Nineteen eighty wasn’t a game changing year on the US pop chart. It wasn’t 1964. It wasn’t 1991. For the most part it was music business as usual. The death of disco was greatly exaggerated. Just ask any member of Lipps, Inc., should you have any idea what any member of Lipps, Inc. looks like. Seventies hit makers stayed on the charts. Paul McCartney. Diana Ross. Stevie Wonder. Barbra Streisand. The Captain & Tennille did it to us one more time, it meaning having a hit single. A few outsiders snuck into the top 40 with sounds unlike the rest – Devo hit with “Whip It,” Gary Numan with “Cars,” and The Vapors with “Turning Japanese.” In the coming years more such weirdos would make their presence known.
While many of 1980’s hits were great singles, many classics were born outside of the mainstream. Releases such as Bob Marley & the Wailers’ “Redemption Song,” Joy Division’s “Love Will Tear Us Apart,” Peter Gabriel’s “Biko,” Prince’s “When You Were Mine,” David Bowie’s “Ashes to Ashes,” and Funky 4 + 1’s “That’s the Joint” are often referred to as classics these days. In 1980, not a single one of them troubled the US Hot 100. Change was on its way. In 1980, rap wasn’t a fixture on the top 40, though its influence was heard in Queen’s #1 smash “Another One Bites the Dust.” The next few years saw #1 hits from Peter Gabriel, Prince, David Bowie and a rap song, plus a top ten reggae song.
Today’s Throwback Thursday playlist shines a spotlight on 1980.
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In 1966, Stevie Wonder and Motown producer Hank Cosby wrote a piece of music and recorded it. Wonder couldn’t come up with any lyrics to go with the music, so he gave a tape of the song to fellow Motown singer-songwriter Smokey Robinson to see if he could come up with something. The music reminded Smokey of the circus, so he free associated and came up with the image of a clown. That reminded him of a story he heard as a child – the story of the opera Pagliacci, about clowns who must cover up their sadness, as their jobs required them to entertain and elate the public. Based on this idea he wrote the words to the song that became “The Tears of a Clown.” He and his group The Miracles recorded the song. Smokey didn’t think much of it, though it was included as the last song on the group’s 1967 album Make It Happen. Two singles were released from that album – “The Love I Saw in You Was Just a Mirage,” which reached #20, and “More Love,” which reached #23.
In 1969, tired of touring, Smokey told his group The Miracles that he would be retiring from the group so he could stay at home with his family and focus on his job as a Vice President at Motown. That same year, a reissue of Smokey Robinson & The Miracles’ “The Tracks of My Tears” made the top ten in the UK. Though the group had many chart hits in the US, “Tracks…” was only their second song to crack the top 40 of the UK singles chart, following “I Second That Emotion” a year earlier. Motown Britain wished to capitalize on the late but growing fame. Learning there was no new material forthcoming from the group, the label asked the head of a UK Motown fan club if she had any suggestions for a Miracles song that would make a good single. She suggested the last cut on the group’s 1967 album Make It Happen.
In 1970, Smokey Robinson & The Miracles’ “The Tears of a Clown” went to #1 in the UK. Seeing its success, Motown US released the song as a single stateside, albeit with a slightly updated mix. “The Tears of a Clown” became Smokey Robinson & The Miracles only #1 on the Billboard Hot 100 (though The Miracles would hit #1 one more time following Smokey’s departure from the group.)
(Some bonus trivia: Stevie Wonder was initially brought to the attention of Motown Records by Miracles member Ronnie White.)
Today Tunes du Jour celebrates the 81st birthday of Smokey Robinson with a playlist of songs he sang and/or wrote, plus a tribute song, kicking off with “The Tears of a Clown.”
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Inspired by the season and the December 18 birthdays of The Rolling Stones’ Keith Richards, Billie Eilish, Sia, DMX, Christina Aguilera, Martha and the Muffins’ Martha Johnson, and Angie Stone.
Inspired by the season and the December 17 birthdays of The Temptations’ Eddie Kendricks, Bad Company’s Paul Rodgers, R.E.M.’s Mike Mills, Bananarama’s Sara Dallin, The Emotions’ Wanda Hutchinson, Dirty Projectors’ David Longstreth,The Meters’ Art Neville, and Dave Dee.
Inspired by the season and the December 4 birthdays of Jay-Z, The Beach Boys‘ Dennis Wilson, The Byrds’ Chris Hillman, Pansy Division’s Jon Ginoli, Freddy Cannon, Dionne Farris, Anna McGarrigle, Adamski and Southside Johnny.
Inspired by the season and the December 3 birthdays of Black Sabbath’s Ozzy Osbourne, Starship/Jefferson Starship/Elvin Bishop’s Mickey Thomas, Andy Williams, Lil Baby and City Girls’ JT.
Inspired by the season and the November 30 birthdays of June Pointer, Allan Sherman, Billy Idol, Whodini’s Jalil, Shuggie Otis, Des’ree, Luther Ingram, The Runaways’ Cherie Currie, and Dick Clark.
Inspired by Thanksgiving and the November 26 birthdays of Tina Turner, Fleetwood Mac’s John McVie, The Supremes’ Jean Terrell, DJ Khaled, Garnet Mimms, Rhythm Heritage’s Michael Omartian and The Fendermen’s Jim Sundquist.
Inspired by the November 25 birthdays of Rancid’s Tim Armstrong, Screaming Trees’ Mark Lanegan, Jocelyn Brown, Percy Sledge, Stacy Lattisaw, Bob Lind, Lighthouse Family’s Tunde Baiyewu and EPMD’s Erick Sermon.