Top 105 Songs Of 2019

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My favorite song of 2019 came out in 2016. Like most people, I slept on Lizzo’s “Good as Hell” upon its initial release three years ago. I also slept on her “Truth Hurts,” my #4 song of 2019, when it was released in 2017. Lizzo’s first track to make Glenn’s Ten was “Boys,” which hit #1 in July 2018, just two months before my favorite 2019 artist after Lizzo, Billie Eilish, made her Glenn’s Ten debut with “You Should See Me in a Crown.” Eilish’s “Bad Guy” is my #3 song of this year, breaking up Lizzo’s hold on the top four. L-to-the-izzo’s “Juice,” my #2 song of 2019, debuted on Glenn’s Ten on January 12, kicking off 49 consecutive weeks with at least one Lizzo track in my top ten, 22 of those weeks at #1. I’m sure both of those are records, something I would confirm if I weren’t too lazy to look it up.

At #5 for the year sits the only artist in my year end top ten who made their Glenn’s Ten debut in 2019, Megan Thee Stallion. (Megan’s her real first name; Thee is not her actual middle name and Stallion is not on her birth certificate. I’m a Megan Thee Stallion truther.) On that hit, “Hot Girl Summer,” Megan T. Stallion is assisted by Nicki Minaj, who is also at #55 with a solo number, and Ty Dolla $ign (Ty is short for Tyrone, his real first name; Dolla is not his actual middle name and $ign is not on his birth certificate. I’m a Ty Dolla $ign truther.), who is also at #100 assisting Kehlani. If you need assistance, call Ty D. $ign.

The remainder of the top ten boasts career bests for 21 Savage, Ariana Grande, Teyana Taylor, and Vince Staples, plus the first Glenn’s Ten entry for Vampire Weekend since 2013. Other Glenn’s Ten veterans making appearances this year include Bruce Springsteen, Liz Phair, Beck, Missy Elliott, Morrissey, Beyoncé, Rufus Wainwright, Smokey Robinson (yes, Smokey Robinson!), and Belle & Sebastian. Recent favorites such as Courtney Barnett, Cardi B, Grimes, Christine and the Queens, Robyn, Miranda Lambert, 21 Savage, BROCKHAMPTON, First Aid Kit, Chance the Rapper, Angel Olsen, The National and Kacey Musgraves are represented as well.

Enough blather. Here is my top 105 songs (5 by Lizzo, 100 by others, though one of those others with an assist from Lizzo) of 2019:

  1. Good as Hell – Lizzo
  2. Juice – Lizzo
  3. bad guy – Billie Eilish
  4. Truth Hurts – Lizzo
  5. Hot Girl Summer – Megan Thee Stallion featuring Nicki Minaj and Ty Dolla $ign
  6. WTP – Teyana Taylor
  7. FUN. – Vince Staples
  8. thank u, next – Ariana Grande
  9. Harmony Hall – Vampire Weekend
  10. A Lot – 21 Savage
  11. bury a friend – Billie Eilish
  12. Land of the Free – the Killers
  13. Before I Let Go – Beyoncé
  14. Keep the Change – Mattiel
  15. Blame It on Your Love – Charli XCX featuring Lizzo
  16. Drogba (Joanna) – Afro B
  17. Hot Shower – Chance the Rapper featuring MadeinTYO & DaBaby
  18. Rainbow – Kacey Musgraves
  19. Wedding Bell Blues – Morrissey
  20. Trip – Ella Mai
  21. Tempo – Lizzo featuring Missy Elliott
  22. Almeda – Solange
  23. Melody of Love – Hot Chip
  24. Anybody – Burna Boy
  25. Young Republicans – Lower Dens
  26. Motivation – Normani
  27. Throw It Back – Missy Elliott
  28. People – The 1975
  29. Rylan – The National
  30. Doin’ Time – Lana Del Rey
  31. BOY BYE – BROCKHAMPTON
  32. Hello Sunshine – Bruce Springsteen
  33. Summer Girl – HAIM
  34. Good Side – Liz Phair
  35. Saw Lightning – Beck
  36. Fukk Sleep – A$AP Rocky featuring FKA twigs
  37. It’s Not Living (If It’s Not with You) – The 1975
  38. Binz – Solange
  39. Something Keeps Calling – Raphael Saadiq featuring Rob Bacon
  40. This Life – Vampire Weekend
  41. wish you were gay – Billie Eilish
  42. My Type – Saweetie
  43. Sing Along – Sturgill Simpson
  44. Now I’m In It – HAIM
  45. Oh What a World – Kacey Musgraves
  46. Lark – Angel Olsen
  47. Sister Buddha – Belle & Sebastian
  48. Uneventful Days – Beck
  49. I’ve Been Waiting – Lil Peep & ILoveMakonnen featuring Fall Out Boy
  50. Love Yourself  – Sufjan Stevens
  51. Nothing Breaks Like a Heart – Mark Ronson featuring Miley Cyrus
  52. Drip Too Hard – Lil Baby featuring Gunna
  53. Ibtihaj – Rapsody featuring D’Angelo & GZA
  54. Cuz I Love You – Lizzo
  55. Megatron – Nicki Minaj
  56. It All Comes out in the Wash – Miranda Lambert
  57. Sunflower – Vampire Weekend featuring Steve Lacy
  58. Blaxploitation – Noname
  59. Hurry on Home – Sleater-Kinney
  60. Western Stars – Bruce Springsteen
  61. Seventeen – Sharon Van Etten
  62. Crazy Classic Life – Janelle Monae
  63. Unshaken – D’Angelo
  64. 7 Rings – Ariana Grande
  65. Way Too Pretty for Prison – Miranda Lambert with Maren Morris
  66. Hey Brother (Do Unto Others) – The Family Daptone
  67. Earth – Lil Dicky
  68. Make It Better – Anderson .Paak featuring Smokey Robinson
  69. Lo/Hi – the Black Keys
  70. Tarantula – Beck
  71. all the good girls go to hell – Billie Eilish
  72. Trouble in Paradise – Rufus Wainwright
  73. The greatest – Lana Del Rey
  74. Ordinary Pleasure – Toro y Moi
  75. Twerk – City Girls featuring Cardi B
  76. Ever Again – Robyn
  77. BLACKJACK – Aminé
  78. Red Bull and Hennessy – Jenny Lewis
  79. I BEEN BORN AGAIN – BROCKHAMPTON
  80. Money – Cardi B
  81. Brown Skin Girl – Beyoncé, SAINt JHN, WizKid and Blue Ivy
  82. Fucking Crazy – Robert Ellis
  83. Eye in the Wall – Perfume Genius
  84. sad day – FKA twigs
  85. Between the Lines – Robyn
  86. Nothing Is Safe – clipping.
  87. Redesigning Women – the Highwomen
  88. Tell Me (Doko Mien) – Ibibio Sound Machine
  89. Sofia – Clairo
  90. With My Whole Heart – Sufjan Stevens
  91. Go – the Black Keys
  92. Turn the Light – Karen O and Danger Mouse
  93. Fortune – Wye Oak
  94. holy terrain – FKA twigs featuring Future
  95. Young Enough – Charly Bliss
  96. Everybody Here Hates You – Courtney Barnett
  97. Gone – Charli XCX featuring Christine and the Queens
  98. Everyday – Weyes Blood
  99. Capacity – Charly Bliss
  100. Nights Like This – Kehlani featuring Ty Dolla $ign
  101. No Bullets Spent – Spoon
  102. Gonna Love Me – Teyana Taylor feat. Ghostface Killa, Method Man & Raekwon
  103. My Name Is Dark – Grimes
  104. Sociopath – Pusha T featuring Kash Doll
  105. Strange Beauty – First Aid Kit

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Why Lizzo Great: 2019 Artist Of The Year

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2019. I’d understand if you spent the year in your bed curled up in the fetal position, shutting out the world, gorging on gluten. That sounds like a splendid idea, as the year was an endless barrage of horror. Mass shootings, human rights abuses, fires, forced family separations, suicide bombers, extreme weather, bald-faced racism, the US government keeping children in cages, wars, unscrupulous politicians, sexual assaults, and a Jonas Brothers reunion. It’s enough to push someone over the edge. Coupling all that with my personal issues of anxiety, diminishing self-confidence, uncertainty about my future, feelings of isolation and helplessness, and a desire to spend my days in my bed curled up in the fetal position gorging on gluten, and it’s clear I could use a therapist.

Lizzo is 100% that shrink. She told me “You know you’re a star, you can touch the sky. I know it’s hard but you have to try.” She advised me to “Boss up and change your life; you can have it all, no sacrifice.” She said “it’s time to focus on you.” She convinced me to “Keep pushing like ay-yi-yi.” I’ll admit I don’t know how ay-yi-yi pushes, though it sounded like good advice. “Go on, dust your shoulders off, keep it moving,” she told me at more than one session, and I did. I said to her “Dr. Lizzo, I envy you. You’re so smart and so cute!” You know what she said? You know what she said. “That’s cool, baby, so is you.” That’s how she rolls.

Lizzo made my 2019 infinitely better. I sing along with her songs and for those three or four minutes, my feelings of anxiety and low self-worth subside and I feel good as hell.

Years ago Chris Rock had a routine about how nobody likes who they are except fat black women. Said Chris a fat black woman doesn’t care what you think. She’s getting done up and going out on Friday night. That’s Lizzo, though it must be said that being a fat black woman doesn’t inherently make one self-confident. Not seeing people who look like you represented in ads or in the arts can make someone feel there is something wrong with them. For Lizzo, add to that being broke and living in her car. Add losing her father, who encouraged her flute playing and was extremely supportive of her musical pursuits, when she was 21. Add years of releasing music that mostly went unheard, and her struggles with depression are more understandable than the self-confident star with whom we’re now familiar. The realization that she’s not going to look like the women in ads and the advice from her producer to make music for herself and not the world at large helped flip her mindset. Lizzo has been and is on the road to self-love and wants all of us to be on that road. She wants people to love the person they see in the mirror. In a culture where people are jealous of others who have more “likes” or followers, where people get dragged for expressing an opinion that not everyone shares, Lizzo tells us that we are more than okay being who we are. As she said at this year’s MTV Awards, “It’s hard to love yourself in a world that doesn’t love you back, am I right? So I want to take this opportunity right now to just feel good as hell. Because you deserve to feel good as hell.”

If you’ve made it this far in 2019 (if you’ve made it this far in this blog post!) without being exposed to Lizzo (or having Lizzo expose herself to you), here’s a few things to know: 1) she’s a fat black woman, and none of those descriptors are negatives; 2) her album Cuz I Love You was released in April and peaked on the Billboard 200 at #4; 3) her single “Truth Hurts,” released in 2017, hit #1 on the Billboard Hot 100 this past September; 4) her single “Good as Hell,” released in 2016, currently stands at #3 on the Billboard Hot 100; and 5) she’s my artist of the year, having spent a staggering 22 weeks at #1 on Glenn’s Ten, the only chart that really matters.

Other tidbits about Lizzo: She’s been playing the flute since sixth grade and went to the University of Houston to study classical music on a music scholarship; while she was living in Minneapolis earlier this decade, Prince invited her group GRRRL PRTY to perform at his Paisley Park compound and on his album Plectrumelectrum; she received eight Grammy Award nominations this year, more than any other artist; in 2014, Time magazine named her an artist to watch; in 2019, Time magazine named her Entertainer of the Year.

There is a Lizzo playlist at the end of this post. Check it out, though I should note that she sometimes uses a certain word that starts with “n” (not nectarine) and a certain word that starts with “b” (not broccolini).

I heard someone say that the only reason Lizzo is so successful is because of her size. Right. Society places so much pressure on women, particularly in entertainment, to become and stay heavy. That’s why the pop chart is full of plus-size women. Nectarine, please, the broccolini has talent! She can sing. She can write. She can rap. She can twerk. She can play the flute. She can twerk and play the flute at the same time. In your face, James Galway! On top of that, she’s charming. She’s intelligent. She’s funny. She’s my therapist. She’s my cheerleader. She’s my rabbi, my role model, and my best friend. She empowers me. I’ll just come out and say it – I’m proud to be a Lizbian.

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(100) Songs Of Summer: A Donna Summer Playlist

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Born LaDonna Gaines in Boston, Massachusetts on the last day of 1948, Donna Summer became a worldwide superstar in the 1970s. She earned the title “The Queen of Disco,” which is accurate and limiting at the same time. Sure, she scored over two dozen top forty hits on Billboard magazine’s Disco/Dance chart; however, her voice and repertoire were not bound by genre, and she placed entries on the Rhythm & Blues and Adult Contemporary charts and has 14 US top ten pop hits to her name.

The first of those pop hits was “Love to Love You Baby,” which reached #2 in 1976. Our playlist begins before that hit, with vocals she provided for a Peter Thomas recording around the beginning of the decade.

Performing musical theater, she joined the cast of a road version of Hair, which brought her to Germany, where she performed in that country’s language. You can hear her German version of “Aquarius” on the YouTube playlist that accompanies this post. (The YouTube playlist encompasses recordings that cannot be found on Spotify at this time.)

Two other significant things happened to LaDonna Gaines in Germany: She married fellow actor Helmut Sommer, and she met producers/songwriters Giorgio Moroder and Pete Bellotte. Moroder and Bellotte signed her to their record label, and the trio began work on her debut album, on which her name was misspelled on the front cover, giving us Donna Summer.

Donna Summer’s debut album, Lady of the Night, produced the singles “The Hostage” and the title track, with the former going to #1 in Belgium and #2 in The Netherlands and the latter cracking the top 40 in Germany as well as being another top five single for her in The Netherlands.

Then came “Love to Love You Baby.” Initially released in The Netherlands as “Love to Love You,” the song was heard by Casablanca Records head Neil Bogart, who suggested they extend the song. The nearly seventeen-minute version was serviced to US clubs in September 1975. Record World magazine’s disco reporter Vince Aletti wrote it sounds “like nothing else I’ve heard before.” Clubgoers shared his enthusiasm, sending the song to #1 on the disco chart for four weeks beginning the month after its release.

While “Love to Love You Baby” was rocketing up the pop chart, Summer’s follow-up became her second #1 disco hit. “Try Me, I Know We Can Make It” is actually four songs: “Try Me,” “I Know,” “We Can Make It,” and “Try Me, I Know We Can Make It.” Those four songs encompassed side one of Summer’s A Love Trilogy album, with side two providing three more top ten disco hits: “Could It Be Magic” (a cover of Barry Manilow’s pop hit from the previous year), “Wasted” and “Come with Me.”

Later in 1976 came yet another album from Summer, Four Seasons of Love. Billboard listed every cut from the album as #1 on the disco chart, where they remained for six weeks. A few months later she released I Remember Yesterday, where once again, all cuts were listed in the #1 position on the disco chart. From that album came the classic “I Feel Love,” about which Brian Eno said to David Bowie “This single is going to change the sound of club music for the next fifteen years.” Bowie agreed.

You may think all this product in quick succession would create a glut from which the public would want a break, but the stats show the exact opposite. Summer’s “Theme from The Deep” (on the YouTube playlist) became a disco hit. “Last Dance” became a disco and pop hit. The double album Once Upon a Time went to #1 on the disco chart (again with all cuts listed). She followed this up with another double album, Live and More (which includes “MacArthur Park” and “Heaven Knows”). Then came another double album, Bad Girls, her commercial and artistic pinnacle.

An interesting piece of trivia for chart geeks: Up to this point every Donna Summer single serviced to dance clubs hit the disco top ten, with her spending 29 weeks at #1 on the chart between 1975 and 1979. Her first entry to make the disco chart but miss its top ten? “Dim All the Lights,” which peaked at #54. Go figure. You may know that song. It performed way better on the pop and rhythm & blues charts.

Let’s pause for a moment and consider not only the quantity of material Summer released and struck gold with. Let’s also look at the quality. These are great records. (Okay, the Live part of Live and More is good, not great.) Disco was predominantly a singles medium, yet Summer cranked out albums that sustained interest throughout. Double albums at that.

A double greatest hits album wrapped up her tenure at Casablanca Records, producing what would be her final #1 on the Disco/Dance Club chart for 15 years, “No More Tears (Enough Is Enough),” a collaboration with Barbra Streisand.

Her star cooled a bit when she released her first post-Casablanca record in 1980. Several factors contributed to this, including the (US) backlash against disco and disparaging remarks attributed to her about gay people, a core and loyal audience until that point. (In 1989 she denied making this comments, saying she would have addressed the controversy earlier but her publicist shielded her from any negative press, so she was unaware. I’m not saying I buy that; I am glad she addressed it.) Also, at the request of her new label’s head, David Geffen, she split with producers Moroder and Bellote following her 1980 album The Wanderer (actually, following that album’s follow-up, I’m a Rainbow, which was shelved until a slim-downed version’s release in 1992).

Despite the dip in popularity, she was far from over. In the eighties she hit the pop top ten with “The Wanderer,” “Love Is In Control (Finger on the Trigger),” “She Works Hard for the Money” and “This Time I Know It’s for Real,” all of which also made the dance top ten. Her pop chart success in the US ended with 1989’s “This Time I Know It’s for Real.”

While she never again hit the US pop top forty, back in the dance clubs she returned to the apex again and again, scoring seven #1s and three additional top tens between 1995 and her death in 2012.

The Donna Summer playlists below include her pop hits, her dance hits, the best non-singles from her studio albums, cuts from compilation albums, songs from soundtrack albums, and some of her guest appearances on other artists’ albums. It may be Labor Day weekend, but Summer never ends at Tunes du Jour!

The YouTube playlist: https://www.youtube.com/playlist?list=PLTkV-h9qkYAyB3JvP5yiWJC6Kf8Lknvc0

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Prince: Compositions

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Around ten years ago, while I was working at Warner Music, we were trying to think of catalogue projects that may engage Prince. One of my suggestions was a two-disc set in which one disc consisted of Prince songs recorded by others and the second disc was Prince’s demo versions of songs made famous by others.

Two weeks ago Warner released on Tidal Prince’s Originals, demo versions of songs Prince wrote that were recorded by other acts. (It hits others streaming services tomorrow, with CD and vinyl releases coming as well.) I’m not saying Warner took my idea without giving me credit; I’d be surprised if I were the only person who thought of it.

Today’s Tunes du Jour playlist is the concept of the other disc of my proposed set – songs Prince wrote or co-wrote performed by other acts. It’s not exactly what I envisioned that disc to be, as many (MANY!!) of the songs I would choose are not available on Spotify. There’s all the Paisley Park material that reverted to Prince (Vanity 6, Apollonia 6, Mazarati, Jill Jones, The Family, Ingrid Chavez, etc.), as well as commercially-released covers that for whatever reason are missing, by artists such as Foo Fighters, Robyn, Jesus and Mary Chain, Mavis Staples, Eels, and Living Colour.

Even with those limitations, not a bad list. Enjoy!

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Message In Our Music: A Black Music Month Playlist

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In 1979, President Jimmy Carter declared June Black Music Month. In 2016, President Barack Obama, who recognized the month as African-American Music Appreciation Month, said the music of African-American artists helped the country “to dance, to express our faith through song, to march against injustice, and to defend our country’s enduring promise of freedom and opportunity for all.” Today’s Tunes du Jour playlist embodies that sentiment.

(The Spotify embed function is not working.)

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Pride 50

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On June 28, 1969, what was supposed to be a routine raid on a gay bar by the New York City police turned violent when patrons at the Stonewall Inn fought back, thus setting off the gay liberation movement. That pivotal moment was recognized one year later with a gathering in New York’s Greenwich Village, where the Stonewall Inn is located, and Gay Pride marches in Los Angeles and Chicago. The following year, Gay Pride marches sprang up in Boston, Dallas, Milwaukee, London, Paris, West Berlin and Stockholm. The Pride movement grew with each passing year, and it continues to expand to this day.

Tunes du Jour celebrates 50 years of Pride with today’s playlist. Be seen. Be heard. Be proud. Celebrate. Love.

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Disco 1975

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If you see Patti LaBelle today, wish her a happy birthday.

Nineteen seventy-five was a pivotal year for disco music. The genre was still very young; the name “disco” as a reference to the music genre was coined just two years earlier by journalist Vince Aletti. Disco music crossed over into the mainstream with more frequency, yet was not as ubiquitous a presence on the pop charts as it would become in the ensuing years of that decade. Artists who had their first top 40 singles in 1975 include Gloria Gaynor and KC and the Sunshine Band. In December of 1975, Donna Summer made her first appearance on the Hot 100 when “Love to Love You Baby” made its debut, having already been a smash in the clubs. The Bee Gees updated their sound in 1975 with “Jive Talkin’,” which became their first top ten single since 1971. Ben E. King, who had hits in the early 1960s as a solo artist and as the lead singer of The Drifters scored his first top ten pop hit since 1961’s “Stand By Me” with the funky “Supernatural Thing.” As the lead singer of the trio named after her, Patti LaBelle scored her first top ten hit in over a decade with “Lady Marmalade.” Veteran acts such as Frankie Valli, The Temptations, The Miracles, The Isley Brothers and Esther Phillips filled the dance floors. And it was in 1975 that the world was doing the hustle.

Today’s playlist is made up of forty disco gems from 1975.

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