On this Throwback Thursday playlist we revisit the music of 2015. It seems like ages since I’ve heard many of these songs. Enjoy!
https://open.spotify.com/playlist/1e5wDa8EOk3H8ayxXjLyEF&si=2557a3801c7a435d
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Here’s a fun fact (or three): In the history of the Billboard Hot 100, nine songs have hit #1 performed by different artists. The first two songs to achieve this feat were “Go Away Little Girl” (Steve Lawrence in 1963 and Donny Osmond in 1971) and “The Loco-motion” (Little Eva in 1962 and Grand Funk in 1974). Both of those were written by Carole King (b. February 9, 1942) and the late Gerry Goffin, who she married. To date Carole King has a writing credit on 118 Hot 100 hits. 118. One hundred eighteen.
Here are 30 of those 118 songs Carole co-wrote.
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If you have only one reggae album in your music collection, there’s a very good chance it’s Legend by Bob Marley & the Wailers. It’s the best-selling reggae title of all-time. In the US it’s only the second album to spend more than 500 weeks on Billboard’s weekly Top 200 album chart. (The first to pass that milestone was Pink Floyd’s Dark Side of the Moon.) These accomplishments are all the more astounding when one considers that Legend is a greatest hits album consisting of 14 songs, none of which ever cracked the Billboard Hot 100 singles survey.
When deciding what songs should go on Legend, compiler Dave Robinson was determined to expand Bob Marley’s renown. Stateside Marley (b. February 6, 1945) wasn’t a very big seller. Robinson figured that many people were turned off by the subject matter of some of Marley’s compositions, so he nixed the songs about herb. He nixed the songs about slavery. He toned down the presence of violence and the odes to Jah and Rastafarianism. He carefully selected a non-threatening photo for the album cover. He remade Bob Marley’s persona into one of an upbeat spiritual man spreading love and positive vibes, which was but one aspect of his artistry. On top of that, the word “reggae” was not used in advertisements created for the collection. It was genre-less music designed to be listened to by everyone.
I don’t point out the whitewashing of Marley as a put down. Quite the contrary, actually. There are useful marketing lessons here. Legend, released in 1984, three years after Marley’s death from cancer at age 36, brought millions of consumers to reggae music. And the songs on the album are great.
The songs on Legend make up a large part of today’s Bob Marley playlist. There are a lot more songs for further exploration.
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This Throwback Thursday we revisit 1972. What happened in music in 1972?:
Michael Jackson had the first of 13 solo US #1 Hot 100 singles with a song
about a rat.
Chuck Berry had his first US #1 single with a song about his penis.
Roberta Flack spent six weeks at #1 on the US Hot 100 with a song she
released in 1969.
Helen Reddy rerecorded a song from her 1971 album I Don’t Know How To Love Him. It became the first of her three US #1 Hot 100 singles and became an anthem for women’s equality.
The Staple Singers scored their first of two US #1 Hot 100 hits with a classic song that had only one verse.
Neil Young scored his only US #1 Hot 100 single.
Some of the other classic singles to peak in 1972 are “American Pie,” “Let’s Stay Together,” “Me & Mrs. Jones,” “Without You,” “If You Don’t Know Me By Now,” “Alone Again (Naturally),” “Lean On Me,” “Papa Was a Rollin’ Stone,” “School’s Out” and “The Harder They Come.”
David Bowie released The Rise and Fall of Ziggy Stardust and the Spiders
from Mars.
The Rolling Stones released Exile on Main St.
Elton John released Honky Château.
As far as music goes, I’d say 1972 was pretty pretty pretty pretty good. Even the bad songs were good! Here are thirty highlights.
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It’s Throwback Thursday, and on today’s playlist we go back to 1992. Compiling this list made me notice (or remember) what a kickass year for music 1992 was. The success of Nirvana’s “Smells Like Teen Spirit,” a top ten pop hit around the world months after it was sent to alternative radio, came as a complete surprise to the band’s record label and management, and seemed to kick open the doors for weirdos and freaks (I use those terms affectionately) to find their place in the sun and on the charts.
The left field entries weren’t solely from the guitar rock field. Shakespear’s Sister’s “Stay” was a song (or two songs) that stood out from the pack and was not something one would have expected from a former member of Bananarama and someone who co-wrote and sang backup on Eric Clapton’s hit “Lay Down Sally.” And Right Said Fred’s “I’m Too Sexy” endures all these years later.
To me this era was a golden age for hip hop. Arrested Development, Pete Rock & C.L. Smooth, Kris Kross, Das EFX, Sir Mix-A-Lot and House of Pain hit creative peaks, while rap duo P.M. Dawn hit number three with “I’d Die Without You,” an unexpected ballad with nary a hint of the hip or hop.
Nineteen ninety-two was the year we met Mary J. Blige and Billy Ray Cyrus. It was the year many more people got to know Red Hot Chili Peppers, k.d. lang and En Vogue. And while new names were dotting the Hot 100, there was still room for more hits from Michael Jackson, Madonna, Prince, Whitney Houston and U2.
Here are thirty musical highlights from 1992, a year that most definitely was not wiggida wiggida wiggida wack.
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I’ve been immortalized in print! And thankfully not in a book called The Twenty-First Century’s Biggest Garbage People!
In 2019, acclaimed singer-songwriter Amy Rigby published her memoir, Girl to City, and I have a cameo therein. In the middle part of the 1990s, Amy was my assistant at Sony Music. I remember her visiting a few months after she left the company (her leaving having nothing to do with me, and something to do with a mishap involving FedEx and Julio Iglesias), bringing me an advance copy of her debut CD Diary of a Mod Housewife and a promotional potholder. The potholder was good; the CD was (is) great. The Village Voice placed it as the eighth best album of 1996 in their annual survey of music critics.
She’s released more great music in the years since. We got to catch up again a few months before COVID restrictions went into place, when she came to L.A. while doing a book tour promoting her memoir. I recommend the book – it’s an entertaining read. I also recommend checking out her music. There’s a playlist below.
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