A Hint Of Mint – Volume 82: LGBTQ Music From 1987 To 1988

As we wrap up 1987 and move into 1988, we get the first music from Tracy Chapman as well as Morrissey’s first post-Smiths work. Neither artist has publicly proclaimed their sexual orientation as lesbian or gay, but I don’t consider them to be in the closet. Sometimes it’s hard to decide whether or not to include an act who is believed to be gay despite not publicly coming out. I take ’em one by one.

Also included is the comeback hit for Aerosmith, in which Stephen Tyler isn’t deterred by finding out the lady he fancies is not actually a lady.

This playlist consists of twenty songs, most performed by artists who fall somewhere under the LGBTQ umbrella, a couple with queer lyrical content.

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Throwback Thursday – 1986

By 1986, Aerosmith appeared to have had their best years behind them. Sales of their releases that decade lagged significantly behind their hits in the 1970s, and the group’s members were struggling with drug addictions.

They did have fans, though. One was music producer Rick Rubin. He was working with rap group Run-D.M.C., who were known in hip hop circles and with music critics for incorporating rock guitars and beats in their boastful raps, such as “Rock Box” and “King of Rock.”

Rubin suggested Run-D.M.C. do a remake of Aerosmith’s 1977 hit “Walk This Way,” but the rappers had no interest in doing a cover. However, the group’s DJ, Jam Master Jay, was open to the idea, and Rubin called Aerosmith’s Steven Tyler and Joe Perry to come into the studio. Perry was familiar with the rappers, as his stepson was a fan. Jam Master Jay convinced Run and D.M.C. to give the remake a shot, seeing as Tyler and Perry were in the studio with Rubin.

The Run-D.M.C./Aerosmith version of “Walk This Way” was not only massively successful, but highly influential as well. It became Run-D.M.C.’s first crossover hit, and the first rap track to make the top ten of Billboard’s Hit 100, peaking at #4, six notches higher than Aerosmith’s original peaked. It opened the door to future song/rap collaborations, something that continues to dominate the charts to this day, not to mention bringing “rock rap” to a wide audience.

Steven Tyler went to rehab in 1986, and the other members of Aerosmith also sought treatment for their drug addictions. On the heels of the success of the “Walk This Way” remake, Aerosmith released the Permanent Vacation album in the late summer of 1987. Its first single, “Dude (Looks Like a Lady),” became the group’s first hit single outside the Run-D.M.C. collaboration since 1978’s “Come Together.” They followed that single with a string of big hits over the next few years, including “Love in an Elevator,” “Cryin’,” “Janie’s Got a Gun,” “I Don’t Want to Miss a Thing,” “Livin’ on the Edge,” and “Jaded.”

This week’s Throwback Thursday playlist spotlights the best of 1986, kicking off with the groundbreaking “Walk This Way,” performed by Run-D.M.C. and featuring Aerosmith’s “Steven Tyler and Joe Perry.


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All You Need Is Mike Love

Mike Love is an American musician, singer, songwriter, and activist who in 1965 founded the group Love with his sisters, Courtney, Darlene and Monie. He was nicknamed the “Yoko Ono of the Beach Boys,” not because he is a Japanese woman, but because in 1969 he married the Beach Boys’ Brian Wilson, who he met during a performance art piece entitled “Nail MC Hammer,” and in doing so, influenced the band’s musical direction away from songs about surfing, girls, cars, surfing girls, girls’ cars, and surfing cars, and toward more lyrically deep and musically complicated pieces, like “Kokomo.” Tom Jones paid tribute to Mike Love’s importance to the Beach Boys with the song “Without Love (There Is Nothing),” a top 5 hit in 1970. Jones was not the only musician to admire Love. Mike Love is considered a genius by all musicians named Mike Love.

In 1976, Love got his M.D. in Transcendental Medication. The band Kiss paid tribute to his achievement with their hit “Calling Dr. Love.” Other songs honoring the Rock and Roll Hall of Famer include “Love Can Make You Happy,” “Love is a Many-Splendored Thing” and “Love is All We Need.” Steven Tyler of Aerosmith bumped into Mike on an escalator at the Beverly Center, and wrote “Love in an Elevator” about the experience, changing the means of conveyance because “escalators ain’t musical, you know?”. In 1979, the r&b band Rose Royce (“Car Wash”) moved into the house that Mike Love moved out of a few years earlier. Annoyed by his deranged fans, who camped out on the front lawn 24-7, the band’s Gwen Dickey yelled out the window “Love don’t live here anymore!,” and a soul classic was born.

These days Love is a recluse, staying inside one of his homes in between concert dates, of which he does 729 each year. He only grants interviews to those who ask. I didn’t ask.

UPDATE: I just received an email from the “LAW OFFICES OF MIKE LOVE’S LAWYERS.” Per his attorneys, there are some factual inaccuracies in what I’ve written above. They write that while Mike Love will take credit for starting the band Love, the following things are not true:

Mike Love did not marry Brian Wilson. Wilson is Love’s cousin, and they are not from the South.
Mike Love is a founding member of the Beach Boys.
Mike Love does not have an M.D. Well, he has an M.D., but he himself is not an M.D. Kiss wrote that song for him because they feel he should have received an honorary doctorate.
Rose Royce never lived in any of Love’s homes, and the song “Love Don’t Live Here Anymore” was not written about Mike Love, though the other songs you referenced were.
Mike Love’s attorneys did not send Tunes du Jour an email.
Mike Love is a Japanese woman.

Coincidentally, they tell me that today is Mike Love’s 75th birthday. Tunes du Jour sends Love love. Here are twenty of his most loverly:


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100 Greatest Artists

Last week my close friend Laura forward to me a link to Rolling Stone magazine’s “100 Greatest Artists” and asked for my impression.

My 100 Greatest Artists list includes many of the same acts as Rolling Stone’s list; however, there is a large handful of acts on my roll that are not on that publication’s slate.

I won’t disparage their choices (but seriously, Aerosmith at #59?). Instead, I will share with you music from twenty artists that made my roster but are not among Rolling Stone’s top 100.

Feel free to share your choice acts in the Comments section.


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