Thirty songs that represent what as going on in popular music in 1981.
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Your (Almost) Daily Playlist (8-17-20)
Inspired by the August 17 birthdays of Go-Go’s’ Belinda Carlisle, Lone Justice’s Maria McKee, Lisa Coleman, Dexy’s Midnight Runners’ Kevin Rowland, Luscious Jackson’s Jill Cunniff, The Pack’s Lil B, and Robert De Niro.
Your (Almost) Daily Playlist (5-2-20)
Here in California, our governor has ordered all beaches to remain closed to curtail the spread of the coronavirus. Orange County Supervisor Don Wagner disagrees, arguing that going to a beach is good for one’s health. Said Wagner “Medical professionals tell us the importance of fresh air and sunlight in fighting infectious diseases.” Mr. Wagner believes that air and sunlight cannot be found anywhere in Orange County except on crowded beaches. He seems smart.
In an interview with Rolling Stone, Pink Floyd’s Roger Waters said Joe Biden “has no appeal to anybody.” Interesting. Biden has no appeal to anybody, and yet he received more votes than all of the other candidates vying to be the Democratic nominee for president of the United States. Someone needs some education. Perhaps Waters should run for office. I suggest Orange County Supervisor.
Today’s playlist is inspired by the May 2 birthdays of Lily Allen, Foreigner’s Lou Gramm, Lesley Gore, Hot Hot Heat’s Steve Bays, The Vaccines’ Justin Hayward-Young, Shannon, Kevin Morby, Little Sister’s Vet Stewart, Engelbert Humperdinck, Link Wray, David McAlmont, Blow Monkeys’ Dr. Robert, and Broadway lyricist Lorenz Hart.
Your (Almost) Daily Playlist (4-27-20)
Inspired by the April 27 birthdays of The B-52’s‘ Kate Pierson, Lizzo, Sheena Easton, Badfinger’s Pete Ham, Ann Peebles, The Main Ingredient’s Cuba Gooding Sr., Ace Frehley and Robin S.
Your (Almost) Daily Playlist (4-11-20)
Inspired by the April 11 birthdays of The Specials’ Neville Staple, Lisa Stansfield, Joel Grey, Big Country’s Stuart Adamson, Richard Berry, Catatonia’s Cerys Matthews and The Originals’ Freddie Gorman.
Prince: Compositions
Around ten years ago, while I was working at Warner Music, we were trying to think of catalogue projects that may engage Prince. One of my suggestions was a two-disc set in which one disc consisted of Prince songs recorded by others and the second disc was Prince’s demo versions of songs made famous by others.
Two weeks ago Warner released on Tidal Prince’s Originals, demo versions of songs Prince wrote that were recorded by other acts. (It hits others streaming services tomorrow, with CD and vinyl releases coming as well.) I’m not saying Warner took my idea without giving me credit; I’d be surprised if I were the only person who thought of it.
Today’s Tunes du Jour playlist is the concept of the other disc of my proposed set – songs Prince wrote or co-wrote performed by other acts. It’s not exactly what I envisioned that disc to be, as many (MANY!!) of the songs I would choose are not available on Spotify. There’s all the Paisley Park material that reverted to Prince (Vanity 6, Apollonia 6, Mazarati, Jill Jones, The Family, Ingrid Chavez, etc.), as well as commercially-released covers that for whatever reason are missing, by artists such as Foo Fighters, Robyn, Jesus and Mary Chain, Mavis Staples, Eels, and Living Colour.
Even with those limitations, not a bad list. Enjoy!
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It’s National Teachers Day And I Need To Dance!
On the off-chance I don’t win an Oscar for Best Original Screenplay, which, seeing as I have yet to write a single scene, is a remote possibility, I’d like to present the text of my acceptance speech here and now.
“Thank you! Thank you so much! Thank you! (wink at Meryl) Wow! I wasn’t expecting to win. This is such a surprise. Let me read you the speech I wrote for this occasion.
I’d like to thank the Academy, specifically the members who voted for me. I’d like to thank everyone who bought a ticket to see my movie. I’d like to thank the cast and crew. It takes a village! Am I right? Of course I’m right! I’m a right-er! (smile, acknowledge the laughter in the audience)
Mostly, I’d like to thank all those who taught me about writing and provided encouragement. I’d like to thank all of my English teachers, my writing teachers, my stand-up comedy teachers and my improvisation teachers. I’d like to thank my fellow classmates, workshops and meetup members and the friends and family members who provided feedback and support. In particular, I’d like to…oh, they’re playing the music, indicating it’s time for me to leave. Until next year, remember I love you all, except those who voted for my competitors.”
Today is National Teachers Day. Our weekly dance party kicks off with Daryl Hall and John Oates’ “Adult Education.”
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It’s Umberto Tozzi’s Birthday And I Need To Dance!
Who is Umberto Tozzi? Is that what you just asked?
Born in Italy in 1952, Umberto Tozzi is a singer-songwriter who has sold over 70 million records throughout the world. In 1979 he released a single of his composition “Gloria,” which became a big hit in his home country, remaining in the top ten for 16 weeks, six of those at #2. The song also went top ten in Germany, France, Switzerland, Austria, Belgium, South Africa and Spain.
In 1982, singer Laura Branigan collaborated with Trevor Veitch on English-language lyrics set to the original’s melody. Her recording of “Gloria,” co-produced by Greg Mathieson, arranger and keyboardist on the Tozzi version, reached #2 on the Billboard Hot 100.
Friday is dance day at Tunes du Jour. Our weekly party kicks off with the track for which Umberto Tozzi is best-known in the United States.
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Throwback Thursday – The Hits of 1984
Madonna debuted “Like a Virgin” with a performance on the MTV Video Music Awards in September 1984, weeks before the record was released. Watching her on television rolling around the floor in a wedding dress with a Boy Toy belt buckle, the song’s writers, Tom Kelly and Billy Steinberg, thought “We’re doomed now. This is an embarrassment. This is never going to succeed.”
“Like a Virgin” spent six weeks at #1 on the Billboard Hot 100, her first single to top that chart.
Kelly and Steinberg didn’t meet Madonna until around five years later. At a party they saw her, and asked Steve Bray, who wrote Madonna’s hit “Into the Groove,” to introduce them.
Bray did so. “Madonna, I want you to meet Billy Steinberg and Tom Kelly. They wrote ‘Like a Virgin.’”
Steinberg said “Oh Madonna, I’ve wanted to meet you for so long.”
Madonna replied “Well, now you did,” and walked away.
“Like a Virgin” kicks off this week’s Throwback Thursday playlist, spotlighting the hits of 1984.
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Throwback Thursday – 1981
The blogger in 1981, before heading to the senior prom
For this week’s Throwback Thursday playlist, we revisit 1981. The 1981 Grammy Award for Album of the Year went to John Lennon and Yoko Ono’s Double Fantasy. The Best New Artist was Shena Easton. Record of the Year and Song of the Year went to “Bette Davis Eyes,” performed by Kim Carnes. Both Carnes and Easton were nominated for Best Pop Vocal Performance, Female, along with Olivia Newton-John for “Physical” and Juice Newton for “Angel of the Morning,” but those ladies lost to Lena Horne for “WTF?”. Rick Springfield won Best Rock Performance, Male (naturally) for “Jessie’s Girl.” “Just the Two of Us,” the Grover Washington, Jr./Bill Withers hit, took home the trophy for Best Rhythm & Blues Song.
Here are some of 1981’s biggest hits:
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