “Christmas in Washington,” “Christmastime in the LBC,” “Christmas in the City,” “Christmas in Heaven,” “Christmastime in Hell” and “Christmas at the Zoo.”

I have Christmas songs by most of my favorite artists of all-time, including The Beatles, Prince, Michael Jackson, Madonna, Stevie Wonder, R.E.M., Elvis Presley, The White Stripes, Kanye West, Ike and Tina Turner, Chuck Berry, and Radiohead.

Some Christmas songs aren’t Christmas songs at all. “Frosty the Snowman,” “Let It Snow Let it Snow Let It Snow” and “Winter Wonderland” don’t mention the baby Jesus or Santa Claus or presents or a bullied reindeer with a skin ailment.

Some of the Christmas songs I have are a bit odd. “I Found the Brains of Santa Claus,” a smooth jazz version of “Grandma Got Run Over By a Reindeer,” C3PO and R2D2 singing “Sleigh Ride.” I have Liberace reciting “Twas the Night Before Christmas,” though his version doesn’t hold a candle to Aretha Franklin’s version, in which the Queen of Soul took a few liberties with the words: “A bundle of gifts he had and what did I get? / As I squealed, opening the package, the same old shit!” Her lyrics are downright Disneyesque compared to Snoop Dogg’s reading of the famous poem. If you’re interested, Google the lyrics because I’m not going to print them here.

I have John Denver singing “Please Daddy (Don’t Get Drunk This Christmas).” Verse one opens with a couplet for the arithmetically-challenged: “Just last year when I was only seven / Now I’m almost eight you can see.” Santa needs to bring John some flashcards. The next two lines create a holiday image that is less Norman Rockwell and more John Waters: “You came home at quarter past eleven / And fell down underneath the Christmas tree.” Someone needs to get him to a 12-step group. He can attend a meeting with the title character of Fishbone’s “Slick Nick, You Devil You,” who came down the chimney with a keg of brew and spilled Jack Daniels all over the drapes.

I have Sarah Silverman singing “Give the Jew Girl Toys,” in which she taunts Santa by singing “You have a list / Well, Schindler did to / Liam Neeson played him / Tim Allen played you.”

Then there’s the classic “Fairtytale of New York” by the Pogues and Kirsty MacColl, which evokes the holiday spirit with the line “You scumbag, you maggot / You cheap lousy faggot,” something yelled at me every year by those Salvation Army Santas.

Better still is “Macarena Christmas.” I LOVE “Macarena” and I’m betting you do to though you probably won’t admit it. “Macarena Christmas” celebrates the birth of our lord and savior Baby Macarena by taking the chorus from the hit single and uncleverly inserting it repeatedly into a medley of Christmas songs, so it goes “Joy to the world, the Lord has come / Da le a tu cuerpo alegria Macarena, Que tu cuerpo es pa darle alegria y cosa Buena / Da le a tu cuerpo alegria Macarena / Eeeeeh, Macarena – ay / Jingle bells jingle bells jingle all the way.” Sound effects of what sounds like an infant with the hiccups are thrown in. It makes no sense, y me gusta mucho.

My favorite holiday album and one of the greatest all-time albums period is Phil Spector’s A Christmas Gift for You, featuring tracks he produced for The Ronettes, The Crystals, Darlene Love and Bob B. Soxx and The Blue Jeans. Every cut on it is classic and can be enjoyed by the whole family, except Grandpa Mordechai.