Ringo + Buddy

The Day the Music Didn’t Die But Still

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Ringo + Buddy

On this date in 1959, Buddy Holly, Ritchie Valens and The Big Bopper died in a plane crash. In his hit “American Pie” Don McLean referred to it as “the day the music died.” A little dramatic, no? The music didn’t die, but it was a tremendous loss nonetheless.

Today Tunes du Jour pays homage to these late, great rock and roll pioneers. On our playlist:
“Chantilly Lace” – The Big Bopper – The man born Jiles Perry Richardson’s only top ten hit, from 1958.
“Think It Over” – Buddy Holly – A top forty single from 1958.
“Donna” – Ritchie Valens – Valens’ only top ten hit, peaking at #2 in early 1959.
“American Pie” – Madonna – Madonna covered Don McLean’s classic for her film The Next Best Thing at the suggestion of her co-star, Rupert Everett, who sings backing vocals on the recording.
“Oh, Boy!” – Buddy Holly – A top ten single from early 1958. I recall Olivia Newton-John performing it on one of her television specials with guest stars Andy Gibb, Elton John and Cliff Richard. If memory serves, it went on for about forty minutes.
“Heartbeat” – Buddy Holly – The Knack covered this for their breakthrough album, Get The Knack.
“It’s So Easy” – Linda Ronstadt – Ronstadt had a top five hit with her cover of this song, written by Buddy Holly and Norman Petty. Ronstadt also charted with covers of Holly’s hits “That’ll Be the Day” and “It Doesn’t Matter Anymore.”
“Not Fade Away” – The Crickets – An English quintet who went by the name The Rolling Stones charted in the US for the first time with their version of this tune. Not sure what happened to them.
“Buddy Holly” – Weezer – Buddy Holly couldn’t have predicted this song’s opening lines – “What’s with these homies dissing my girl? / Why do they gotta front?”
“Everyday” – Buddy Holly – James Taylor charted with his cover of this in 1985.
“La Bamba” – Ritchie Valens – It’s hard to believe this song only peaked at #22 upon its release in 1958. “La bamba” is Spanish for “the bamba.”
“Peggy Sue” – Lou Reed – This song was co-written by Buddy Holly, who took it to #3 in 1957.
“It Doesn’t Matter Anymore” – Buddy Holly – Holly didn’t write this posthumous hit; Paul Anka did. This and “My Way” are my two favorite Anka compositions. I also love “(You’re) Having My Baby,” but in a different way.
“Words of Love” – Patti Smith – A pop combo from England covered this Holly composition on their album that in the US was titled Beatles VI. Not sure what happened to them.
“Maybe Baby” – The Crickets – The Beatles’ name was inspired by the name of Holly’s band, The Crickets.
“I’m Gonna Love You Too” – Buddy Holly – Blondie covered this for their breakthrough album Parallel Lines.
“Come On, Let’s Go” – Los Lobos – Los Lobos performed Valen’s music for the biopic of Valen’s life, La Bamba.
“That’ll Be the Day” – Modest Mouse – Written by Buddy Holly and Jerry Allison, “That’ll Be the Day” was Holly’s first hit, going to #1 in 1957. Given his immense influence on rock and roll, it’s hard to believe he died a year and half later.
“Rave On” – Buddy Holly – One of five top forty singles Holly had in 1958.
“True Love Ways” – My Morning Jacket – Holly wrote “True Love Ways” for his wife as a wedding gift. What did your husband get you?

But Then Again, No

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Sometimes an awkward lyric shows up and mars an otherwise perfectly reasonable song. I don’t mean songs such as Paul McCartney’s “Spies Like Us” or Stevie Wonder’s “I Just Called to Say I Love You” or Paul McCartney and Stevie Wonder’s “Ebony and Ivory.” Those songs are just plain bad.

Wings’ “Live and Let Die” is one of my favorite of Sir Paul’s post-Beatles songs, but I refuse to sing along with the phrase “this ever changing world in which we live in.” Poor grammar makes me want to give in and cry.

John Mellencamp’s “R.O.C.K. in the U.S.A.” pays tribute to many rock and soul greats of the 1960s. It’s a crackin’ little number but I always cringe when he sings “let’s don’t forget James Brown.” “Let’s not” uses just as many syllables, is grammatically-correct, and doesn’t detract from the message of not forgetting James Brown.

There are times when lyrics are bad not because of their grammar, but because they sound like place holders that remained in the song because the lyricist couldn’t come up with anything with which to replace them. Take Elton John’s classic hit “Your Song.” “If I was a sculptor, but then again, no.” Why is that in the song? You’re not a sculptor. You weren’t a sculptor. What would happen if you were a sculptor? Instead of giving the object of your affection the gift of song, would you make a bust of their face, a la Lionel Richie’s “Hello” video?

One of my favorite bad lyrics is in the Diana Ross and the Supremes hit “I’m Livin’ in Shame,” in which Diana sings “Came the telegram – Ma passed away while making homemade jam.” Telegram messages were charged by the letter, so including the details of what Ma was doing when she died is a bad choice lyrically and financially. What lyrics were discarded in favor of that? “Came the telegram – Ma passed away while carving up the ham?” “Came the telegram – Ma passed away with her finger in a dam?” “Came the telegram – Ma passed away serving in Viet Nam?” “Came the telegram – Ma passed away from an attack by a ram?” “Came the telegram – Ma passed away from choking on a yam?” That last one is good, but then again, no.

“I Started a Joke” by the Bee Gees is an okay song that would be better if Johnny Marr played guitar on it. Then it may sound like a Smiths song. Not a Smiths single. Maybe an album track. I’m not sure what the over-the-top lyrics are about. It seems Robin Gibb is not a gifted comedian and his joke made everyone cry and then he cried and everyone started laughing and then he died but kept singing this song. That’s all well and good. The line that made me include it in this blog entry is “I fell out of bed hurting my head from things that I said.” I think you hurt your head when you fell out of bed and banged said head on a jar of homemade jam.

Let’s don’t forget Robin and Maurice Gibb on their birthday.

daniel lapaine

In Which A Group Of Multi-Millionaires Sings Of Wishing They Had A Little Money

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I didn’t get the film Muriel’s Wedding. Not as in I didn’t get the Blu-Ray of this movie for Hanukkah. I don’t even own a Blu-Ray player. No, I mean I didn’t understand it. Or rather, I didn’t buy it. Muriel, the ugly duckling girl who is mocked and abused, ends up marrying a beautiful South African swimmer and then splits up with him because of some self-esteem bullshit. WHAT? For fuck’s sake, Muriel! The man has beautiful eyes, a great body and doesn’t beat you. What more could you want? If this means I’m shallow and superficial then I don’t want to be right. She says to him “I don’t love you” and he replies “I don’t love you either but I think I could like having you around.” He’s so sweet! I dream of the day someone says something so romantic to me! Someone attractive, that is. Oh, um, SPOILER ALERT. I should have said that a few sentences ago. If you haven’t seen the movie yet and plan to (which you should, just to see what Muriel walked away from) then forget what you just read.

daniel lapaineThis is what Muriel left. This. THIS! It stretches all credibility.

Muriel’s Wedding had its good points: a) David (Muriel’s husband), b) it introduced us to Toni Collette as Muriel, c) it introduced us to Rachel Griffiths, and d) along with The Adventures of Priscilla, Queen of the Desert, it brought ABBA back into the public consciousness.

Today Tunes du Jour celebrates the birthday of ABBA’s Benny Andersson who, along with the group’s Björn Ulvaeus, co-wrote and co-produced most of their hits.