
Inspired by the passings of Millie Small and Kraftwerk’s Florian Schneider, and the May 6 birthdays of Bob Seger, They Might Be Giants’ John Flansburgh, Man Parrish, Jimmie Dale Gilmore, 3rd Bass’ MC Serch, Mary MacGregor and Meek Mill.

Inspired by the passings of Millie Small and Kraftwerk’s Florian Schneider, and the May 6 birthdays of Bob Seger, They Might Be Giants’ John Flansburgh, Man Parrish, Jimmie Dale Gilmore, 3rd Bass’ MC Serch, Mary MacGregor and Meek Mill.

Inspired by the April 21 birthdays of The Cure’s Robert Smith, Iggy Pop, Elaine May, Disposable Heroes of Hiphopracy’s Michael Franti, John Cameron Mitchell and Patti LuPone.

Inspired by the April 5 birthdays of ABBA’s Agnetha Faltskog, Pharrell Williams, The Hollies’ Allan Clarke, The Platters’ Tony Williams, Three 6 Mafia’s Juicy J, Wall of Voodoo’s Stan Ridgway, Paula Cole, Crispian St. Peters and Bette Davis.

Inspired by the March 17 birthdays of Smashing Pumpkins’ Billy Corgan, Jefferson Airplane’s Paul Kantner, The Lovin’ Spoonful’s John Sebastian, Nat King Cole, Gene Ween, The Darkness’ Justin Hawkins, Altered Images’ Clare Grogan, and Hozier; and the March 16 birthdays of Public Enemy’s Flavor Flav, Heart’s Nancy Wilson, Blu Cantrell, and Murs.

Inspired by the January 28 birthdays of Rakim, Gaslight Anthem’s Brian Fallon, Cypress Hill’s DJ Muggs, Gene McFadden and Steps’ Lee Latchford-Evans; and the January 29 birthdays of Tommy Ramone, Bettye LaVette, Aztec Camera’s Roddy Frame and Adam Lambert.
Your knees start shakin’ and your fingers pop
Like a pinch on the neck from Mr. Spock
I think I read somewhere that there is a new Star Trek movie opening this weekend, or sometime soon. I didn’t pay too much attention. I’ve never seen any Star Trek movie, nor have I seen any episode of the TV show Star Trek, or any of its offshoots.
I saw part of one episode from the original series. Joan Collins was a guest star. I watched when she was on screen; I changed the channel when she wasn’t. That small fact told my friend Laura’s brother more about me than I knew about myself at that time.
I don’t know what Star Trek is about. I know there’s a spaceship called the Enterprise, and that’s about it. I don’t know when the show takes place. I don’t know the characters’ personality types or if they all get along or if any of them hook up.
I’ve heard William Shatner recite the lyrics to “Mr. Tambourine Man” and “Space Oddity” and other songs that were classics until the moment I heard Bill do ‘em. I’ve heard Leonard Nimoy “sing” a song about Hobbits (don’t get me started on my lack of knowledge about Hobbits! I’m not even sure the word Hobbits should be capitalized.). Those recordings weren’t enough to entice me into checking out the work that made those guys famous.
I’m also familiar with the song “Star Trekkin’” by a group called The Firm, not to be confused with the Jimmy Page band The Firm, though equally awful. “Star Trekkin’” went to #1 on the UK singles chart in 1987, and by doing so removed the bragging rights of anyone else who hit #1 on the UK singles chart. “Oh, you had a #1 UK single, Nicole Scherzinger? You know what else was a #1 UK single? ‘Star Trekkin”’.”
William Shatner was on another television show somewhat recently. I don’t recall what it was. I think it was set in a courtroom or a law office. I never watched it.
I don’t know if Leonard Nimoy did anything after the Star Trek TV series.
Though I don’t know from and couldn’t care any less about Star Trek, I do recognize some Star Trek references in pop culture, like in the lyrics that opened this post, which are from Beastie Boys’ “Intergalactic,” one of 1998’s best singles and the song that kicks off Tunes du Jour’s 1998 playlist on this Throwback Thursday. I take it when Mr. Spock touches someone’s neck, their knees shake and their fingers pop, like mine do when I listen to Beastie Boys. Let’s get poppin’!
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During the February 22, 1989 telecast of the Grammy Awards, Pepsi premiered a thirty-second spot that featured a new song by Madonna, “Like a Prayer.” It was the first time a major artist’s new single was used in a television commercial prior to being released to radio or record stores.
The following week, a two-minute version of the commercial aired during The Cosby Show, at the time a highly-rated program starring America’s favorite dad, Bill Cosby. The ad, part of a $5 million endorsement deal Pepsi struck with Madonna that also included tour sponsorship, featured Madonna dancing in the street, in a school hallway, and in a church.
The song’s music video premiered the following day on MTV. In the video, Madonna witnesses the murder of a white girl by white supremacists. A black man gets arrested for the killing. Madonna seeks refuge in a church, where she has a dream that includes stigmata on her hands, kissing a black saint, and dancing in front of burning crosses.
The Vatican and other religions organizations condemned the video and threatened a protest against Pepsi products. Pepsi dropped its sponsorship of Madonna, never again aired the television spot, and let Madonna keep the $5 million they paid her.
“Like a Prayer” became Madonna’s seventh #1 pop hit in the United States. It also topped the charts in the United Kingdom, Australia, Canada, the Netherlands, Sweden, Japan, Italy, Spain, Norway, Denmark, Finland, Ireland, New Zealand, Belgium, and Switzerland.
“Like a Prayer” won the Viewers Choice award at the 1989 MTV Music Video Awards, a program that incidentally was sponsored by Pepsi. In her speech, Madonna said “I would really like to thank Pepsi for causing so much controversy.”
Tunes du Jour’s playlist this Throwback Thursday spotlights the year 1989, and kicks off with Madonna’s “Like a Prayer.”
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In 1986, a group that started out as a punk rock quartet released a single that mocked party anthems, and in doing so made music history.
The group is the Beastie Boys and the song is “(You Gotta) Fight for Your Right (To Party!).” Per the group’s late founder, Adam “MCA” Yauch, “the song began as a goof on dumb rock songs” and a satire of drunken frat boys and the like. The trio recorded vocals and their friend, Rick Rubin, who produced Run-D.M.C.’s rock/rap breakthrough album Raising Hell, added loud drums and guitars. An iconic video was shot and received a lot of airtime on MTV.
“Fight for Your Right” took off. In early 1987 it reached #7 on Billboard’s Hot 100, the group’s only top ten single. It was hugely popular with the audience at whom it poked fun. Lamented the group’s Michael “Mike D” Diamond, “The only thing that upsets me is that we might have reinforced certain values of some people in our audience when our own values were actually totally different. There were tons of guys singing along to ‘Fight for Your Right’ who were oblivious to the fact it was a total goof on them.”
“Fight for Your Right” brought hip hop to the suburbs, with bored kids finding the same rebellion in rap that they did in punk. It is on the Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll. Among other accolades, it was named one of its release year’s top singles by the Village Voice, New Music Express and Record Mirror, and was later named one of the 100 Greatest Singles Of The Post-Punk Era by Uncut, one of the 100 Greatest Songs Of All Time by Q, and one of 1000 Songs Everyone Must Hear by The Guardian.
The album from which “Fight for Your Right” was taken, Licensed to Ill, became the first rap album to hit #1 in the United States. It remained at the top of the album chart for seven weeks, becoming the best-selling hip-hop album of the 1980s.
As today is the 49th birthday of Beastie Boy Adam “King Ad-Rock” Horovitz, Tunes du Jour celebrates with a playlist of twenty of the trio’s best.
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Today is my birthday. Over my 25+ years on earth, I’ve learned many life lessons. Most of them came from songs. My birthday gift to you is a playlist of 100 songs offering advice as to what not to do.
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