Viking_VDSC5606GQ_365061

REVIEW: “Annie” – An Original Take On Eurythmics Singer

The motion picture Annie, which opens today, is an imaginative and refreshing telling of a story we all think we heard before.

Like recent biopics such as Ray, Walk the Line and Dreamgirls, some liberties were taken in this film version of the life of Eurythmics lead singer Annie Lennox, who, coincidentally, celebrates her 60th birthday today. Though in real life Lennox was born and raised in Scotland, the filmmakers set their story in New York City. Lennox was 28 years old when Eurythmics’ “Sweet Dreams (Are Made of This)” became a worldwide smash, making her a very wealthy woman. In the film Annie, she is ten years old when her sweet dreams come true and she acquires wealth.

This past summer’s Jimi Hendrix biopic, All Is by My Side, was unable to acquire the rights to use Hendrix’s music, so they used cover songs that Hendrix performed in his pre-fame days. Similarly, the producers of Annie were unable to secure the rights to Eurythmics’ songs, so instead they wrote new songs loosely based on the duo’s recordings. “When Tomorrow Comes” from their album Revenge, is now simply “Tomorrow.” “Grown Up Girls,” the b-side of the “There Must Be an Angel (Playing with My Heart)” single, is now “Little Girls.”

Eurythmics’ infamous performance from the Grammy Awards, in which Lennox cross-dressed as a dark-haired, sideburned man, is replicated in the film, though instead of taking place at the Shrine Auditorium, the scene is set on a helicopter. Nonetheless, the confusion the TV audience experienced in 1984, when viewers asked “Why is there a man singing ‘Sweet Dreams?’,” is beautifully captured, as the film audience will be confused and ask “Why are they dancing on a helicopter?”

As you probably know, the studio that released Annie, Sony Pictures, experienced a huge email leak a couple of weeks ago, in which it was revealed, among other things, that the producers originally wanted Amy Adams to play Annie Lennox. However, her asking price was too high, or as Sony’s Co-Chairman Amy Pascal put it in an email to film co-producer Jay-Z, “She wants a man’s salary. She’ll get it when she’s really adopted by a milionaire!,” to which Jay-Z replied “LOL!” Though Adams would have been good, 11-year-old Quetzalcoatl Wallis handles herself admirably. While we never get into her mind to see how she came up with “Here Comes the Rain Again” or “Would I Lie to You?,” she is cute, and the film’s equivalent of the Eurythmics/Aretha Franklin hit “Sisters Are Doing It for Themselves,” here performed with Willow Smith, is a highlight.

In an inspired bit of casting, Cameron Diaz portrays Whitney Houston, who had a hit with the Lennox composition “Step by Step.” Diaz is a great choice for the role, as she possesses the same range as the late Houston.

Viking_VDSC5606GQ_365061
Cameron Diaz has the same range as the late Whitney Houston.

Annie is rated PG. It contains mild language, rude humor, and a dance number set on a helicopter.

Today Tunes du Jour presents twenty Annie Lennox songs not included in the movie Annie.

Click here to like Tunes du Jour on Facebook!

It Never Rains In Southern California

As you may have heard, our sleepy little hamlet of Los Angeles got some rain over the past week. I assume you heard this because Los Angeles is the center of the world and our weather is likely reported everywhere, especially when we get rain, which lesser cities take for granted. More rain is forecast for this week.

If you were near a radio in the United States in 1972, you heard Albert Hammond’s hit single “It Never Rains in Southern California,” and learned that while in L.A. it never rains, it pours. Man, it pours.

Today’s playlist consists of songs with word rain or some variation thereof in the title. It includes Albert Hammond’s “It Never Rains in Southern California,” one of two top forty singles Hammond had as an artist. (The other was 1974’s “I’m a Train.” Remember that one? Didn’t think so.) As a songwriter, Hammond’s hits include The Hollies’ “The Air That I Breathe,” Leo Sayer’s “When I Need You,” Starship’s “Nothing’s Gonna Stop Us Now,” Whitney Houston’s “One Moment in Time,” Chicago’s “I Don’t Wanna Live Without Your Love,” Ace of Base’s “Don’t Turn Around,” Julio Iglesias and Willie Nelson’s “To All the Girls I’ve Loved Before” and The Pipkins’ “Gimme Dat Ding.” His son is a founding member of The Strokes.

Back to the weather. Get your umbrella and enjoy today’s playlist while the sun is still shining.

doggies + New Edition

It’s My Birthday And I Need To Dance!

doggies + New Edition
Every April, to coincide with Tax Day, my former Sony colleague Rich Appel creates the IRS countdown. In this case, IRS stands for It Really Shoulda, as in It Really Shoulda been a top ten hit. People vote for songs that they feel should have but didn’t make the top ten of Billboard’s Hot 100. Rich collates all of the entries and comes out with the Top 100 IRS songs.

Today is my birthday. Usually on birthdays, Tunes du Jour creates a playlist around the music of the birthday boy or girl. As Friday is dance day in these parts, I decided I would take inspiration from Rich’s IRS countdown and present to you a playlist of songs that I love to dance to that didn’t crack the pop top ten. Here are fifty such IRS tracks. (Actually, fifty-one, not because that’s how old I am but because the Diana Ross entry is two songs.) It’s my birthday and I need to dance!

Click here to like Tunes du Jour on Facebook!

Big_Love_single

It’s Friday And I Need To Dance!

Ebola is now in the US. Isis is on its way. Unarmed civilians are getting shot by law enforcement officials. Civil wars, mass kidnappings, volcanoes, a new Lenny Kravitz album. It’s a scary world!

I got my flu vaccination earlier this week, so I have one less thing to worry about. There is a movement against the flu vaccine, but the flu is mighty unpleasant and can lead to death. I’d rather go on living and enjoying my life with a little mercury in my system than deal with chills, fever, a runny nose, a sore throat, muscle pains, a severe headache, coughing, and/or fatigue. If I wanted to be in that much pain I’d listen to the new Lenny Kravitz album.

Though I get my flu shot every year, the needle always scares me. This year the doctor used a very small needle. I barely felt it and I’m happy to say I suffered no side effects. I feel great and energized, which is great because it’s Friday and I need to dance.

Big_Love_singleThe cover art can be obtained from Warner Bros. Records.

We’ll kick off this week’s dance playlist with the only Fleetwood Mac song to make the US dance chart, “Big Love.” The track was written, co-produced and sung by FM’s Lindsey Buckingham, who turns 65 today.

Click here to like Tunes du Jour on Facebook!

Winston + Queen 2014-09-05 11.07

It’s Freddie Mercury’s Birthday And I Need To Dance!

The band Queen released their eighth studio album, The Game, in 1980. The album’s first single, “Crazy Little Thing Called Love,” released eight months prior to the LP, went to #1 on the US pop charts. “Play the Game,” released as a single just a month before the album dropped, failed to make the US top 40.

Backstage after a Queen concert in Los Angeles, a fan of the group, Michael Jackson, suggested to Freddie Mercury that “Another One Bites the Dust” should be the next single. The band were initially reluctant to do so, but the track was getting airplay on black radio stations and demand was increasing, so their label, Elektra, put it out.

Inspired by the bass line of Chic’s “Good Times,” “Another One Bites the Dust” went to #1 on the US pop charts. It also hit #2 on the Soul chart and on the Dance chart, the group’s highest-placing songs on those formats.

A few years later Freddie Mercury and Michael Jackson recorded a few tracks together, including one written by Jackson and Randy Hansen entitled “State of Shock.” The pair never completed the track; explanations given or conjectured being they both got too busy with other commitments and couldn’t find time to reunite, Jackson objected to Mercury’s cocaine use, Mercury objected to Jackson bringing a llama into the recording studio, Queen’s record label fearing Mercury associating with Jackson would lead consumers to think he was gay (ahem). Whatever the reason, “State of Shock” was eventually released with Mick Jagger trading vocals with Jackson. It hit #3 in 1984.

Winston + Queen 2014-09-05 11.07
Today is Freddie Mercury’s birthday, so we’ll kick off our weekly dance party with “Another One Bites the Dust.”

Click here to like Tunes du Jour on Facebook!

me July 25 2014 at IM

It’s Friday And I Need To Dance!

Last week I regaled an audience with the story of the time I accidentally hired a prostitute to show me around Prague. These things happen. To me, anyway.

Half-glass-full guy that I am, once I realized what I did, I looked at the positive – I hired a prostitute to show me around Prague! Complications arose when the police got involved and I had to explain to my bank why they needed to credit that charge.

Though I ended up sightseeing that spectacular city on my own, I got a great story out of the trip. Sometimes things don’t go according to plan, but you make the best of the situation and try to turn it into a positive.

me July 25 2014 at IMSomeday I’ll talk about the time I boarded a bus in Mexico to go on what I thought was a nature trip to the hot springs. Let’s just say I don’t think the springs got any hotter than they did that night.

In 1987, two bands, both interested in making a dance record, got together in the studio at the suggestion of the head of their record label, 4AD. Colourbox and A R Kane didn’t hit it off, so each worked on their own track, which they then turned over to the other group to embellish.

Colourbox came up with “Pump up the Volume,” its title line sampled from Eric B & Rakim’s “I Know You Got Soul.” A R Kane added some guitar to the track, and DJs CJ Macintosh and Dave Dorrell added a bunch of samples.

The record was released under the name M|A|R|R|S. “Pump up the Volume” became a worldwide smash and was groundbreaking in its use of samples on a British house track.

Though the idea of a true collaboration between the two bands didn’t come to fruition, and the acts didn’t get along and never worked together again, they did produce a dance classic. “Pump up the Volume” kicks off today’s dance playlist. Have a great weekend and before you buy anything, make sure you know exactly what it is you are paying for.

Like Tunes du Jour on Facebook! Click here.

Winston + Suzanne 2014-07-11 15.15

It’s Friday And I Need To Dance!

I’m at a place in my life where I very much wish to try new things. To enter into places not completely familiar. I’ve accomplished a lot utilizing my knowledge of popular music and negotiation skills. From college graduation until last September I’ve always worked at record companies. Is there somewhere else where I can use these attributes?

Figuring out the next step on one’s own can be challenging. Having a career coach is helpful. Better yet would be meeting someone who sees what you (or, in this case, I) have to offer and gives you (me) a job, or, optimally, collaborates with you (me) on a new venture.

I think about this fairly often. This morning it occurred to me that it came to be for me a couple of weeks ago, though not directly related to my record company jobs.

When I lived I New York I performed and-up comedy at night. I did well with it. I won contests, had an agent, and played to sold-out theaters. I understand comedy structure, know how to formulate a joke, and have good timing.

Two weeks ago a friend and I started working together on a TV sitcom pilot. I can write relatable characters and punchlines. My friend, who has a terrific sense of humor as well, can take what I do and add in his knowledge of script formatting and sitcom structure. I’m enthusiastic about our new venture.

Winston + Suzanne 2014-07-11 15.15
In 1987, singer-songwriter Suzanne Vega scored a huge hit with “Luka,” from her album Solitude Standing. Her biggest hit to date, the song went to #3 on the United States pop charts, and also hit the Top 40 in countries such as The United Kingdom, Canada, Australia, The Netherlands, France, Sweden, Italy, Belgium, New Zealand, Austria, and Ireland.

Vega can write great lyrics and catchy hooks. ”Luka” also performed well on the Rock chart. Vega is like me in this story, and the British production duo who called themselves D.N.A. are my friend with whom I am writing the television script.

D.N.A. took Suzanne’s skills, in particular the a capella track that opens the Solitude Standing album, and added a dance beat to it. The result was another top ten pop hit, this one credited to D.N.A. featuring Suzanne Vega. The song, “Tom’s Diner,” also brought Vega to the top 15 of the Dance Club chart, the Modern Rock chart, and the R&B chart.

Vega didn’t plan this success. By chance D.N.A. entered her life and together each reached new heights. Hopefully our sitcom pilot will have the same success.

Today Suzanne Vega turns 55. We’ll kick off our Friday dance party with the DNA mix of “Tom’s Diner.”

doggies + James Brown 2014-07-04 10.41

It’s Friday The Fourth Of July And I Need To Dance!

On July 4, 1982, I went with my then-friend Robin to see Diana Ross in concert at Giants Stadium. I hadn’t been to the stadium before, but I figured on a typical day it was about a half hour drive from my home in New Jersey. As this was a holiday, I assumed there would be a lot of traffic, so I allowed for extra travel time. I didn’t want to be late.

We got to Giants Stadium five hours before show time. We parked right by the stadium entrance, went in, and found our seats. It was a beautiful sunny day, so we tanned as we waited for others to join us.

After a few hours other people showed up. The stadium was mostly full when the first opening act took to the stage. The band’s lead singer introduced them. “We’re Frankie Beverly and Maze for all you white people who don’t know who we are because you don’t listen to black music.” He sure knew how to charm an audience and win over new fans! I was momentarily ashamed that I spent my money to see and hear the white music of Diana Ross.

After Maze, Miles Davis performed. Would it have killed him to finish writing the songs before he came out? And hello, the audience is over here, not behind the curtain.

While Davis was playing, the couple sitting next to my then-friend Robin and me snorted cocaine. I’d never seen anyone do that before. They left after Davis finished, skipping the Diana Ross show altogether. That’s all I needed to see to keep me from ever doing coke. I don’t ever want to get to a point where I lose control over my thoughts and whereabouts and miss Miss Ross.

Finally, the main event. Diana Ross. Live. She performed all her big solo hits, except “Love Hangover,” and 30+ years later that still irks me. She did a medley of Supremes hits. She changed her clothes a few times. It was great!

doggies + James Brown 2014-07-04 10.41
Friday is dance day at Tunes du Jour, and while I could open today’s playlist with “Love Hangover” (Why, Miss Ross, why didn’t you preform that song???), I’m going to go with a more traditional 4th of July choice, James Brown’s “Living in America,” one of the very few Brown hits that the man neither wrote nor produced. Happy holiday!

Winston + Pride 2014-06-27 15.13

It’s Friday And I Need To Dance!

Today is the 27th of June. Only three more days of Gay Pride month and then I can go back to my self-loathing. Phew!

New York has their big Pride celebration this weekend. While I enjoy Pride here in West Hollywood, it’s nothing compared to the revelry in my former home of Manhattan.

The Los Angeles Pride parade here in WeHo goes for around two miles and lasts a couple of hours. If memory serves, New York’s parade is five or so miles long and lasts for around 168 hours. WeHo’s parade consists of a handful of politicians, floats for clubs I never heard of, some folks who are legends in their own minds, and a lot of lesbians on motorcycles. NYC’s parade consists of many political groups, many religious organizations, important social clubs such as Lesbians for Patsy Cline and Queens Against Brunch, and a hell of a lot of lesbians on motorcycles.

The list of Grand Marshals of NYC’s parade over the past ten years includes Dustin Lance Black, screenwriter of the Academy Award-wining film Milk; Lt. Dan Choi, a member of the US Army who served in Iraq, came out a gay, and challenged the Don’t Ask Don’t Tell policy; Dan Savage, creator of the It Gets Better Project, designed to dissuade LGBT youth from suicide as the answer to school bullying; Edie Windsor, the plaintiff in the United States v Windsor Supreme Court case which led to part of the anti-gay Defense of Marriage Act being struck down as unconstitutional, paving the way for the legalization of same-sex nuptials; Cleve Jones, the LGBT and AIDS activist who, among other things, conceived of the Names Project AIDS Memorial Quilt and co-founded the San Francisco AIDS Foundation in 1983; Constance McMillen, the high school student who sued her school in Mississippi when they refused to allow her to bring her girlfriend to the school prom; and Judy Shepard, the mother of Matthew Shepard, whose murder for being gay led to expanded hate crimes legislation to cover sexual orientation.

The list of LA’s Grand Marshals over the past ten years includes Paris Hilton, who is very wealthy and said “Gay guys are the horniest people in the world. Most of them probably have AIDS … I would be so scared if I was a gay guy … you’ll like die of AIDS;” Sharon Osbourne, who is very wealthy; Chelsea Handler, the television personality who dated 50 Cent, the grammatically-challenged former superstar who tweeted “If you a man and your over 25 and you don’t eat pussy just kill your self damn it. The world will be a better place. Lol;” and Demi Lovato, who had a gay grandfather. In 2007 we found an actual gay to be our Grand Marshall – John Amaechi, the first openly-gay former professional basketball player. In 2011 we found another one – Johnny Weir, the celebrated figure skater who smashed all the macho stereotypes of that profession. To be fair, I know how difficult it is to select the appropriate person to be our Grand Marshal. It’s not easy to find an openly gay person in Los Angeles; that’s why I’m still single.

Winston + Pride 2014-06-27 15.13

As the organizers of LA’s Pride Parade begin their search for next year’s Grand Marshal (may I suggest Vladimir Putin?), lock the doors, lower the blinds, fire up the smoke machine and put on your heels, because we’re gonna have a kiki. Dive, turn, werk.

It’s Friday And I Need To Dance!

In 2003, Rhino Entertainment moved me from New York City to Los Angeles to head up their Licensing department. I miss Manhattan’s energy and fashion sense and anything-at-any-hour way of life, but most of all, I miss my friends. And I miss our Bad Movie Days.

Not only do I love a good bad song; I also enjoy a good bad movie, as do a core group of my friends. We would meet at either my place or Kathy’s place every few Sundays and stay in, even if it was beautiful outside, and enjoy Glitter or Staying Alive or Body of Evidence, followed by a second feature, usually Showgirls.

Unlike a bad song, which I can enjoy in my solitude, a bad movie usually is more enjoyable with company. I’m not sure I would be able to sit through Skyscaper, in which Anna Nicole Smith starred as a hostage negotiator, if I didn’t have my friends with me to razz the screen, particularly during the scenes where Anna Nicole walked past an office and the film would dissolve to a flashback sequence of the time she had sex on that office’s desk.

I can enjoy a bad musical on my own. While my friends enjoyed Grease 2, with its extended production number about bowling, they were not as enamored as I am of Sgt. Pepper’s Lonely Hearts Club Band. Still, when I watched Mamma Mia on HBO alone in my Los Angeles condo, I knew my friends would share my joy at this amazing cinematic feat, particularly when Pierce Brosnan sang “S.O.S.”

One of my favorite bad movies is Can’t Stop the Music. It stars the Village People. I’ll let that sink in before I go on. Ready? It also stars Bruce Jenner, in a cropped t-shirt and Daisy Dukes. And Steve Guttenberg and Valerie Perrine, with “special guests” (as they are billed in the credits) The Ritchie Family. The Ritchie Family, whose hits were “Best Disco in Town” and “Brazil,” get “special guest” billing. That’s how amazing this movie is. But wait, there’s more! The film was directed by Nancy Walker. Ida Morgenstern. Rosie, the Bounty Paper Towel shill. That Nancy Walker. Now you know you’re in for a treat.

Before I get into the movie, let me make clear that I LOVE The Village People, and not in a I love bad music way. I unabashedly enjoy their music. Not just the hits singles; there are Village People album cuts that have five stars in my iTunes library. I love this movie’s theme song.

As for the rest of the movie, well…. It’s sort of about the formation of the Village People, though 90 minutes into it you may ask “Will there be a plot anytime soon?” Then you’ll ask “Why is a Village People movie more than 90 minutes long?” We see the group’s auditions. I would have hired the guy in the blue jumpsuit who sang “Macho Man.” That said, I can’t deny the leatherman, whose profession we learn is toll collector at the Brooklyn Battery Tunnel (talk about a macho man!), sings a mean “Danny Boy.” We see the guys shoot a commercial for milk. We see..I’m going to lift a line from this movie’s Wikipedia entry – “Initially reluctant, Helen seduces Steve with her kreplach and before long they’re negotiating the T-shirt merchandising for the Japanese market.” We see them perform for an ecstatic crowd in San Francisco (oh, um, spoiler alert. That’s how it ends.) Best of all, we see a “Y.M.C.A.” production number as envisioned by Busby Berkeley and Esther Williams while vacationing on Fire Island.

Every Friday is dance music day on Tunes du Jour. Today we kick off the playlist with the timeless “Y.M.C.A.” Because it is still LGBT Pride Month, I made our dance party extra gay. Twirl!