How Empire Changed Timbaland

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After Empire creator Lee Daniels hired music producer Timbaland to be the television program’s Executive Music Producer, the Grammy Award winner sent the Academy Award nominee music to be used in the pilot episode.

As he recounted to Out.com, Daniels brought a copy of that first episode to Timbaland to show him how his music was used. Daniels was out of the room during the scene where Jamal and his boyfriend kiss. Said Daniels “I knew he was fascinated by seeing his music in the work, but he said, ‘Those guys kissing, man. Wow.’” When the music producer showed his family the pilot, he made his children leave the room during that kissing scene.

That shouldn’t surprise anyone. This was the man who said “Some people listen to a song like ‘SexyBack’ and think, am I queer? Am I funny? If you are that way, you’re just that way. But if you’re a masculine man, embrace it. Have a glass of wine, put the record on and invite your girl over to get sexy.”

He has a point. When I listen to “SexyBack,” I ask “Am I queer?” That’s because Justin Timberlake doesn’t do anything for me. If I were a masculine man who drank, I’d have a girl over and get sexy for the song’s four minutes and three seconds. But I’m funny.

Per Daniels, who is openly-gay, Timbaland is singing a new tune. “[Working on this show has] changed his opinion on how he feels about gays. He said it. And I remember hanging up the phone and being very emotional after talking to him, and after him telling me that. And how he really had this epiphany. It was beautiful, and it deepened our friendship.”

That must have been some conversation. “Hi, Lee? It’s Timbaland. I’ve worked with many gay people in my twenty-five years producing music, and every one of them disgusted me with their talent and work ethic. But after seeing a fictional gay character recite scripted lines and give his, uh, male friend a quick kiss, I’ve had a change of heart. I can handle a gay person for a few scenes one hour a week, provided my kids aren’t in the room. Let’s have dinner soon. Feel free to not bring your boyfriend. Love ya (in a platonic way)!”

Today the man born Timothy Mosley turns 43 years old. There’s still time for him to continue evolving. Here are twenty tracks he produced or co-produced. WARNING: This playlist includes “SexyBack.” Be sure you’re masculine enough to listen! (Before anyone asks, his stellar work with Aaliyah is not available on Spotify.)

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Brandeis ID

It’s Friday And I Need To Dance! – College Reunion Edition

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Brandeis ID
On the Facebook page for my thirty-year college reunion, which is coming up this June, someone brought up the music that reminds them of our college days. Many posts followed, naming songs that remind us of shared experiences at Brandeis University in the first half of the 1980s.

That post inspired today’s playlist. Friday is dance day at Tunes du Jour, and today I present 50 songs we danced to in the Usdan Ballroom at Brandeis University between the fall of 1981 and the spring of 1985. It was a great time for popular music. These songs have stood the test of time.

Have a great weekend!

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I Hate Verizon Wireless But I Like The Lemonheads

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Now that I no longer have health insurance via Anthem Blue Cross, there is a new company at the top of my Worst Customer Service With Whom I Have To Deal list. Congratulations, Verizon Wireless!

Unlike Anthem Blue Cross, Verizon Wireless used to have excellent customer service. When I signed on with them around ten years ago I was consistently amazed at how on it they were, even calling me to check on my service and offer money-saving options.

At some point around three or four years ago they decided to take a different approach – screw over their customers as much as possible. They decided training their staff was a waste of time and money. “If someone calls to say their phone isn’t working, just tell them to do a factory reset.” The factory resets never work.

I hate poor customer service. If I’m paying money, beaucoup money at that, I expect to be treated better by the recipient of that money. I dropped Anthem Blue Cross and I’m in the process of leaving Verizon Wireless.

It isn’t that easy, though. I’ve dealt with AT&T and T-Mobile in the past, and their customer service departments are no great shakes. Forget Sprint – I hear their service is awful on all counts. I’m seeking to go with a smaller company.

I read about Ting, who use either Sprint or T-Mobile’s towers to…here’s where I get lost. I called Ting Customer Service to guide me through choosing a new phone that works with their service. They were very friendly, explaining to me how it works and even helping me find a smartphone compatible with them.

I ordered a new phone. It cost a few hundred bucks, but in the end it’ll be worth it as I’m not tied to a two-year service contract and Ting’s monthly bills are far lower than the major carriers.

My phone arrived. I called Ting to set it up. Turns out the phone they advised me to buy doesn’t run on their 4G network, only 2G.

I hate Ting. I hate all cell phone service providers.

That reminds me…I need to sort out my health coverage. Thus far in 2015 I have received nine letters from California’s health care offices, each one contradicting the information in the one before it. It’s enough to give a man an ulcer. Hopefully that man has health insurance.

On a brighter note, today is the birthday of Evan Dando, leader of The Lemonheads. Enjoy this twenty-song playlist.

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Lou Reed – “Walk on the Wild Side”

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Haroldo Santiago Franceschi Rodriguez Danhakl was born in Puerto Rico in 1946. He grew up in New York and Miami Beach. At a very early age he recognized his attraction to men. Not fitting in and getting beaten up at school made Haroldo decide at age 15 to run away. Hitchhiking up the coast toward New York, Haroldo made a stop in Georgia where his friend Georgette plucked his eyebrows, applied mascara, and helped transform Haroldo into Holly.

In the Big Apple, Holly met Andy Warhol and the people who hung out at Warhol’s Factory, such as Candy Darling, Joe Dallesandro and Jackie Curtis.

The story of Holly and the other Warhol superstars is recounted in Lou Reed’s sole Hot 100 single, “Walk on the Wild Side.” The man born Louis Firbank was part of that scene in the Sixties, as his band, The Velvet Underground, was managed by Warhol. He felt an affinity with the people he sang about – as a teenager Reed’s parents sent him to a mental hospital where he would receive electroshock therapy to help cure him of his homosexual tendencies.

Though not gay himself, though perhaps bisexual, Reed wrote “Walk on the Wild Side” to be, in his words “an outright gay song,” saying it’s “from me to them, but they’re carefully worded so the straights can miss out on the implications and enjoy them without being offended.”

Produced by David Bowie and Mick Ronson, “Walk on the Wild Side” reached #16 on the Billboard Hot 100 in April 1973.

Tunes du Jour remembers the late Great Lou Reed today on what would have been his 73rd birthday. Here are twenty of his finest.

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Winston + Gaynor

It’s Friday And I Need To Dance!

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Billboard magazine’s first disco chart was published in October of 1974. Its #1 song was “Never Can Say Goodbye” performed by Gloria Gaynor. That record stayed on top for four weeks, soon crossing over to the pop chart, where it peaked at #9.

An eighteen-plus minute medley of “Honey Bee,” “Never Can Say Goodbye” and “Reach Out, I’ll Be There” reached #2 on the Disco chart in early 1975, leading to Gaynor being named “Queen of the Discos” by the National Association of Discotheque Disc Jockeys in March of that year.

Six more top ten disco hits followed in 1975 and 1976, but then her fortunes dried up. Her sole entry on the Disco chart in 1977 reached only #38. Her next charted disco single was over a year later, and peaked at #24. By this point, Donna Summer was the new Queen of Disco. Summer was also crossing over onto the pop chart, while Gaynor’s sole top 40 pop single was “Never Can Say Goodbye.” She failed to crack the Hot 100 in 1976 and 1977.

Her record company, Polydor, reached out to producer Dino Fekaris and asked him to produce for Gaynor a cover of the Righteous Brothers track “Substitute,” then a recent hit overseas for a group called Clout.

Fekaris was a staff songwriter at Motown Record for almost seven years before the company let him go. Determined not to let that career setback derail him, Fekaris got together with his songwriter and production partner Freddie Perren, who also had a stint at Motown, and wrote a song about getting over the fear of the unknown and surviving what life throws at you. They wanted a woman to record the track, but didn’t have anybody in mind. They decided to give the song to the next diva they work with. That’s when Polydor called with the Gaynor gig.

As requested by her label boss, Gaynor recorded “Substitute” to be the A-side of her next single, but the song about survival, which she recorded to be the record’s B-side, really resonated with her. Besides her career troubles, she recently lost her mother and fell on stage while performing, which required her to undergo spinal surgery and spend six months in the hospital. She recorded the tracks wearing a back brace.

“Substitute” was released in the fall of 1978. It failed to make the Hot 100.

One night around that time, Studio 54 DJ Ritchie Kaczor flipped over “Substitute” and played its B-side. The patrons ignored it that first time, but Kaczor kept playing it. Eventually, it became the club’s most popular cut. Soon, all New York City clubs were playing the track.

In November 1978 Vince Aletti wrote in Record World magazine that this song “is Gaynor’s very best work in years…delivered with such relish that one can’t help but get caught up in the emotion.”

In Boston, disco radio DJ Jack King played the single’s B-side and reported that “my listeners went nuts!” Seeing the response this song was getting, Polydor reissued the single with “Substitute” as the B-side. The A-side was now the anthem “I Will Survive.”

Winston + Gaynor
In January 1979, “I Will Survive” returned Gloria Gaynor to #1 on the Disco chart, where she remained for three weeks. In March of that year the record hit #1 on the Hot 100, where it also stayed for three weeks. It went on to become a smash around the world.

At the 22nd Annual Grammy Awards ceremony on February 27, 1980, Gloria Gaynor’s “I Will Survive” won for Best Disco Recording, the only time that award has ever been given, over Michael Jackson’s “Don’t Stop ‘Til You Get Enough,” Rod Stewart’s “Da Ya Think I’m Sexy?,” Earth Wind & Fire with The Emotions’ “Boogie Wonderland,” and then Queen of Disco Donna Summer’s Bad Girls.

“I Will Survive” kicks off Tunes du Jour’s weekly dance party.

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avalanche

It’s Rihanna’s Birthday And I Need To Dance!

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As much as I miss so many things about living in New York City, during the winter months I’m glad I moved to Los Angeles. I spent the first forty winters of my life on the east coast. I’m fine never again seeing snow or experiencing temperatures below 35 degrees.

When I was living in Manhattan I would take one week every winter to escape the city and head to the Caribbean or Mexico. I needed that time to thaw out. I didn’t take that trip the winter of 2002/2003, using my vacation fund to purchase a laptop instead. When LA-based Rhino Records called me in March 2003 to see if I’d consider moving out west to work for them, it was the fifth month of winter and I hadn’t a break. I said yes.

Growing up my parents would take us on vacations every winter. We went to the US Virgin Islands, Mexico, Puerto Rico and other warm places. We visited not-so-warm places as well. One year we went to Switzerland, where we skied down the Swiss Alps. One afternoon after we finished skiing for the day we took a walk. We heard what sounded like a loud rumble of thunder, but the sky was blue. Looking up, we saw an avalanche coming down the mountain right toward where we were. We ran for shelter in an igloo that was nearby (I have no idea why there was an igloo there), but not before I snapped some photos. Who knew when I would next see an avalanche?

avalancheAvalanche!

Similar things happened in other places I traveled with my family. I think it was on St. Thomas where we were told the evening we arrived that we had to leave our beachside bungalow and move into a room further up the hill, as a tidal wave was expected. The day we arrived in Barbados it was raining, which surprised and pleased our cab driver from the airport, who said they had been experiencing a very long drought. Fret no more, sir; the Schwartzes are here and we bring weather.

Traveling alone as an adult I didn’t have such weather-related events in the places I visited, but I more than made up for that with other misadventures. There was the time I accidentally hired a hooker to show me around Prague. There was the time in Puerto Vallarta where I signed up for a nature trek that turned out to be an orgy. There was that time in Istanbul where looking for an authentic Turkish bath I stumbled upon an underground sex club. I would have preferred a tour guide, a nature trek and a Turkish bath, but such is life.

I love to travel, but these days I’m not compelled to do so during the winter, where in LA we’ve enjoyed seventy-something degree weather the last few weeks. For those of you who are having a winter, do your best to stay warm and healthy.

To help you heat up, this week’s Tunes du Jour dance playlist features twenty-tracks from Barbados-born Rihanna. Did you know that Rihanna has had more #1 hits on the US Dance chart than any female artist save Madonna? She’s hit the top spot on that chart 21 times. This week, Madonna has her 44th #1 dance hit, “Living for Love,” so Rihanna has a way to go to overtake her. However, Rihanna can take solace in knowing that she has the #1 song in Glenn’s Ten this week, “FourFiveSeconds.”

Here are twenty Rihanna club bangers.

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It’s Friday And I Need To Dance!

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“I go through stages of intense dislike for ‘Blue Monday,’ which I’m sure every group does when they get one song they’re synonymous with, but the way it keeps getting reinvented is wonderful. It seems to be one of those tracks that’s timeless, which is amazing. We were using technology which could have dated like other ’80s stuff, but somehow we managed to swerve it. Was that deliberate? No, everything we do is by accident. The fact that for two years no one spotted that the sleeves cost more to make than the records confirms this. I honestly thought ‘Thieves Like Us,’ the single after ‘Blue Monday,’ was far superior. ‘Blue Monday’’s not a song, it’s a feeling, but once people hear that drum riff they’re off. People used to go mad when we didn’t play it. We had a fight onstage with a DJ in Nottingham once because we wouldn’t play it – which was a very New Order thing to do. As you get older and mellower you appreciate what got you where you are. We play it now because people love it.” – Peter Hook of New Order, 2003, in Q magazine, which named “Blue Monday” one of the best songs ever

Peter Hook turns 59 today. Tunes du Jour kicks off our weekly dance party with “Blue Monday.”

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Beck, Kanye and Beyoncé

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“I just know that the Grammys, if they want real artists, to keep coming back, they need to stop playing with us. We ain’t gonna play with them no more. And Beck needs to respect artistry and he should’ve given his award to Beyoncé. Because when you keep on diminishing art and not respecting the craft and smacking people in their face after they deliver monumental feats of music, you’re disrespectful to inspiration. And we as musicians have to inspire people who go to work every day, and they listen to that Beyoncé album and they feel like it takes them to another place.” – Kanye West on the Grammy Award for Album of the Year going to Beck’s Morning Phase rather than Beyoncé’s self-titled release

“I thought she was going to win. Come on, she’s Beyoncé! You can’t please everybody, man. I still love [West] and think he’s genius. I aspire to do what he does.” – Beck

“I wasn’t saying Beck; I said the Grammys. Beck knows that Beyoncé should have won; you know that. Come on, man. I love Beck! But he didn’t have the Album of the Year.” – Kanye West

Kanye West, official spokesperson for the Bey Nation, gave his opinion and the Internet blew up! It was a repeat of 2009, when West announced that Taylor Swift stole the MTV Best Female Video Award that should have gone to Beyoncé. The American people were up in arms! So much vitriol was sent West-ward and his detractors found plenty of reasons to go after him the ensuing years. As the wise trophy thief said, “the haters gonna hate hate hate hate hate.”

Kanye’s point was about creating art and reaching new heights in one’s craft. The only intelligent responses to further this discourse, per the many comments I saw on Facebook and Twitter, are “You’re classless” and “You’re garbage.” One person who didn’t call Kanye garbage was Shirley Manson, the lead singer of the band Garbage. She called him “a complete twat.”

At least all of us can sleep better knowing that Kanye loves Beck. They are two of my favorite all-time artists for many of the same reasons. They seldom repeat themselves, making each album they release different than the previous one. Neither follows trends. Both challenge themselves. Both are masters of their craft. Both can be sincere. Both can be funny. Neither has released a bad record.

However…

Beyoncé should have gotten the Album of the Year Grammy. Her self-titled album was a revelation. Following up her uneven 4, she took a giant leap forward and strived to make something more artistic than what we were used to from her. She succeeded. The Beck record, Morning Phase, sounds beautiful, but there were no surprises. It was announced early in 2014 that Beck would be releasing a new album that was in a mellow vein. I got what I expected. It was as fine as I thought it would be, and stronger than his last couple of releases. I like Morning Phase very much, more than the other nominated Albums of the Year performed by Ed Sheeran, Sam Smith and Pharrell Williams, but it’s nothing we haven’t heard Beck do before. Ironically, in Beyoncé’s quest to be more artistic, her album outsold its predecessor. Like Kanye said, she had the Album of the Year.

Enough of the Grammy voters felt otherwise and awarded Beck. That’s fine. There have been worse slights in the Grammy Album of the Year category than Beyoncé losing to Beck. What about the 1996 awards, when Beck’s Odelay lost to Celine Dion’s Falling into You? Or in 2000, when Beck’s Midnight Vultures lost to Steely Dan’s Two Against Nature? Or in 2005, when U2’s Hot to Dismantle an Atomic Bomb beat Kanye’s Late Registration and in 2004, when Ray Charles & Friends’ Genius Loves Company beat Kanye’s The College Dropout and Green Day’s American Idiot? Steely Dan, U2 and Ray Charles have released many albums deserving of Album of the Year. These weren’t them. U2 should have won 1992’s Album of the Year for Achtung Baby. They lost to Eric Clapton Unplugged. In 2007, Kanye’s Graduation and Amy Winehouse’s Back to Black both lost Album of the Year to Herbie Hancock’s River: The Joni Letters, a record that literally nobody has ever heard. In 1980, Christopher Cross’ self-titled debut beat Pink Floyd’s The Wall. In 1966, The Beatles’ Revolver lost to Frank Sinatra’s A Man and His Music. In 2012, Mumford & Sons’ Babel beat albums by Frank Ocean, Jack White and The Black Keys. The nominees for 1984’s Album of the Year Grammy were Prince’s Purple Rain, Bruce Springsteen’s Born in the USA, Tina Turner’s Private Dancer, Cyndi Lauper’s She’s So Unusual, and Lionel Richie’s Can’t Slow Down. Four classic albums plus one by Lionel Richie. The winner? Lionel Richie! WTF on a stick?!?! In 1991 the Album of the Year Grammy didn’t go to R.E.M., nominated for Out of Time. It went to Natalie Cole’s Unforgettable…with Love. Eligible but not nominated that year? A little album called Nevermind by a band named Nirvana. Oh well, whatever. In 1982, Toto IV beat…it doesn’t matter who else was nominated. It’s Toto Fuckin’ IV, people.

It looks like Beyoncé will have to wait longer before she is in the same hallowed company as Toto.

In less contentious news this week, ISIS killed U.S. hostage Kayla Mueller, Boko Haram killed thirteen soldiers and 81 civilians in Chad, and the Chief Justice of Alabama’s Supreme Court forbade probate judges in that state to issue marriage license to same-sex couples, despite a judge’s ruling that such unions are legal and the U.S. Supreme Court refusing to issue a stay on that ruling.

Congratulations, Beck!

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U Should Know D’Angelo

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You should know D’Angelo’s music. His debut album, Brown Sugar, turns twenty this summer. It’s a landmark in neo soul that sounds as fresh today as it did in 1995.

D’Angelo’s second album, Voodoo, celebrated its fifteenth anniversary a couple of weeks ago. It builds on and surpasses his debut, with D’Angelo’s singing, writing and production stretching beyond what his contemporaries were doing.

He surprise released his third album, Black Messiah, this past December. The Village Voice annual music critics poll placed it at #1 for 2014 album releases.

Today D’Angelo turns 41. Here is an introductory playlist. You should know D’Angelo’s music.

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Ringo + Roberta

Making Love With Roberta Flack

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In the 1982 film Making Love, Michael Ontkean plays a doctor (“Zack”) who cheats on his wife (“Claire”), portrayed by Kate Jackson, with Harry Hamlin (“Bart”), one of his patients. I guess I’m straight, because between the three main characters, I had a crush on the woman. Jackson was always my favorite of Charlie’s Angels. I was more attracted to her than I was to Farrah Fawcett or Jacklyn Smith or Cheryl Ladd. On second thought, that’s pretty gay.

Back in those days, there weren’t many Hollywood movies with big-name stars that had homosexual storylines, unlike today, when the typical multiplex fare is chock-full of celebrities acting out LGBT plots, he wrote sarcastically. It was a more conservative time. Reagan was president. Most folks didn’t want to see this pic. In her review of the Making Love in The New York Times, Janet Maslin wrote that the film “isn’t for everybody. It isn’t, for instance, for those who value seriousness, quality or realism above sheer foolishness, at least where their soap operas are concerned.” I prefer sheer foolishness.

Ms. Maslin continued her rave review. “Once the cat is out of the bag, the movie turns rip-roaring awful in an entirely enjoyable way. There is, for instance, Claire’s visit to one of Zack’s male lovers, whose address she finds on a matchbook in Zack’s closet. ‘Could I ask you a stupid question?’ she says, rather unnecessarily. ‘Are you happy?’ The movie maintains this pitch right through to its ending. The ending, incidentally, is one for the record books.”

Roger Ebert was equally impressed. In his review he wrote “This movie has some of the worst dialogue one can imagine:
She: ‘What about passion?’
He: ‘What about support?’
She: ‘What about betrayal?’”

Ebert also wrote “[Ontkean’s character] visits a couple of gay bars populated exclusively by extras who look as if they should be posing for an Ah! Men! catalog.”

Why Ebert was familiar with the Ah! Men! catalog I do not know, but he sure knows how to sell me on a film.

The movie was nominated for a Golden Globe Award, though not for the actors or director. Roberta Flack’s theme song, written by Burt Bacharach, Carole Bayer Sager and Bruce Roberts, lost Best Original Song to “Up Where We Belong” from An Officer and a Gentleman. Fair enough, though the song “Making Love” is as pretty as Kate Jackson.

Ringo + Roberta
Today Roberta Flack turns 76 or 78, depending on where you read it. Here are twenty career highlights.

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