Even more great holiday music!
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What makes a year in music stick with you? Sometimes it’s a single, dominant sound, but more often, it’s the feeling of multiple, vibrant conversations happening all at once. Looking back at 2018 through a playlist of its key songs, it becomes clear it was a year defined less by a unified trend and more by the strength of its distinct, parallel movements. From event-level releases that captured the cultural zeitgeist to deeply personal songwriting that quietly demanded our attention, the year offered a compelling range of expressions.
It’s impossible to talk about 2018 without acknowledging the sheer creative and commercial force of hip-hop. The genre was the site of some of the year’s most ambitious projects. Childish Gambino’s “This Is America” and The Carters’ “APESHIT” used the music video as a powerful medium for commentary, creating moments that were analyzed far beyond music blogs. At the same time, the genre showcased its sonic breadth. You had the elaborate, multi-part production of Travis Scott’s “SICKO MODE,” the classic, sample-heavy precision of Pusha T’s “If You Know You Know,” and the New Orleans bounce of Drake’s “Nice For What.” With Kendrick Lamar lending his acclaimed lyricism to artists as different as Anderson .Paak, Lil Wayne, and SZA, his presence served as a throughline of quality, underscoring the genre’s central role.
While hip-hop drove many conversations, pop music was busy broadening its own definition. Artists delivered hits by looking outward for inspiration. Janelle Monáe’s “Make Me Feel” was a masterclass in taut, Prince-indebted funk, while Kacey Musgraves blended country sensibilities with a disco beat on the delightfully sly “High Horse.” This spirit of connection was also felt on a global scale. The massive success of Cardi B’s “I Like It” and Camila Cabello’s “Havana” cemented the power of Latin rhythms in the mainstream, and ROSALÍA’s “MALAMENTE” introduced her modern take on flamenco to a worldwide audience, proving that a compelling sound needs no translation.
Alongside these high-energy sounds, a potent strain of rock and indie music thrived on sharp, unflinching songwriting. This was the year of the specific, personal narrative. Artists like Mitski (“Nobody”), Lucy Dacus (“Night Shift”), Phoebe Bridgers (“Motion Sickness”), and Snail Mail (“Pristine”) earned devoted followings by writing with startling clarity about anxiety, heartbreak, and identity. Their work wasn’t about grand statements but about the power of a perfectly articulated observation. In a similar vein, Courtney Barnett’s “Nameless, Faceless” turned everyday frustrations into a pointed critique, showing that even the most direct rock song could carry a vital message.
Ultimately, 2018 wasn’t a year where everything blended together. Instead, it was a year of powerful, coexisting identities. The charts were filled with innovative pop and globally-influenced hits, hip-hop continued to be a space for both blockbuster production and sharp social critique, and a wave of songwriters made their mark with profoundly personal work. From the confident breakup anthem of Ariana Grande’s “thank u, next” to the cathartic release of Robyn’s “Honey,” the music of 2018 offered a rich and varied landscape, setting the stage for many of the sounds and artists we’re still listening to today.
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In the realm of music, 2017 proved to be a year of vibrant eclecticism, where established artists continued to push boundaries and emerging voices made their mark. The year’s soundtrack was a rich collection of narratives, each song telling its own story, whether it be Kendrick Lamar’s thought-provoking lyricism on “HUMBLE.”, or Cardi B’s “Bodak Yellow,” an anthem of confidence and empowerment.
The year also saw artists like Future and Lil Uzi Vert pushing the boundaries of rap music, while Lorde and Portugal. The Man offered a more introspective take on pop. Drake’s “Passionfruit” and Calvin Harris’ “Slide” were the smooth, rhythmic tracks that became the backdrop of many summer nights, showcasing the seamless blend of R&B and electronic music.
Veterans like Harry Styles and Miley Cyrus reinvented themselves, leaving behind their pure pop personas for more mature, soulful expressions in “Sign of the Times” and “Malibu,” respectively. Meanwhile, SZA and Sampha delivered deeply personal albums that spoke to the complexities of relationships and self-discovery.
The indie scene was no less vibrant, with King Krule, St. Vincent, and The War on Drugs each offering a unique sonic experience that defied mainstream trends. And let’s not forget the poignant comeback of Kesha, who reminded us of the redemptive power of music.
As we reminisce about the tunes of 2017, it’s impossible not to feel the excitement and energy they brought into our lives. Each track on this playlist brings its own flavor to the table. It’s not just about the songs; it’s about the memories they evoke, the feelings they stir, and the way they become the soundtrack to our lives. Let’s crank up the volume, lose ourselves in the melodies, and celebrate the music of 2017.
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One night in December 1994 my friend Kathy and I attended the WDRE Acoustic Xmas show at New York City’s Beacon Theater. There were multiple artists on the bill, each getting a short slot to perform three or four songs. The acts were The Go-Go’s, Big Audio Dynamite, Jesus and Mary Chain, frente!, Love Spit Love, Black 47, G. Love & Special Sauce, and Radiohead’s Thom Yorke and Jonny Greenwood. I looked up online who performed, as the only act I recall seeing there were the Radiohead guys. The band had one album out at that time, 1993’s Pablo Honey. Kathy and I just wanted them to do their hit – “Creep” – and then skedaddle. They didn’t play “Creep.” They played some song about plastic trees and one about an iron long and some other mess. Kathy and I knew this band would never be heard from again.
Oops.
Radiohead’s Thom Yorke was born on this date in 1968. Lots of Thom’s work on today’s playlist.
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