It’s Q-Tip’s Birthday And I Need To Dance!

Here’s the thing…I started writing today’s blog entry about mishaps I’ve recently encountered in on-line dating, specifically with an app I downloaded last week that despite my creating a profile that says I’m a man looking for a man, keeps trying to set me up with straight guys. I tied that into today’s birthday, Q-Tip from A Tribe Called Quest, by saying he’s one straight guy who wouldn’t date me. I quoted lyrics from Tribe’s song “Georgy Porgy.” While I was typing those lyrics, my stomach turned. I had trouble finding the humor in a song that refers to a gay guy as gross, ill, a fag, wounded, weak, a fucking faggot, and then some. The post started out funny but when I got to Q-Tip’s lyric “You can call me homophobic but I know it and you know it/ you’re filthy and funny to the utmost,” I decided I may be funny, but he isn’t, nor is he worth celebrating.

Odd that such a hateful bigot should appear on a record by Deee-Lite, a trio of gay and gay-friendly performers. Q-Tip appears on a lot of good records.

Friday is dance day at Tunes du Jour. Today’s playlist doesn’t celebrate the loathsome Q-Tip, but rather twenty great club tracks, a few of which feature Q-Tip. I’ll fill you in on my dating app experiences later.


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Throwback Thursday – The Hits of 1984

Madonna debuted “Like a Virgin” with a performance on the MTV Video Music Awards in September 1984, weeks before the record was released. Watching her on television rolling around the floor in a wedding dress with a Boy Toy belt buckle, the song’s writers, Tom Kelly and Billy Steinberg, thought “We’re doomed now. This is an embarrassment. This is never going to succeed.”

“Like a Virgin” spent six weeks at #1 on the Billboard Hot 100, her first single to top that chart.

Kelly and Steinberg didn’t meet Madonna until around five years later. At a party they saw her, and asked Steve Bray, who wrote Madonna’s hit “Into the Groove,” to introduce them.

Bray did so. “Madonna, I want you to meet Billy Steinberg and Tom Kelly. They wrote ‘Like a Virgin.’”

Steinberg said “Oh Madonna, I’ve wanted to meet you for so long.”

Madonna replied “Well, now you did,” and walked away.

“Like a Virgin” kicks off this week’s Throwback Thursday playlist, spotlighting the hits of 1984.


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I’m Sticking With The Big Yellow Taxi

The definition of a Luddite is a person opposed to increased industrialization or new technology. At times I am that person.

If I need a ride somewhere and don’t have my own car at my disposal, I’ll take a taxi. I have a mistrust of Uber and Lyft. My feelings about the former were bolstered by all the news stories of Uber drivers sexually assaulting or kidnapping their passengers. I read most, maybe all, of these headlines on Gawker. Granted, when Gawker decides it doesn’t like someone or something, it posts a bunch of meaningless disparaging articles about that someone or something. Just ask Macklemore, James Franco or Woody Allen. Nonetheless, when one is starting with a negative impression of a service where any Joe Q. Public can act as a chauffeur without any skills or knowledge or abilities besides having a driver’s license, the association of that service with the words rape or threat or assault reinforce that impression.

I hadn’t read any stories about felonious Lyft drivers. My cousin who lives in San Francisco uses Lyft. She was in Los Angeles a couple of months back, while my car was in the shop. We had dinner and then she ordered a Lyft car to take her back to her hotel. The app said the driver would be at my home in two minutes. We went outside to wait. Wait we did. Two minutes. Four minutes. Ten minutes. Fifteen minutes. My cousin checked the app, which has a map to show you how far away your driver is. Per the app, her driver was now fifteen minutes away. On the map it showed the driver at a motel located directly behind the building in which I live. We share a driveway with that motel. It was fifteen seconds away, if there was traffic. My cousin wished to cancel the ride, but Lyft charges you the fare if you cancel.

The incident supported my previously based on nothing in particular feelings about Lyft. Still, as my cousin used them in San Fran frequently with no issues, I gave them another shot.

My own car was ready to be picked up from the body shop. The shop is two and a half miles from my home. I would have walked there if it wasn’t 102 degrees outside. I downloaded the Lyft app and was greeted with the message that I’ll get a $5 credit for each of my first ten rides. I also got the message that being it was Monday, all rides are 50% off. By my math, traveling two and half miles would be free.

My driver showed up promptly. We went to the body shop. I asked her the fee. She said she had no idea – all charges are done via the app. I got the message while in the body shop that the ride would cost me around $8. Using a button on the app, I sent a message to Lyft’s customer service, asking if they applied the 50% off and $5 credit. Per the app, I should expect a reply within twenty-four hours.

I did not receive a reply within twenty-four hours. I did not receive a reply within forty-eight hours. The charge for the full fare went through. Because I paid using Google Wallet (I’m not 100% Luddite), I called Google to dispute the charge. I sent them copies of the messages in which Lyft offered me the $5 credit and the 50% off. I told Google how I already tried to work this out with Lyft but they ignored my message.

Google contacted Lyft, which got me a response from Lyft. They told me I was supposed to do something or another within the app in order to get these discounts and credits. I replied that nowhere in their text messages to me did it say I had to do anything special to take advantage of their offers. I also told them that as they disregarded my email to their customer service, I couldn’t have the matter resolved within their required time frame.

Ultimately, I got my credit for the trip. It wasn’t worth all the hassle. Next time, I’m going old school. A taxicab it will be. Sometimes I prefer being a Luddite. You don’t know what you’ve got ‘til it’s gone.

Today is the 72nd birthday of the great Joni Mitchell. Kicking off our Joni playlist is her 1970 single “Big Yellow Taxi.”


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Throwback Thursday – The Hits Of 1973

Singer/Songwriter/Record producer Ed Townsend had, in his own words, “a monstrous addiction to alcohol.” While in rehab he wrote a song which he described as a message to himself “about the business of getting on with life.”

On March 13, 1973, Townsend recorded a demo of Marvin Gaye singing this composition.

Nine days later, the men were again in the studio. Visiting the two men there was Barbara Hunter, a friend of Townsend. She came with her 16-year-old daughter, Janis.

Gaye was immediately smitten with Janis. As he often did, Gaye made up new lyrics in the studio. Inspired by the presence of this beautiful teenage girl, Townsend’s song about understanding and brotherhood became a paean to enjoying sex for its own sake, particularly when it is with someone you love.

Marvin and Janis got married in 1977, four years after the song Gaye recorded the day they met, “Let’s Get It On,” hit #1.

This week’s Throwback Thursday playlist consists of twenty big hits from 1973, kicking off with the classic “Let’s Get It On.”


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A Hint Of Mint – Volume 27: Punks and Alterna-Queers

In the nascent days of the punk rock movement, punks congregated in gay, lesbian and trans bars, where they could be who they are and dress how they dressed without fear of being hassled, outcasts united against the mainstream of society.

This week’s installment of A Hint of Mint consists of songs from or influenced and/or inspired by seventies punk.

[8tracks width=”300″ height=”250″ playops=”” url=”http://8tracks.com/mixes/7191894″] Click here to like Tunes du Jour on Facebook!
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Ringo + Beasties

The Beastie Boys Parody That Changed Rock And Roll

Ringo + Beasties
In 1986, a group that started out as a punk rock quartet released a single that mocked party anthems, and in doing so made music history.

The group is the Beastie Boys and the song is “(You Gotta) Fight for Your Right (To Party!).” Per the group’s late founder, Adam “MCA” Yauch, “the song began as a goof on dumb rock songs” and a satire of drunken frat boys and the like. The trio recorded vocals and their friend, Rick Rubin, who produced Run-D.M.C.’s rock/rap breakthrough album Raising Hell, added loud drums and guitars. An iconic video was shot and received a lot of airtime on MTV.

“Fight for Your Right” took off. In early 1987 it reached #7 on Billboard’s Hot 100, the group’s only top ten single. It was hugely popular with the audience at whom it poked fun. Lamented the group’s Michael “Mike D” Diamond, “The only thing that upsets me is that we might have reinforced certain values of some people in our audience when our own values were actually totally different. There were tons of guys singing along to ‘Fight for Your Right’ who were oblivious to the fact it was a total goof on them.”

“Fight for Your Right” brought hip hop to the suburbs, with bored kids finding the same rebellion in rap that they did in punk. It is on the Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll. Among other accolades, it was named one of its release year’s top singles by the Village Voice, New Music Express and Record Mirror, and was later named one of the 100 Greatest Singles Of The Post-Punk Era by Uncut, one of the 100 Greatest Songs Of All Time by Q, and one of 1000 Songs Everyone Must Hear by The Guardian.

The album from which “Fight for Your Right” was taken, Licensed to Ill, became the first rap album to hit #1 in the United States. It remained at the top of the album chart for seven weeks, becoming the best-selling hip-hop album of the 1980s.

As today is the 49th birthday of Beastie Boy Adam “King Ad-Rock” Horovitz, Tunes du Jour celebrates with a playlist of twenty of the trio’s best.


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It’s Friday And I Need To Dance!

I knew I was in trouble when the doctor walked into the examination room, looked at me, and said “Mrs. Garcia?”

Unfortunately, I was forced to change health care plans this year. By doing so, I could not longer see the doctor I’ve been going to for the past eleven years. Of those affiliated with my new insurance provider, I selected the doctor who was closest to my home.

I went to his office today because of my eyes. My eyelids are itchy and flaky, and beneath my eyes is swollen and red. I asked him how I should treat them, and he answered “I don’t know. I’m not a dermatologist.” Per the rules of the plan, I had to see him before I could go to a specialist, which seems to me to be a silly waste of time. He took a photograph of my eyes, instructing me to close my eyes for an effective photo. I didn’t go to medical school, but I could have figured out on my own that the best way to photograph my eyelids is for me to have my eyes shut. He’ll send the photos into headquarters, who will then contact me with the name of a dermatologist I can see. Until then, all I can do is scratch my eyelids until they bleed.

On the plus side, the doctor said I’m not pregnant. That calls for a dance.

Tunes du Jour’s weekly dance party kicks off with Neneh Cherry’s “Kisses on the Wind.”


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