Inspired by the July 28 birthdays of Devo’s Jerry Casale, Rachel Sweet, Rudy Vallee, Stephen Lynch, and Afroman; and the July 27 birthdays of Maureen McGovern, The Moonglows’ Harvey Fuqua, Bobbie Gentry, Juliana Hatfield and Phosphorescent.
Your (Almost) Daily Playlist (5-26-20)
Inspired by the May 26 birthdays of Stevie Nicks, Ms. Lauryn Hill, The Band’s Levon Helm, Peggy Lee, Lenny Kravitz, Swinging Blue Jeans’ Ray Ennis, Alphaville’s Marian Gold, Nashville Teens’ Art Sharp and Black; and the May 25 birthdays of The Jam’s Paul Weller, Disclosure’s Guy Lawrence, Tom T. Hall, The Tokens’ Mitch Margo, and Jessi Colter.
Your (Almost) Daily Playlist (5-8-20)
Earlier this week I mentioned that the Village People suddenly find themselves with a hit song on the Adult Contemporary chart. Because 2020 needs to be even stranger, that classic group is joined in the upper reaches of that chart by Corey Feldman. Corey Feldman. Corey Feldman’s “U R Free” is in the top 20 of Billboard’s Adult Contemporary chart. Corey Feldman. 2020, am I right, people?
Today’s playlist is inspired by the May 8 birthdays of Earth Wind & Fire’s Philip Bailey, Toni Tennille, Basement Jaxx’s Felix Buxton, Rick Nelson, Martha Wainwright, Katy B, Bloodstone’s Charles McCormick, Darren Hayes and Jack Blanchard.
Your (Almost) Daily Playlist (4-16-20)
Inspired by the April 16 birthdays of Dusty Springfield, Soul Asylum’s Dave Pirner, Chance the Rapper, Henry Mancini, Bobby Vinton, Gerry Rafferty, Akon, Midnight Oil’s Peter Garrett, Roy Hamilton, Herbie Mann, Wye Oak’s Jenn Wasner, Gabrielle and Gerardo.
Your (Almost) Daily Playlist (3-5-20)
Inspired by the March 5 birthdays of Andy Gibb, The Fall’s Mark E. Smith, Teena Marie, Eddy Grant, Murray Head, Steve Arrington, the Proclaimers, Tommy Tucker and Rex Harrison.
Your (Almost) Daily Playlist (2-23-20)
Inspired by the February 23 birthdays of Japan’s David Sylvian, Josh Gad, Howard Jones and Broadway composer Robert Lopez; the February 22 birthdays of Sublime’s Brad Nowell, Marni Nixon, Ernie K-Doe, Bobby Hendricks, Oliver and Guy Mitchell; and the February 21 birthdays of Nina Simone, Mary Chapin Carpenter and Manic Street Preachers’ James Dean Bradfield.
Your (Almost) Daily Playlist (2-18-20)
I’m experimenting here at Tunes du Jour. Yesterday I started including multiple songs by the birthday performers who inspired that day’s playlist. As of today I’m not limiting myself to twenty songs. My thinking is that by removing that restriction I can posts playlists (almost) dailier and you get a deeper dive into some of the artists. I’m living on the edge!
Today’s playlist is inspired by the February 18 birthdays of Regina Spektor, Yoko Ono, Styx’s Dennis DeYoung, John Travolta, Randy Crawford, Juelz Santana, Irma Thomas, Juice Newton, and Space’s Tommy Scott.
Your Daily Playlist (1-17-20)
Inspired by the January 17 birthdays of Bangles’ Susanna Hoffs, Steve Earle, Kaiser Chiefs’ Ricky Wilson, Calvin Harris, Kid Rock, the Delfonics’ William Hart, She & Him’s Zooey Deschanel, Lil Jon, Muhammad Ali, Paul Young, and Chris Montez, and the recent passing of The Left Banke’s Steve Martin.
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20 Duets
Duets. Twenty of ’em.
Happy Valentine’s Day!
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Throwback Thursday – 1980
In 1979, Giorgio Moroder, famous mostly for his production work on Donna Summer records, composed the score for the film American Gigolo. He asked Stevie Nicks to sing the movie’s theme song, for which Moroder wrote the music, but she had to decline for contractual reasons. He next turned to Deborah Harry of Blondie.
Harry write the lyrics to the song that became “Call Me,” the second #1 single for her band. Of her experience with Moroder, she told Billboard “He’s very nice to work with, very easy, (but) I don’t think he has a lot of patience with people who fool around or don’t take what they do seriously. I think he’s very serious about what he does and he’s intense and he’s a perfectionist and he’s very talented, so I think that people who are less talented or less concentrated bore him quickly…you really have to pay attention.”
Said Moroder of working with Blondie, “There were always fights. I was supposed to do an album with them after that. We went to the studio, and the guitarist was fighting with the keyboard player. I called their manager and quit.”
Moroder did end up working with Deborah Harry again years later on another soundtrack song, producing “Rush Rush” from Scarface, and in 2004 remixed Blondie’s single “Good Boys.”
Tunes du Jour’s Throwback Thursday playlist this week spotlights the best of 1980, kicking off with Blondie’s “Call Me.”
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