This Throwback Thursday we revisit 1969, the year Creedence Clearwater Revival allowed some other artists to have hits, too.
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A Martin Luther King Day Playlist
“You deplore the demonstrations taking place in Birmingham. But your statement, I am sorry to say, fails to express a similar concern for the conditions that brought about the demonstrations.” – Martin Luther King, Jr. 1963
“He had a dream now it’s up to you to see it through, to make it come true” – “King Holiday”
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Producer Spotlight: Sir George Martin
A movie director takes words on a page, a script, and brings them to life, guiding actors to deliver the best performances possible and deciding on the best ways to convey the story. A music producer plays the same roles in the creation of a record, taking words on a page, a song, and brings them to life, guiding singers and musicians to deliver the best performances possible and providing input as to how the recorded song should sound.
Sir George Martin, born on January 3, 1926, is recognized as one of the most influential producers in the history of pop music. He is best known for producing all of the albums by The Beatles except for Let It Be. It was Martin who suggested the string quartet on “Yesterday.” It was Martin, with recording engineer Geoff Emerick, who combined two distinct recordings of “Strawberry Fields Forever,” played in different keys and at different tempos, into the one with which you’re familiar. Martin suggested speeding up a ballad Paul McCartney and John Lennon wrote, which resulted in the #1 hit “Please Please Me.” His production of “I Feel Fine” includes one of the earliest uses of guitar feedback. Martin conduction the string section on “Eleanor Rigby.” He brought in a 40-piece orchestra for “A Day in the Life.” On “Tomorrow Never Knows,” Martin’s use of tape loops, reversing a recording of a guitar solo in playback, and having Lennon’s vocals go through an organ’s speaker, helped Lennon achieve his desire of a recording to sound like his mind on LSD. He played piano on “In My Life,” and sped up his recording of the piano part to match the song’s tempo. He suggested the group replace original drummer Pete Best.
Sir George, who died in 2016, also produced artists other than The Beatles. Here are thirty of his finest productions.
Your (Almost) Daily Playlist (12-20-20)
Inspired by the season and the December 20 birthdays of Billy Bragg, Minutemen’s Mike Watt, Kim Weston, Alan Parsons, Heatwave’s Keith Wilder, Kiss’ Peter Criss, Anita Ward and The Easybeats’ Stevie Wright.
Your (Almost) Daily Playlist (12-18-20)
Inspired by the season and the December 18 birthdays of The Rolling Stones’ Keith Richards, Billie Eilish, Sia, DMX, Christina Aguilera, Martha and the Muffins’ Martha Johnson, and Angie Stone.
Your (Almost) Daily Playlist (12-17-20)
Inspired by the season and the December 17 birthdays of The Temptations’ Eddie Kendricks, Bad Company’s Paul Rodgers, R.E.M.’s Mike Mills, Bananarama’s Sara Dallin, The Emotions’ Wanda Hutchinson, Dirty Projectors’ David Longstreth,The Meters’ Art Neville, and Dave Dee.
Your (Almost) Daily Playlist (12-10-20)
Inspired by the season and the December 10 birthdays of Commodores’ Walter Orange, Dinosaur Jr.’s J Mascis, The White Stripes’ Meg White, Teyana Taylor, Wang Chung’s Jack Hues, Paul Hardcastle, Peter Sarstedt and Chad & Jeremy’s Chad Stuart.
Your (Almost) Daily Playlist (12-9-20)
Inspired by the season and the December 9 birthdays of Donny Osmond, Portishead’s Geoff Barrow, The Rutles’ Neil Innes, Joan Armatrading, Dan Hicks, Donald Byrd, Uffie, Sylvia, Jessie Hill and Cybotron’s Juan Atkins.
Your (Almost) Daily Playlist (12-8-20)
Inspired by the season and the December 8 birthdays of Sinéad O’Connor, The Doors’ Jim Morrison, Nicki Minaj, Gregg Allman, Jerry Butler, Dan Hartman, Geto Boys’ Bushwick Bill, Sammy Davis Jr., Chrisette Michele, Alice Deejay’s Judith Pronk and Martin Circus’ Gerard Blanc.