Winston + new wave w2

Top 30 New Wave Songs

Winston + new wave w2
My friend and fellow improviser Josh asked me to compile a playlist consisting of my thirty favorite new wave songs. This proved challenging, for what is new wave? As a genre there is no clear definition of the term. For some it’s any musical act from England that emerged between 1977 and 1985. For some it includes any band that wasn’t punk that played at CBGBs. For some new wave was defined by the way the synths or guitars were played. For others it was a look.

I decided to not get too caught up on a precise definition; otherwise, I’d make myself crazy. For example, initially I was hesitant to include songs by Cheap Trick, Cyndi Lauper, Kid Creole and the Coconuts and even Pet Shop Boys (the latter because the song I chose was a poppy number that hit in 1988), but then I decided a case could be made for each to be considered new wave.

I limited myself to one song per artist. The limitation imposed by using Spotify to create the playlist proved to not be so bad – only one song I would put in my top thirty is not on the service, that being Yoko Ono’s “Kiss Kiss Kiss.” I see some people writing Spotify thank you notes already.

Herewith are my thirty favorite new wave songs. Did I leave out any of your all-time favorites? Tell me in the Comments.

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Ringo + Rick Astley

Stock, Aitken and Waterman’s Conversion Therapy

Much has been written about “reparative therapy,” procedures that attempt to turn gay people straight. There is a growing movement to ban the practice. But what about the reverse conversion therapy?

Leading sociologists such as Anita Bryant have long claimed that gay people recruit straight people into the homosexual lifestyle, a way of living that de-emphasizes sports, prayer and vaginas and instead focuses on appearance, hygiene and brunch. Recently de-classified documents show that there may be truth to this.

In 1984, three scientists – Mike Stock, Matt Aitken and Pete Waterman – wanted to see if they can convert millions of heterosexual men to homosexuals. Recognizing that doing this conversion one man at a time would be a time-consuming endeavor, they came up with a way to convert large swaths of men simultaneously. They did this through music.

Their experiment was a smashing success. They produced records that turned any man listening gay and any woman listening to a “fag hag.” Their hits include Dead or Alive’s “You Spin Me Round (Like a Record),” Rick Astley’s “Never Gonna Give You Up” and Bananarama’s “Venus.” Have you ever heard any of these songs? Have you ever had brunch? Coinkidink?

Professor Nicolai Баграмя́н teaches Psychological Environmental Neurological Intertwined Studies at Moscow University. His extensive research brought the effects of Stock, Aitken and Waterman’s work to light. “Many factors contribute toward giving a man a homosexual disposition. An alcoholic parent, attending boarding school, listening to Kylie Minogue sing ‘The Loco-motion.’ Gurl.”

Ringo + Rick AstleyRick Astley’s “Never Gonna Give You Up” has the power to turn dogs gay.

SAW sold 40 million records. In their home country of the United Kingdom they landed over 100 top 40 singles. If you’re an American and you’ve always wondered why every British man you meet seems gay, now you know why. They are.

The trio’s scientific formula also had an effect on the acts they produced. Kylie Minogue went from Australian soap opera star to gay icon. Samantha Fox went from being a nice teenage girl whose topless photos, taken by her father, appeared in British newspapers to being one-half of a same-sex marriage. Pete Burns of Dead or Alive has yet to be an L, but he has variously been a G, B or T. Divine became more divine.

SAW produced UK top ten hits for such unforgettable performers as Hazell Dean, Princess, Phil Fearon, Pepsi & Shirlie, Sinitta, Jason Donovan, Pat & Mick, and Brother Beyond. Emboldened by their success, in 1989 the trio tried their hand at producing someone talented. The result was Donna Summer’s first US top ten single in six years, “This Time I Know It’s For Real.” America was gayer.

Their work now done, the trio split up their partnership. In 1994, Stock and Aitken reunited for one more experiment – to up the gay factor of Bonnie Tyler’s “Total Eclipse of the Heart.” This resulted in a worldwide top ten single for the inimitable Nicki French, who went on to perform at Gay Pride events around the globe.

Per Dr. Баграмя́н, during the ten years between 1984 and 1994 Stock, Aitken and Waterman are responsible for making 577.1 million men around the world gay, thus increasing the popularity of mimosas.

The pop charts have been less gay over the last twenty years, due to a variety of factors (lawsuits, government intervention, Hinder). Today Tunes du Jour celebrates the birthday of Mike Stock and salutes his groundbreaking work in gay recruitment. Listen to this playlist of twenty of his records and be transformed. See you Sunday at The Abbey.

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Click here to learn more about reparative therapy.

doggies + New Edition

It’s My Birthday And I Need To Dance!

doggies + New Edition
Every April, to coincide with Tax Day, my former Sony colleague Rich Appel creates the IRS countdown. In this case, IRS stands for It Really Shoulda, as in It Really Shoulda been a top ten hit. People vote for songs that they feel should have but didn’t make the top ten of Billboard’s Hot 100. Rich collates all of the entries and comes out with the Top 100 IRS songs.

Today is my birthday. Usually on birthdays, Tunes du Jour creates a playlist around the music of the birthday boy or girl. As Friday is dance day in these parts, I decided I would take inspiration from Rich’s IRS countdown and present to you a playlist of songs that I love to dance to that didn’t crack the pop top ten. Here are fifty such IRS tracks. (Actually, fifty-one, not because that’s how old I am but because the Diana Ross entry is two songs.) It’s my birthday and I need to dance!

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It’s Friday And I Need To Dance!

In 2003, Rhino Entertainment moved me from New York City to Los Angeles to head up their Licensing department. I miss Manhattan’s energy and fashion sense and anything-at-any-hour way of life, but most of all, I miss my friends. And I miss our Bad Movie Days.

Not only do I love a good bad song; I also enjoy a good bad movie, as do a core group of my friends. We would meet at either my place or Kathy’s place every few Sundays and stay in, even if it was beautiful outside, and enjoy Glitter or Staying Alive or Body of Evidence, followed by a second feature, usually Showgirls.

Unlike a bad song, which I can enjoy in my solitude, a bad movie usually is more enjoyable with company. I’m not sure I would be able to sit through Skyscaper, in which Anna Nicole Smith starred as a hostage negotiator, if I didn’t have my friends with me to razz the screen, particularly during the scenes where Anna Nicole walked past an office and the film would dissolve to a flashback sequence of the time she had sex on that office’s desk.

I can enjoy a bad musical on my own. While my friends enjoyed Grease 2, with its extended production number about bowling, they were not as enamored as I am of Sgt. Pepper’s Lonely Hearts Club Band. Still, when I watched Mamma Mia on HBO alone in my Los Angeles condo, I knew my friends would share my joy at this amazing cinematic feat, particularly when Pierce Brosnan sang “S.O.S.”

One of my favorite bad movies is Can’t Stop the Music. It stars the Village People. I’ll let that sink in before I go on. Ready? It also stars Bruce Jenner, in a cropped t-shirt and Daisy Dukes. And Steve Guttenberg and Valerie Perrine, with “special guests” (as they are billed in the credits) The Ritchie Family. The Ritchie Family, whose hits were “Best Disco in Town” and “Brazil,” get “special guest” billing. That’s how amazing this movie is. But wait, there’s more! The film was directed by Nancy Walker. Ida Morgenstern. Rosie, the Bounty Paper Towel shill. That Nancy Walker. Now you know you’re in for a treat.

Before I get into the movie, let me make clear that I LOVE The Village People, and not in a I love bad music way. I unabashedly enjoy their music. Not just the hits singles; there are Village People album cuts that have five stars in my iTunes library. I love this movie’s theme song.

As for the rest of the movie, well…. It’s sort of about the formation of the Village People, though 90 minutes into it you may ask “Will there be a plot anytime soon?” Then you’ll ask “Why is a Village People movie more than 90 minutes long?” We see the group’s auditions. I would have hired the guy in the blue jumpsuit who sang “Macho Man.” That said, I can’t deny the leatherman, whose profession we learn is toll collector at the Brooklyn Battery Tunnel (talk about a macho man!), sings a mean “Danny Boy.” We see the guys shoot a commercial for milk. We see..I’m going to lift a line from this movie’s Wikipedia entry – “Initially reluctant, Helen seduces Steve with her kreplach and before long they’re negotiating the T-shirt merchandising for the Japanese market.” We see them perform for an ecstatic crowd in San Francisco (oh, um, spoiler alert. That’s how it ends.) Best of all, we see a “Y.M.C.A.” production number as envisioned by Busby Berkeley and Esther Williams while vacationing on Fire Island.

Every Friday is dance music day on Tunes du Jour. Today we kick off the playlist with the timeless “Y.M.C.A.” Because it is still LGBT Pride Month, I made our dance party extra gay. Twirl!

Ringo + Lisa S 002

It’s Friday And I Need To Dance!

Ringo + Lisa S 002
Today’s dance party kicks off with Lisa Stansfield’s “All Around the World,” a 1989 record that was a big hit all around the world, going to #1 in the U.K., Canada, Holland, Spain, Norway, Austria, and Belgium. It topped the U.S. Dance chart and R&B chart and reached #3 on the pop chart.

Lisa Stansfield turns 48 today. Her new album is entitled Seven.